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Archives 2025 exhibition

Jeanne Randolph Pythagoras of the Prairies

May 16 – June 21, 2025
  • Paul Petro Contemporary Art
2025 Paul Petro Jeanne Randolph Image 5 Page 9   They Have Sensation, Sadness and Pleasure Copy
Jeanne Randolph, They have sensation, sadness and pleasure, From Series: Pythagoras of the Prairies, 2025. Courtesy of the artist

“The soul of the pre-Socratic Ancient Greek philosopher Pythagoras transmigrates into a variety of beings, many of which dwell on the Canadian prairies.” So states Jeanne Randolph, noted Canadian author, cultural theorist, psychoanalyst, performance artist and guest speaker. Pythagoras of the Prairies is the third in a trilogy of exhibitions with photographs and publications forming an ode to Winnipeg, where she dwelt for 18 years after leaving Toronto and before moving to her current home base in Waterloo, Ontario. Randolph expands upon the project further in the continuation of her artist statement, below.

2025 Paul Petro Jeanne Randolph Image 20 Page 39   I Do Not Remember Burrowing Copy
Jeanne Randolph, I do not remember burrowing, From Series: Pythagoras of the Prairies, 2025. Courtesy of the artist
2025 Paul Petro Jeanne Randolph Image 9 Page 17   Spinning From One Life to the Next Copy
Jeanne Randolph, Spinning from one life to the next, From Series: Pythagoras of the Prairies, 2025. Courtesy of the artist

“Emblematic of each individual being’s circumstance, a photograph documents an unintended or ephemeral triangular form composed of objects, sunbeams, shadows, or enigmatic combinations of these. Most of the sites are unidentifiable, and many of them rather indecipherable concatenations of shade, shapes, and rays of light. The intensely saturated colour images seem perhaps to be the consequence of my irresistible compulsion to perceive triangles anywhere and everywhere. In spite of the laconic philosophical or psychoanalytic phrases that Pythagoras recites in his life as a bug, for instance, or as a lizard, a Gimli maiden, even as a cucumber, each situation is absurd and impossible. There is a nihilistic implication regarding human understanding, mirrored in the ambiguity and uninformative imagery of each photograph. The series ends with Pythagoras recounting the details of a dream, a disillusioning conversation between a young Professor of English Literature and Sigmund Freud (who acknowledges he has already been dead more than 80 years and is curious to learn about twenty-first century public life).”

2025 Paul Petro Jeanne Randolph Image 8 Page 15   a Frozen Expanse Copy
Jeanne Randolph, A frozen expanse, From Series: Pythagoras of the Prairies, 2025. Courtesy of the artist
2025 Paul Petro Jeanne Randolph Image 15 Page 29   Know Me by My Nom De Plume Copy
Jeanne Randolph, Know me by my nom de plume, From Series: Pythagoras of the Prairies, 2025. Courtesy of the artist
  • Jeanne Randolph is one of Canada’s foremost cultural theorists. She is the author of the influential book Psychoanalysis & Synchronized Swimming (1991) as well as Symbolization and Its Discontents (1997), Why Stoics Box (2003), Ethics of Luxury (2007), Shopping Cart Pantheism (2015) and My Claustrophobic Happiness (2020). Dr. Randolph is also known for her curation and as an engaging lecturer, performance artist, and musician. In universities and galleries across Canada, England, Australia, and Spain, she has spoken on topics ranging from the aesthetics of Barbie to the philosophy of Wittgenstein.

Èxaucé: Ballet Studies by Édouard Lock

AND1357
Archives 2025 exhibition

Aurora Through the Archives: [un]Framed and in Focus

Aurora Museum & Archives
Archives 2025 exhibition

Ronnie Carrington Barbadian Folkways: they who sowed

BAND at Meridian Arts Centre
Archives 2025 exhibition

Natalie Hunter Bathed in Strange Light

The Bentway Studio and Terrace
2025 exhibition

Yann Pocreau The lapse in between

Blouin Division
Archives 2025 exhibition

Adam Swica Mistaken Identity

Christie Contemporary
Archives 2025 exhibition

Kiri Dalena Erased Slogans / Birds of Prey

College and Lansdowne Billboards, Dufferin and Queen Billboards
Archives 2025 Public Art

10x10 Photobooks Flashpoint! Protest Photography in Print

CONTACT Gallery
Archives 2025 exhibition

Group Exhibition Between Life and Light

Corkin Gallery
Archives 2025 exhibition

Steven Beckly Handy Work

Daniel Faria Gallery
Archives 2025 exhibition

Laure Tiberghien Time Capsule

Davisville Subway Station
Archives 2025 Public Art

Tamara Abdul Hadi Re-Imagining Return to the Marshes

Doris McCarthy Gallery, In the Instructional Centre Vitrines
Archives 2025 exhibition

Suneil Sanzgiri My Memory is Again in the Way of Your History (After Agha Shahid Ali)

Dundas and Rusholme Billboards
Archives 2025 Public Art

Andreas Koch, Pınar Öğrenci, Helena Uambembe Still Film: Photography in Motion

Goethe-Institut
Archives 2025 exhibition

Clara Gutsche

The Image Centre
Archives 2025 exhibition

Alanis Obomsawin Filmstrips. Educational Shorts from the NFB

The Image Centre
Archives 2025 exhibition

Caroline Monnet Creatura Dada

The Image Centre
Archives 2025 exhibition

Something Old, Something New: The Wedding Photography Collection of Stephen Bulger and Catherine Lash

The Image Centre
Archives 2025 exhibition

Rebecca Wood On Being Despised

The Image Centre
Archives 2025 exhibition

Tomaso Clavarino Emotional Geographies

Istituto Italiano di Cultura

Provinces and suburbs, margins and marginality, adolescence and uncertainty as conditions for...

Archives 2025 exhibition

Shawn Johnston the ghosts in our heads: dream states & the practice of archiving metaphysical snapshots

John B. Aird Gallery
Archives 2025 exhibition

Sandra Brewster FISH

The McMichael
2025 exhibition

Suneil Sanzgiri An Impossible Address

Mercer Union
Archives 2025 exhibition

Nabil Azab, Shannon Garden-Smith Presence in a past or an undetermined future.

Onsite Gallery
Archives 2025 exhibition

Rosalie Favell Facing the Camera: TSÍ TKARÒN:TO

Onsite Gallery Exterior Windows
2025 Public Art

Jeanne Randolph Pythagoras of the Prairies

Paul Petro Contemporary Art
Archives 2025 exhibition

Ho Tam Fine China

Paul Petro Contemporary Art
Archives 2025 exhibition

Sustainable Photobook Publishing Network What Makes a Photobook Sustainable?

Photobook Lab
Archives 2025 exhibition

Group Exhibition this is a place

the plumb
Archives 2025 exhibition

Ernesto Cabral de Luna, Delali Cofie, Amara King Fragile Residue

the plumb
Archives 2025 exhibition

Isabelle Hayeur The Prefix Prize

Prefix ICA @ Urbanspace Gallery
Archives 2025 exhibition

Jordan King Untitled Polaroid Series

Queen and Augusta Billboard
Archives 2025 Public Art

Christina Leslie Pinhole Portraits and Places

Stephen Bulger Gallery
Archives 2025 exhibition

Alanna Fields Unveiling

Strachan and King Billboards
Archives 2025 Public Art

John Latour Thursday’s Child

United Contemporary
Archives 2025 exhibition

Alison Postma Tender to the Touch

Xpace Cultural Centre
Archives 2025 exhibition

Group Exhibition Together in Quiet Light

Zalucky Contemporary
Archives 2025 exhibition
CorePublic ArtOpen CallArtistsCurators
  • Core
  • Public Art
  • Open Call
  • Artists
  • Curators
Archives 2025 exhibition

Jeanne Randolph Pythagoras of the Prairies

May 16 – June 21, 2025
  • Paul Petro Contemporary Art
2025 Paul Petro Jeanne Randolph Image 5 Page 9   They Have Sensation, Sadness and Pleasure Copy
Jeanne Randolph, They have sensation, sadness and pleasure, From Series: Pythagoras of the Prairies, 2025. Courtesy of the artist

“The soul of the pre-Socratic Ancient Greek philosopher Pythagoras transmigrates into a variety of beings, many of which dwell on the Canadian prairies.” So states Jeanne Randolph, noted Canadian author, cultural theorist, psychoanalyst, performance artist and guest speaker. Pythagoras of the Prairies is the third in a trilogy of exhibitions with photographs and publications forming an ode to Winnipeg, where she dwelt for 18 years after leaving Toronto and before moving to her current home base in Waterloo, Ontario. Randolph expands upon the project further in the continuation of her artist statement, below.

2025 Paul Petro Jeanne Randolph Image 20 Page 39   I Do Not Remember Burrowing Copy
Jeanne Randolph, I do not remember burrowing, From Series: Pythagoras of the Prairies, 2025. Courtesy of the artist
2025 Paul Petro Jeanne Randolph Image 9 Page 17   Spinning From One Life to the Next Copy
Jeanne Randolph, Spinning from one life to the next, From Series: Pythagoras of the Prairies, 2025. Courtesy of the artist

“Emblematic of each individual being’s circumstance, a photograph documents an unintended or ephemeral triangular form composed of objects, sunbeams, shadows, or enigmatic combinations of these. Most of the sites are unidentifiable, and many of them rather indecipherable concatenations of shade, shapes, and rays of light. The intensely saturated colour images seem perhaps to be the consequence of my irresistible compulsion to perceive triangles anywhere and everywhere. In spite of the laconic philosophical or psychoanalytic phrases that Pythagoras recites in his life as a bug, for instance, or as a lizard, a Gimli maiden, even as a cucumber, each situation is absurd and impossible. There is a nihilistic implication regarding human understanding, mirrored in the ambiguity and uninformative imagery of each photograph. The series ends with Pythagoras recounting the details of a dream, a disillusioning conversation between a young Professor of English Literature and Sigmund Freud (who acknowledges he has already been dead more than 80 years and is curious to learn about twenty-first century public life).”

2025 Paul Petro Jeanne Randolph Image 8 Page 15   a Frozen Expanse Copy
Jeanne Randolph, A frozen expanse, From Series: Pythagoras of the Prairies, 2025. Courtesy of the artist
2025 Paul Petro Jeanne Randolph Image 15 Page 29   Know Me by My Nom De Plume Copy
Jeanne Randolph, Know me by my nom de plume, From Series: Pythagoras of the Prairies, 2025. Courtesy of the artist
  • Jeanne Randolph is one of Canada’s foremost cultural theorists. She is the author of the influential book Psychoanalysis & Synchronized Swimming (1991) as well as Symbolization and Its Discontents (1997), Why Stoics Box (2003), Ethics of Luxury (2007), Shopping Cart Pantheism (2015) and My Claustrophobic Happiness (2020). Dr. Randolph is also known for her curation and as an engaging lecturer, performance artist, and musician. In universities and galleries across Canada, England, Australia, and Spain, she has spoken on topics ranging from the aesthetics of Barbie to the philosophy of Wittgenstein.

Èxaucé: Ballet Studies by Édouard Lock

AND1357
Archives 2025 exhibition

Aurora Through the Archives: [un]Framed and in Focus

Aurora Museum & Archives
Archives 2025 exhibition

Ronnie Carrington Barbadian Folkways: they who sowed

BAND at Meridian Arts Centre
Archives 2025 exhibition

Natalie Hunter Bathed in Strange Light

The Bentway Studio and Terrace
2025 exhibition

Yann Pocreau The lapse in between

Blouin Division
Archives 2025 exhibition

Adam Swica Mistaken Identity

Christie Contemporary
Archives 2025 exhibition

Kiri Dalena Erased Slogans / Birds of Prey

College and Lansdowne Billboards, Dufferin and Queen Billboards
Archives 2025 Public Art

10x10 Photobooks Flashpoint! Protest Photography in Print

CONTACT Gallery
Archives 2025 exhibition

Group Exhibition Between Life and Light

Corkin Gallery
Archives 2025 exhibition

Steven Beckly Handy Work

Daniel Faria Gallery
Archives 2025 exhibition

Laure Tiberghien Time Capsule

Davisville Subway Station
Archives 2025 Public Art

Tamara Abdul Hadi Re-Imagining Return to the Marshes

Doris McCarthy Gallery, In the Instructional Centre Vitrines
Archives 2025 exhibition

Suneil Sanzgiri My Memory is Again in the Way of Your History (After Agha Shahid Ali)

Dundas and Rusholme Billboards
Archives 2025 Public Art

Andreas Koch, Pınar Öğrenci, Helena Uambembe Still Film: Photography in Motion

Goethe-Institut
Archives 2025 exhibition

Clara Gutsche

The Image Centre
Archives 2025 exhibition

Alanis Obomsawin Filmstrips. Educational Shorts from the NFB

The Image Centre
Archives 2025 exhibition

Caroline Monnet Creatura Dada

The Image Centre
Archives 2025 exhibition

Something Old, Something New: The Wedding Photography Collection of Stephen Bulger and Catherine Lash

The Image Centre
Archives 2025 exhibition

Rebecca Wood On Being Despised

The Image Centre
Archives 2025 exhibition

Tomaso Clavarino Emotional Geographies

Istituto Italiano di Cultura

Provinces and suburbs, margins and marginality, adolescence and uncertainty as conditions for...

Archives 2025 exhibition

Shawn Johnston the ghosts in our heads: dream states & the practice of archiving metaphysical snapshots

John B. Aird Gallery
Archives 2025 exhibition

Sandra Brewster FISH

The McMichael
2025 exhibition

Suneil Sanzgiri An Impossible Address

Mercer Union
Archives 2025 exhibition

Nabil Azab, Shannon Garden-Smith Presence in a past or an undetermined future.

Onsite Gallery
Archives 2025 exhibition

Rosalie Favell Facing the Camera: TSÍ TKARÒN:TO

Onsite Gallery Exterior Windows
2025 Public Art

Jeanne Randolph Pythagoras of the Prairies

Paul Petro Contemporary Art
Archives 2025 exhibition

Ho Tam Fine China

Paul Petro Contemporary Art
Archives 2025 exhibition

Sustainable Photobook Publishing Network What Makes a Photobook Sustainable?

Photobook Lab
Archives 2025 exhibition

Group Exhibition this is a place

the plumb
Archives 2025 exhibition

Ernesto Cabral de Luna, Delali Cofie, Amara King Fragile Residue

the plumb
Archives 2025 exhibition

Isabelle Hayeur The Prefix Prize

Prefix ICA @ Urbanspace Gallery
Archives 2025 exhibition

Jordan King Untitled Polaroid Series

Queen and Augusta Billboard
Archives 2025 Public Art

Christina Leslie Pinhole Portraits and Places

Stephen Bulger Gallery
Archives 2025 exhibition

Alanna Fields Unveiling

Strachan and King Billboards
Archives 2025 Public Art

John Latour Thursday’s Child

United Contemporary
Archives 2025 exhibition

Alison Postma Tender to the Touch

Xpace Cultural Centre
Archives 2025 exhibition

Group Exhibition Together in Quiet Light

Zalucky Contemporary
Archives 2025 exhibition

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CONTACT is a Toronto based non-profit organization dedicated to exhibiting, analyzing and celebrating photography and lens-based media through an annual festival that takes place every May.

Land Acknowledgement

CONTACT acknowledges that we live and work on the traditional territory of many nations, including the Mississaugas of the Credit, the Anishnabeg, the Chippewa, the Haudenosaunee and the Wendat peoples, and that this land is now home to many diverse First Nations, Inuit, and Métis peoples. CONTACT is committed to promoting Indigenous voices; to generating spaces for ongoing, meaningful, and creative Indigenous-settler dialogue; and to continuous learning about our place on this land.

Anti-Oppression

CONTACT is committed to the ongoing development of meaningful anti-oppressive practice on all levels. This includes our continuing goal of augmenting and maintaining diverse representation, foregrounding varied and under-represented voices and perspectives via our public platform (the Festival and all related programs), as well as continually examining the structures of power and decision-making within the organization itself. We aim to actively learn, grow, and embody the values of inclusivity, equity, and accessibility in all facets of the institution, as an ever-evolving process.