As a major technological advance in the last
century, the shift towards a digital culture has
had many significant effects on society and
culture. This exhibition aims to speak to cultural
change by confronting relationships between
analog
and digital ideologies – between the old and the
new.
Identifying with this charge, artists Paul
Sergeant, Greg Snow and Stuart Sakai explore the
landscape of photographic history, forcing its
setting onto a contemporary context.

Paul Sergeant utilizes ambrotype processes to
reexamine the cultural significance of
portraiture; Greg Snow revisits the stereograph,
using anaglyths to document the coming end of the
film projector; and Stuart Sakai examines
contemporary notions of romance using technical
and narrative aspects of cinema and the comic
strip.

Curated by Stuart Sakai