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  • Open Call
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Archives 2025 exhibition

10x10 Photobooks Flashpoint! Protest Photography in Print

May 1 – June 21, 2025
  • CONTACT Gallery
2025 10x10 Gender Women S Rights B Guarditano a Mesma Luta 02
Rosa Gauditano, spread from A mesma luta, 2021. Published by Studio R, São Paulo, Brazil

10×10 Photobooks is a New York City-based non-profit organization with the mission to foster engagement with the global photobook community through an appreciation, dissemination, and understanding of photobooks. Based on their 2024 anthology Flashpoint! Protest Photography in Print, 1950–Present, this reading room exhibition showcases a selection of more than 90 photobooks, zines, posters, pamphlets, independent journals, and alternative newspapers addressing protest and resistance, and highlighting photography’s critical role within it.

The past seventy-five years have been a time of extreme social and cultural transformation worldwide. Political and social upheaval—often contentious, disorienting, and polarizing—is now a daily reality. Whether looking at migration crises, territorial disputes, gender inequity, class divisions, racism, war, gun violence, or environmental concerns, we live in a world rife with conflict. Since its inception, photography has captured defining historical moments, serving as either a tool within, or a document of, protest—or, at times, both.

Gender Women S Body P 77 Anti Abortion 3150x2280px
Pro-Choice Public Education Project, 77% of anti-abortion leaders are men. 100% of them will never be pregnant, 1998. Photo courtesy Center for the Study of Political Graphics.
Pol Rev Z El Tantawy the People 00
Laura El-Tantawy, Al Shaab (The People), 2015.

 

In juxtaposing photobooks, posters, DIY zines, and independent journals, Flashpoint! explores the diverse roles and varied aesthetics that photography-in-print embodies in its implementations toward protest and resistance. Conceived of through an “aesthetics of urgency,” it can be employed as part of the unfolding events themselves—for example, in the form of anonymously designed posters plastered along the streets, or as ink-stained fliers handed out at public actions.

Alternately, it can take the form of an elegantly-designed photobook documenting an uprising, often published a year or more later, and at times in collaboration with well-known photographers, writers, and designers. Whether conveying outright rage or a more subtle, artist-driven commentary, protest photography in print is pressed into action across all of these formats, often transcending rigid media definitions as it blurs the lines between what constitutes a book, zine, journal, poster, or newspaper.

2025 Contact Gallery Flashpoint 17
Installation view of Flashpoint! Protest Photography in Print Reading Room, CONTACT Gallery, 2025. Courtesy of CONTACT Photography Festival and 10x10 Photobooks. Photo: Toni Hafkenscheid

Reflecting the titular anthology, the printed matter on display is thematically organized into seven broad chapters: “Anti,” “Gender,” “Displacement,” “Race & Class,” “Environment,” “Political,” and “War & Violence,” with each chapter including multiple sub-themes that address resistance. Complementing the printed matter is a wall display of over 25 poster reproductions, representing all seven chapters. The reading room also includes a curated selection of community-submitted zines unique to this iteration at CONTACT.

Through its reflection of diverse regional and cultural perspectives, Flashpoint! offers an opportunity for visitors to experience moments within others’ lives, to grapple with complex societal issues, and to incite conversations that challenge norms and inspire positive and respectful discourse. After its initial launch at CONTACT, the Flashpoint! reading room will tour globally through 2027.

2025 Contact Gallery Flashpoint 16
Installation view of Flashpoint! Protest Photography in Print Reading Room, CONTACT Gallery, 2025. Courtesy of CONTACT Photography Festival and 10x10 Photobooks. Photo: Toni Hafkenscheid
2025 Contact Gallery Flashpoint 23
Installation view of Flashpoint! Protest Photography in Print Reading Room, CONTACT Gallery, 2025. Courtesy of CONTACT Photography Festival and 10x10 Photobooks. Photo: Toni Hafkenscheid
2025 Contact Gallery Flashpoint 28
Installation view of Flashpoint! Protest Photography in Print Reading Room, CONTACT Gallery, 2025. Courtesy of CONTACT Photography Festival and 10x10 Photobooks. Photo: Toni Hafkenscheid
2025 Contact Gallery Flashpoint 04
Installation view of Flashpoint! Protest Photography in Print Reading Room, CONTACT Gallery, 2025. Courtesy of CONTACT Photography Festival and 10x10 Photobooks. Photo: Toni Hafkenscheid

Shortlisted for the Aperture PhotoBook Awards 2024, the publication Flashpoint! Protest Photography in Print, 1950–Present was edited by Russet Lederman and Olga Yatskevich and published by 10×10 Photobooks. Founded in 2012, 10×10 offers an ongoing multi-platform series of public photobook events, including reading rooms, salons, publications, grants, online communities, and partnerships with arts organizations and institutions.

Co-presented by CONTACT and 10×10 Photobooks

Curated by Russet Lederman and Olga Yatskevich

Supported by Cindy & Shon Barnett and Dara & Marvin Singer

Èxaucé: Ballet Studies by Édouard Lock

AND1357
Archives 2025 exhibition

Aurora Through the Archives: [un]Framed and in Focus

Aurora Museum & Archives
Archives 2025 exhibition

Ronnie Carrington Barbadian Folkways: they who sowed

BAND at Meridian Arts Centre
Archives 2025 exhibition

Natalie Hunter Bathed in Strange Light

The Bentway Studio and Terrace
2025 exhibition

Yann Pocreau The lapse in between

Blouin Division
Archives 2025 exhibition

Adam Swica Mistaken Identity

Christie Contemporary
Archives 2025 exhibition

Kiri Dalena Erased Slogans / Birds of Prey

College and Lansdowne Billboards, Dufferin and Queen Billboards
Archives 2025 Public Art

10x10 Photobooks Flashpoint! Protest Photography in Print

CONTACT Gallery
Archives 2025 exhibition

Group Exhibition Between Life and Light

Corkin Gallery
Archives 2025 exhibition

Steven Beckly Handy Work

Daniel Faria Gallery
Archives 2025 exhibition

Laure Tiberghien Time Capsule

Davisville Subway Station
Archives 2025 Public Art

Tamara Abdul Hadi Re-Imagining Return to the Marshes

Doris McCarthy Gallery, In the Instructional Centre Vitrines
Archives 2025 exhibition

Suneil Sanzgiri My Memory is Again in the Way of Your History (After Agha Shahid Ali)

Dundas and Rusholme Billboards
Archives 2025 Public Art

Andreas Koch, Pınar Öğrenci, Helena Uambembe Still Film: Photography in Motion

Goethe-Institut
Archives 2025 exhibition

Clara Gutsche

The Image Centre
Archives 2025 exhibition

Alanis Obomsawin Filmstrips. Educational Shorts from the NFB

The Image Centre
Archives 2025 exhibition

Caroline Monnet Creatura Dada

The Image Centre
Archives 2025 exhibition

Something Old, Something New: The Wedding Photography Collection of Stephen Bulger and Catherine Lash

The Image Centre
Archives 2025 exhibition

Rebecca Wood On Being Despised

The Image Centre
Archives 2025 exhibition

Tomaso Clavarino Emotional Geographies

Istituto Italiano di Cultura

Provinces and suburbs, margins and marginality, adolescence and uncertainty as conditions for...

Archives 2025 exhibition

Shawn Johnston the ghosts in our heads: dream states & the practice of archiving metaphysical snapshots

John B. Aird Gallery
Archives 2025 exhibition

Sandra Brewster FISH

The McMichael
2025 exhibition

Suneil Sanzgiri An Impossible Address

Mercer Union
Archives 2025 exhibition

Nabil Azab, Shannon Garden-Smith Presence in a past or an undetermined future.

Onsite Gallery
Archives 2025 exhibition

Rosalie Favell Facing the Camera: TSÍ TKARÒN:TO

Onsite Gallery Exterior Windows
2025 Public Art

Jeanne Randolph Pythagoras of the Prairies

Paul Petro Contemporary Art
Archives 2025 exhibition

Ho Tam Fine China

Paul Petro Contemporary Art
Archives 2025 exhibition

Sustainable Photobook Publishing Network What Makes a Photobook Sustainable?

Photobook Lab
Archives 2025 exhibition

Group Exhibition this is a place

the plumb
Archives 2025 exhibition

Ernesto Cabral de Luna, Delali Cofie, Amara King Fragile Residue

the plumb
Archives 2025 exhibition

Isabelle Hayeur The Prefix Prize

Prefix ICA @ Urbanspace Gallery
Archives 2025 exhibition

Jordan King Untitled Polaroid Series

Queen and Augusta Billboard
Archives 2025 Public Art

Christina Leslie Pinhole Portraits and Places

Stephen Bulger Gallery
Archives 2025 exhibition

Alanna Fields Unveiling

Strachan and King Billboards
Archives 2025 Public Art

John Latour Thursday’s Child

United Contemporary
Archives 2025 exhibition

Alison Postma Tender to the Touch

Xpace Cultural Centre
Archives 2025 exhibition

Group Exhibition Together in Quiet Light

Zalucky Contemporary
Archives 2025 exhibition
CorePublic ArtOpen CallArtistsCurators
  • Core
  • Public Art
  • Open Call
  • Artists
  • Curators
Archives 2025 exhibition

10x10 Photobooks Flashpoint! Protest Photography in Print

May 1 – June 21, 2025
  • CONTACT Gallery
2025 10x10 Gender Women S Rights B Guarditano a Mesma Luta 02
Rosa Gauditano, spread from A mesma luta, 2021. Published by Studio R, São Paulo, Brazil

10×10 Photobooks is a New York City-based non-profit organization with the mission to foster engagement with the global photobook community through an appreciation, dissemination, and understanding of photobooks. Based on their 2024 anthology Flashpoint! Protest Photography in Print, 1950–Present, this reading room exhibition showcases a selection of more than 90 photobooks, zines, posters, pamphlets, independent journals, and alternative newspapers addressing protest and resistance, and highlighting photography’s critical role within it.

The past seventy-five years have been a time of extreme social and cultural transformation worldwide. Political and social upheaval—often contentious, disorienting, and polarizing—is now a daily reality. Whether looking at migration crises, territorial disputes, gender inequity, class divisions, racism, war, gun violence, or environmental concerns, we live in a world rife with conflict. Since its inception, photography has captured defining historical moments, serving as either a tool within, or a document of, protest—or, at times, both.

Gender Women S Body P 77 Anti Abortion 3150x2280px
Pro-Choice Public Education Project, 77% of anti-abortion leaders are men. 100% of them will never be pregnant, 1998. Photo courtesy Center for the Study of Political Graphics.
Pol Rev Z El Tantawy the People 00
Laura El-Tantawy, Al Shaab (The People), 2015.

 

In juxtaposing photobooks, posters, DIY zines, and independent journals, Flashpoint! explores the diverse roles and varied aesthetics that photography-in-print embodies in its implementations toward protest and resistance. Conceived of through an “aesthetics of urgency,” it can be employed as part of the unfolding events themselves—for example, in the form of anonymously designed posters plastered along the streets, or as ink-stained fliers handed out at public actions.

Alternately, it can take the form of an elegantly-designed photobook documenting an uprising, often published a year or more later, and at times in collaboration with well-known photographers, writers, and designers. Whether conveying outright rage or a more subtle, artist-driven commentary, protest photography in print is pressed into action across all of these formats, often transcending rigid media definitions as it blurs the lines between what constitutes a book, zine, journal, poster, or newspaper.

2025 Contact Gallery Flashpoint 17
Installation view of Flashpoint! Protest Photography in Print Reading Room, CONTACT Gallery, 2025. Courtesy of CONTACT Photography Festival and 10x10 Photobooks. Photo: Toni Hafkenscheid

Reflecting the titular anthology, the printed matter on display is thematically organized into seven broad chapters: “Anti,” “Gender,” “Displacement,” “Race & Class,” “Environment,” “Political,” and “War & Violence,” with each chapter including multiple sub-themes that address resistance. Complementing the printed matter is a wall display of over 25 poster reproductions, representing all seven chapters. The reading room also includes a curated selection of community-submitted zines unique to this iteration at CONTACT.

Through its reflection of diverse regional and cultural perspectives, Flashpoint! offers an opportunity for visitors to experience moments within others’ lives, to grapple with complex societal issues, and to incite conversations that challenge norms and inspire positive and respectful discourse. After its initial launch at CONTACT, the Flashpoint! reading room will tour globally through 2027.

2025 Contact Gallery Flashpoint 16
Installation view of Flashpoint! Protest Photography in Print Reading Room, CONTACT Gallery, 2025. Courtesy of CONTACT Photography Festival and 10x10 Photobooks. Photo: Toni Hafkenscheid
2025 Contact Gallery Flashpoint 23
Installation view of Flashpoint! Protest Photography in Print Reading Room, CONTACT Gallery, 2025. Courtesy of CONTACT Photography Festival and 10x10 Photobooks. Photo: Toni Hafkenscheid
2025 Contact Gallery Flashpoint 28
Installation view of Flashpoint! Protest Photography in Print Reading Room, CONTACT Gallery, 2025. Courtesy of CONTACT Photography Festival and 10x10 Photobooks. Photo: Toni Hafkenscheid
2025 Contact Gallery Flashpoint 04
Installation view of Flashpoint! Protest Photography in Print Reading Room, CONTACT Gallery, 2025. Courtesy of CONTACT Photography Festival and 10x10 Photobooks. Photo: Toni Hafkenscheid

Shortlisted for the Aperture PhotoBook Awards 2024, the publication Flashpoint! Protest Photography in Print, 1950–Present was edited by Russet Lederman and Olga Yatskevich and published by 10×10 Photobooks. Founded in 2012, 10×10 offers an ongoing multi-platform series of public photobook events, including reading rooms, salons, publications, grants, online communities, and partnerships with arts organizations and institutions.

Co-presented by CONTACT and 10×10 Photobooks

Curated by Russet Lederman and Olga Yatskevich

Supported by Cindy & Shon Barnett and Dara & Marvin Singer

Èxaucé: Ballet Studies by Édouard Lock

AND1357
Archives 2025 exhibition

Aurora Through the Archives: [un]Framed and in Focus

Aurora Museum & Archives
Archives 2025 exhibition

Ronnie Carrington Barbadian Folkways: they who sowed

BAND at Meridian Arts Centre
Archives 2025 exhibition

Natalie Hunter Bathed in Strange Light

The Bentway Studio and Terrace
2025 exhibition

Yann Pocreau The lapse in between

Blouin Division
Archives 2025 exhibition

Adam Swica Mistaken Identity

Christie Contemporary
Archives 2025 exhibition

Kiri Dalena Erased Slogans / Birds of Prey

College and Lansdowne Billboards, Dufferin and Queen Billboards
Archives 2025 Public Art

10x10 Photobooks Flashpoint! Protest Photography in Print

CONTACT Gallery
Archives 2025 exhibition

Group Exhibition Between Life and Light

Corkin Gallery
Archives 2025 exhibition

Steven Beckly Handy Work

Daniel Faria Gallery
Archives 2025 exhibition

Laure Tiberghien Time Capsule

Davisville Subway Station
Archives 2025 Public Art

Tamara Abdul Hadi Re-Imagining Return to the Marshes

Doris McCarthy Gallery, In the Instructional Centre Vitrines
Archives 2025 exhibition

Suneil Sanzgiri My Memory is Again in the Way of Your History (After Agha Shahid Ali)

Dundas and Rusholme Billboards
Archives 2025 Public Art

Andreas Koch, Pınar Öğrenci, Helena Uambembe Still Film: Photography in Motion

Goethe-Institut
Archives 2025 exhibition

Clara Gutsche

The Image Centre
Archives 2025 exhibition

Alanis Obomsawin Filmstrips. Educational Shorts from the NFB

The Image Centre
Archives 2025 exhibition

Caroline Monnet Creatura Dada

The Image Centre
Archives 2025 exhibition

Something Old, Something New: The Wedding Photography Collection of Stephen Bulger and Catherine Lash

The Image Centre
Archives 2025 exhibition

Rebecca Wood On Being Despised

The Image Centre
Archives 2025 exhibition

Tomaso Clavarino Emotional Geographies

Istituto Italiano di Cultura

Provinces and suburbs, margins and marginality, adolescence and uncertainty as conditions for...

Archives 2025 exhibition

Shawn Johnston the ghosts in our heads: dream states & the practice of archiving metaphysical snapshots

John B. Aird Gallery
Archives 2025 exhibition

Sandra Brewster FISH

The McMichael
2025 exhibition

Suneil Sanzgiri An Impossible Address

Mercer Union
Archives 2025 exhibition

Nabil Azab, Shannon Garden-Smith Presence in a past or an undetermined future.

Onsite Gallery
Archives 2025 exhibition

Rosalie Favell Facing the Camera: TSÍ TKARÒN:TO

Onsite Gallery Exterior Windows
2025 Public Art

Jeanne Randolph Pythagoras of the Prairies

Paul Petro Contemporary Art
Archives 2025 exhibition

Ho Tam Fine China

Paul Petro Contemporary Art
Archives 2025 exhibition

Sustainable Photobook Publishing Network What Makes a Photobook Sustainable?

Photobook Lab
Archives 2025 exhibition

Group Exhibition this is a place

the plumb
Archives 2025 exhibition

Ernesto Cabral de Luna, Delali Cofie, Amara King Fragile Residue

the plumb
Archives 2025 exhibition

Isabelle Hayeur The Prefix Prize

Prefix ICA @ Urbanspace Gallery
Archives 2025 exhibition

Jordan King Untitled Polaroid Series

Queen and Augusta Billboard
Archives 2025 Public Art

Christina Leslie Pinhole Portraits and Places

Stephen Bulger Gallery
Archives 2025 exhibition

Alanna Fields Unveiling

Strachan and King Billboards
Archives 2025 Public Art

John Latour Thursday’s Child

United Contemporary
Archives 2025 exhibition

Alison Postma Tender to the Touch

Xpace Cultural Centre
Archives 2025 exhibition

Group Exhibition Together in Quiet Light

Zalucky Contemporary
Archives 2025 exhibition

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CONTACT is a Toronto based non-profit organization dedicated to exhibiting, analyzing and celebrating photography and lens-based media through an annual festival that takes place every May.

Land Acknowledgement

CONTACT acknowledges that we live and work on the traditional territory of many nations, including the Mississaugas of the Credit, the Anishnabeg, the Chippewa, the Haudenosaunee and the Wendat peoples, and that this land is now home to many diverse First Nations, Inuit, and Métis peoples. CONTACT is committed to promoting Indigenous voices; to generating spaces for ongoing, meaningful, and creative Indigenous-settler dialogue; and to continuous learning about our place on this land.

Anti-Oppression

CONTACT is committed to the ongoing development of meaningful anti-oppressive practice on all levels. This includes our continuing goal of augmenting and maintaining diverse representation, foregrounding varied and under-represented voices and perspectives via our public platform (the Festival and all related programs), as well as continually examining the structures of power and decision-making within the organization itself. We aim to actively learn, grow, and embody the values of inclusivity, equity, and accessibility in all facets of the institution, as an ever-evolving process.