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Archives 2025 exhibition

Sustainable Photobook Publishing Network What Makes a Photobook Sustainable?

May 1 – 10, 2025
  • CONTACT Photobook Lab
2025 Photobook Lab Sp Pn 17
Installation view of What Makes a Photobook Sustainable?, CONTACT Photobook Lab, 2025. Courtesy of the Sustainable Photobook Publishing network and CONTACT Photography Festival. Photo: Toni Hafkenscheid

Based on the publication of the same name, What Makes a Photobook Sustainable? is a reading room exhibition inciting conversation on how photography books are made and circulated. This reading room presents more than 20 books illustrative of the Sustainable Photobook Publishing (SPP) network as a global platform, illuminating how photographers and publishers worldwide are navigating sustainability solutions, ethical social practices, and decolonial initiatives—as well as featuring a special section highlighting local approaches to these concerns.

The photobook is an incredibly adaptable medium with an extensive variety of possible manifestations, formulating poetic visual essays, personal chronicles, political statements, creative non-fiction narratives, and more, into tactile, hand-held, personal, visual experiences. This adaptability, to a wide range of content and physical forms, is part of what has made it such a rapidly growing field of exploration in recent years. With the expansion of the industry and the ever-growing interest in the format, there are now photobook fairs and awards on every continent, as well as a broad range of publishers, from small imprints and self-publishers to medium and large-scale dedicated photobook publishers.

Book Waste Book6web  98047.1644775
Temporary Services, Book Waste Book, published 2022 by Half Letter Press

Unfortunately, the process of printing and binding books itself can be quite wasteful of resources including electricity, water, paper, and more, and can incorporate toxic substances, with waste products introduced into local environments. Although the relatively small size of the book format means that it can easily travel all over the world, shipping often entails prohibitively high costs, not to mention the significant additional environmental impacts of packaging and shipping across the planet.

Founded in 2021 by Tamsin Green, The SPP network is a platform for the exchange of ideas and knowledge around how we can move towards a more sustainable photobook publishing practice, both as individuals and collectively. The selection of books presented in the reading room is emblematic of the SPP network as a now-global platform, exemplifying the concerns addressed in their publication What Makes a Photobook Sustainable? (2024), also on view.

2023 10 03 Pf Riso Res Documentat
Kate Schneider, How to Understand a Rock, 2023
2023 Cristian Ordonez Displace 1
Cristian Ordóñez, DISPLACE, published 2023 by Another Earth

Further, these international examples are supplemented by a selection of locally produced books and a two-day workshop that together ask the question: What makes a photobook sustainable here, both in Toronto and in Canada at large? Brought together in this context, all of these publications show that there is no singular “right way” of approaching sustainability—every individual and organization involved at all stages in the process of making books must decide on their own approaches and priorities, while also being mindful of the contexts within which they are working. 

Each in their own way, the contributors of the featured works offer alternatives to capitalist economic models. Whether these involve practical solutions—using local materials, minimising waste, avoiding unnecessary travel—ethical social practices, or decolonial initiatives challenging the dominance of the Global North, these strategies provide glimpses of what an ecological future for the photobook might look like.

2025 Photobook Lab Sp Pn 15
Installation view of What Makes a Photobook Sustainable?, CONTACT Photobook Lab, 2025. Courtesy of the Sustainable Photobook Publishing network and CONTACT Photography Festival. Photo: Toni Hafkenscheid

Co-presented by CONTACT and the Sustainable Photobook Publishing network

Èxaucé: Ballet Studies by Édouard Lock

AND1357
Archives 2025 exhibition

Aurora Through the Archives: [un]Framed and in Focus

Aurora Museum & Archives
Archives 2025 exhibition

Ronnie Carrington Barbadian Folkways: they who sowed

BAND at Meridian Arts Centre
Archives 2025 exhibition

Natalie Hunter Bathed in Strange Light

The Bentway Studio and Terrace
2025 exhibition

Yann Pocreau The lapse in between

Blouin Division
Archives 2025 exhibition

Adam Swica Mistaken Identity

Christie Contemporary
Archives 2025 exhibition

Kiri Dalena Erased Slogans / Birds of Prey

College and Lansdowne Billboards, Dufferin and Queen Billboards
Archives 2025 Public Art

10x10 Photobooks Flashpoint! Protest Photography in Print

CONTACT Gallery
Archives 2025 exhibition

Group Exhibition Between Life and Light

Corkin Gallery
Archives 2025 exhibition

Steven Beckly Handy Work

Daniel Faria Gallery
Archives 2025 exhibition

Laure Tiberghien Time Capsule

Davisville Subway Station
Archives 2025 Public Art

Tamara Abdul Hadi Re-Imagining Return to the Marshes

Doris McCarthy Gallery, In the Instructional Centre Vitrines
Archives 2025 exhibition

Suneil Sanzgiri My Memory is Again in the Way of Your History (After Agha Shahid Ali)

Dundas and Rusholme Billboards
Archives 2025 Public Art

Andreas Koch, Pınar Öğrenci, Helena Uambembe Still Film: Photography in Motion

Goethe-Institut
Archives 2025 exhibition

Clara Gutsche

The Image Centre
Archives 2025 exhibition

Alanis Obomsawin Filmstrips. Educational Shorts from the NFB

The Image Centre
Archives 2025 exhibition

Caroline Monnet Creatura Dada

The Image Centre
Archives 2025 exhibition

Something Old, Something New: The Wedding Photography Collection of Stephen Bulger and Catherine Lash

The Image Centre
Archives 2025 exhibition

Rebecca Wood On Being Despised

The Image Centre
Archives 2025 exhibition

Tomaso Clavarino Emotional Geographies

Istituto Italiano di Cultura

Provinces and suburbs, margins and marginality, adolescence and uncertainty as conditions for...

Archives 2025 exhibition

Shawn Johnston the ghosts in our heads: dream states & the practice of archiving metaphysical snapshots

John B. Aird Gallery
Archives 2025 exhibition

Sandra Brewster FISH

The McMichael
2025 exhibition

Suneil Sanzgiri An Impossible Address

Mercer Union
Archives 2025 exhibition

Nabil Azab, Shannon Garden-Smith Presence in a past or an undetermined future.

Onsite Gallery
Archives 2025 exhibition

Rosalie Favell Facing the Camera: TSÍ TKARÒN:TO

Onsite Gallery Exterior Windows
2025 Public Art

Jeanne Randolph Pythagoras of the Prairies

Paul Petro Contemporary Art
Archives 2025 exhibition

Ho Tam Fine China

Paul Petro Contemporary Art
Archives 2025 exhibition

Sustainable Photobook Publishing Network What Makes a Photobook Sustainable?

Photobook Lab
Archives 2025 exhibition

Group Exhibition this is a place

the plumb
Archives 2025 exhibition

Ernesto Cabral de Luna, Delali Cofie, Amara King Fragile Residue

the plumb
Archives 2025 exhibition

Isabelle Hayeur The Prefix Prize

Prefix ICA @ Urbanspace Gallery
Archives 2025 exhibition

Jordan King Untitled Polaroid Series

Queen and Augusta Billboard
Archives 2025 Public Art

Christina Leslie Pinhole Portraits and Places

Stephen Bulger Gallery
Archives 2025 exhibition

Alanna Fields Unveiling

Strachan and King Billboards
Archives 2025 Public Art

John Latour Thursday’s Child

United Contemporary
Archives 2025 exhibition

Alison Postma Tender to the Touch

Xpace Cultural Centre
Archives 2025 exhibition

Group Exhibition Together in Quiet Light

Zalucky Contemporary
Archives 2025 exhibition
CorePublic ArtOpen CallArtistsCurators
  • Core
  • Public Art
  • Open Call
  • Artists
  • Curators
Archives 2025 exhibition

Sustainable Photobook Publishing Network What Makes a Photobook Sustainable?

May 1 – 10, 2025
  • CONTACT Photobook Lab
2025 Photobook Lab Sp Pn 17
Installation view of What Makes a Photobook Sustainable?, CONTACT Photobook Lab, 2025. Courtesy of the Sustainable Photobook Publishing network and CONTACT Photography Festival. Photo: Toni Hafkenscheid

Based on the publication of the same name, What Makes a Photobook Sustainable? is a reading room exhibition inciting conversation on how photography books are made and circulated. This reading room presents more than 20 books illustrative of the Sustainable Photobook Publishing (SPP) network as a global platform, illuminating how photographers and publishers worldwide are navigating sustainability solutions, ethical social practices, and decolonial initiatives—as well as featuring a special section highlighting local approaches to these concerns.

The photobook is an incredibly adaptable medium with an extensive variety of possible manifestations, formulating poetic visual essays, personal chronicles, political statements, creative non-fiction narratives, and more, into tactile, hand-held, personal, visual experiences. This adaptability, to a wide range of content and physical forms, is part of what has made it such a rapidly growing field of exploration in recent years. With the expansion of the industry and the ever-growing interest in the format, there are now photobook fairs and awards on every continent, as well as a broad range of publishers, from small imprints and self-publishers to medium and large-scale dedicated photobook publishers.

Book Waste Book6web  98047.1644775
Temporary Services, Book Waste Book, published 2022 by Half Letter Press

Unfortunately, the process of printing and binding books itself can be quite wasteful of resources including electricity, water, paper, and more, and can incorporate toxic substances, with waste products introduced into local environments. Although the relatively small size of the book format means that it can easily travel all over the world, shipping often entails prohibitively high costs, not to mention the significant additional environmental impacts of packaging and shipping across the planet.

Founded in 2021 by Tamsin Green, The SPP network is a platform for the exchange of ideas and knowledge around how we can move towards a more sustainable photobook publishing practice, both as individuals and collectively. The selection of books presented in the reading room is emblematic of the SPP network as a now-global platform, exemplifying the concerns addressed in their publication What Makes a Photobook Sustainable? (2024), also on view.

2023 10 03 Pf Riso Res Documentat
Kate Schneider, How to Understand a Rock, 2023
2023 Cristian Ordonez Displace 1
Cristian Ordóñez, DISPLACE, published 2023 by Another Earth

Further, these international examples are supplemented by a selection of locally produced books and a two-day workshop that together ask the question: What makes a photobook sustainable here, both in Toronto and in Canada at large? Brought together in this context, all of these publications show that there is no singular “right way” of approaching sustainability—every individual and organization involved at all stages in the process of making books must decide on their own approaches and priorities, while also being mindful of the contexts within which they are working. 

Each in their own way, the contributors of the featured works offer alternatives to capitalist economic models. Whether these involve practical solutions—using local materials, minimising waste, avoiding unnecessary travel—ethical social practices, or decolonial initiatives challenging the dominance of the Global North, these strategies provide glimpses of what an ecological future for the photobook might look like.

2025 Photobook Lab Sp Pn 15
Installation view of What Makes a Photobook Sustainable?, CONTACT Photobook Lab, 2025. Courtesy of the Sustainable Photobook Publishing network and CONTACT Photography Festival. Photo: Toni Hafkenscheid

Co-presented by CONTACT and the Sustainable Photobook Publishing network

Èxaucé: Ballet Studies by Édouard Lock

AND1357
Archives 2025 exhibition

Aurora Through the Archives: [un]Framed and in Focus

Aurora Museum & Archives
Archives 2025 exhibition

Ronnie Carrington Barbadian Folkways: they who sowed

BAND at Meridian Arts Centre
Archives 2025 exhibition

Natalie Hunter Bathed in Strange Light

The Bentway Studio and Terrace
2025 exhibition

Yann Pocreau The lapse in between

Blouin Division
Archives 2025 exhibition

Adam Swica Mistaken Identity

Christie Contemporary
Archives 2025 exhibition

Kiri Dalena Erased Slogans / Birds of Prey

College and Lansdowne Billboards, Dufferin and Queen Billboards
Archives 2025 Public Art

10x10 Photobooks Flashpoint! Protest Photography in Print

CONTACT Gallery
Archives 2025 exhibition

Group Exhibition Between Life and Light

Corkin Gallery
Archives 2025 exhibition

Steven Beckly Handy Work

Daniel Faria Gallery
Archives 2025 exhibition

Laure Tiberghien Time Capsule

Davisville Subway Station
Archives 2025 Public Art

Tamara Abdul Hadi Re-Imagining Return to the Marshes

Doris McCarthy Gallery, In the Instructional Centre Vitrines
Archives 2025 exhibition

Suneil Sanzgiri My Memory is Again in the Way of Your History (After Agha Shahid Ali)

Dundas and Rusholme Billboards
Archives 2025 Public Art

Andreas Koch, Pınar Öğrenci, Helena Uambembe Still Film: Photography in Motion

Goethe-Institut
Archives 2025 exhibition

Clara Gutsche

The Image Centre
Archives 2025 exhibition

Alanis Obomsawin Filmstrips. Educational Shorts from the NFB

The Image Centre
Archives 2025 exhibition

Caroline Monnet Creatura Dada

The Image Centre
Archives 2025 exhibition

Something Old, Something New: The Wedding Photography Collection of Stephen Bulger and Catherine Lash

The Image Centre
Archives 2025 exhibition

Rebecca Wood On Being Despised

The Image Centre
Archives 2025 exhibition

Tomaso Clavarino Emotional Geographies

Istituto Italiano di Cultura

Provinces and suburbs, margins and marginality, adolescence and uncertainty as conditions for...

Archives 2025 exhibition

Shawn Johnston the ghosts in our heads: dream states & the practice of archiving metaphysical snapshots

John B. Aird Gallery
Archives 2025 exhibition

Sandra Brewster FISH

The McMichael
2025 exhibition

Suneil Sanzgiri An Impossible Address

Mercer Union
Archives 2025 exhibition

Nabil Azab, Shannon Garden-Smith Presence in a past or an undetermined future.

Onsite Gallery
Archives 2025 exhibition

Rosalie Favell Facing the Camera: TSÍ TKARÒN:TO

Onsite Gallery Exterior Windows
2025 Public Art

Jeanne Randolph Pythagoras of the Prairies

Paul Petro Contemporary Art
Archives 2025 exhibition

Ho Tam Fine China

Paul Petro Contemporary Art
Archives 2025 exhibition

Sustainable Photobook Publishing Network What Makes a Photobook Sustainable?

Photobook Lab
Archives 2025 exhibition

Group Exhibition this is a place

the plumb
Archives 2025 exhibition

Ernesto Cabral de Luna, Delali Cofie, Amara King Fragile Residue

the plumb
Archives 2025 exhibition

Isabelle Hayeur The Prefix Prize

Prefix ICA @ Urbanspace Gallery
Archives 2025 exhibition

Jordan King Untitled Polaroid Series

Queen and Augusta Billboard
Archives 2025 Public Art

Christina Leslie Pinhole Portraits and Places

Stephen Bulger Gallery
Archives 2025 exhibition

Alanna Fields Unveiling

Strachan and King Billboards
Archives 2025 Public Art

John Latour Thursday’s Child

United Contemporary
Archives 2025 exhibition

Alison Postma Tender to the Touch

Xpace Cultural Centre
Archives 2025 exhibition

Group Exhibition Together in Quiet Light

Zalucky Contemporary
Archives 2025 exhibition

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80 Spadina Ave, Ste 205
Toronto, M5V 2J4
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416 539 9595 info @ contactphoto.com Instagram

CONTACT is a Toronto based non-profit organization dedicated to exhibiting, analyzing and celebrating photography and lens-based media through an annual festival that takes place every May.

Land Acknowledgement

CONTACT acknowledges that we live and work on the traditional territory of many nations, including the Mississaugas of the Credit, the Anishnabeg, the Chippewa, the Haudenosaunee and the Wendat peoples, and that this land is now home to many diverse First Nations, Inuit, and Métis peoples. CONTACT is committed to promoting Indigenous voices; to generating spaces for ongoing, meaningful, and creative Indigenous-settler dialogue; and to continuous learning about our place on this land.

Anti-Oppression

CONTACT is committed to the ongoing development of meaningful anti-oppressive practice on all levels. This includes our continuing goal of augmenting and maintaining diverse representation, foregrounding varied and under-represented voices and perspectives via our public platform (the Festival and all related programs), as well as continually examining the structures of power and decision-making within the organization itself. We aim to actively learn, grow, and embody the values of inclusivity, equity, and accessibility in all facets of the institution, as an ever-evolving process.