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Archives 2025 exhibition

Suneil Sanzgiri An Impossible Address

April 12 – June 14, 2025
  • Mercer Union, a centre for contemporary art
2025 Mercer Union Suneil Sanzgiri an Impossible Adress 2025 001 Production Still
Suneil Sanzgiri, An Impossible Address, 2025, 16mm to Digital, CGI. Courtesy of the artist

Brooklyn-based artist Suneil Sanzgiri’s research-driven practice considers questions of inheritance and diaspora in relation to histories of structural violence and anti-colonial struggle. His experimental film and video projects richly explore image-making, collective memory, and testimony, and are often in dialogue with the works of filmmakers, historians, poets, and activists. Beginning with an examination of his father’s family legacy of resistance in Goa, India, to Portuguese occupation (1510–1961), Sanzgiri's recent works contend with the possibilities of transhistorical and cross-continental solidarity.

Commissioned for his solo exhibition, the artist’s new film An Impossible Address (2025) is the culmination of over four years of research into the bonds of mutual struggle for freedom that developed between India and Africa, against the Portuguese empire. This is the final work in a series of two films that trace the connections between various liberatory figures in India, Mozambique, Angola, and Guinea-Bissau. Central to the artist’s new film is Sita Valles, an Angolan-born doctor and revolutionary of Goan origin who joined the liberation movement against the Portuguese in Angola, and was subsequently disappeared there. In this experimental personal essay, her story both guides and haunts Sanzgiri, as the film pulls at the threads of historical time to expose entanglements with contemporary expressions of empire and the stakes of anticolonial and anti-imperialist struggle today.

2025 Mercer Union Suneil Sanzgiri an Impossible Address 2025 002 Production Still Copy
Suneil Sanzgiri, An Impossible Address, 2025, 16mm to Digital, CGI. Courtesy of the artist

An Impossible Address is a kaleidoscopic and sonically vibrant journey shot on location in Angola, Goa, and Portugal that combines Sanzgiri’s signature visual language of 16mm film with digital animation, hand-processing, 3D scanning, and archival translations. Through this varied and material exploration, the film wrestles with its own form to test the efficacy of words and images in times of struggle, mourning, suffering, and action.

Suneil Sanzgiri: An Impossible Address is the tenth project developed through Mercer Union’s Artist First commissioning platform, and Sanzgiri’s first institutional solo exhibition in Canada. The film is commissioned by Mercer Union, Toronto; and EMPAC—Curtis R. Priem Experimental Media and Performing Arts Center at Rensselaer Polytechnic Institute, New York.

Presented by Mercer Union in partnership with CONTACT, and Images Festival, Toronto.

Curated by Aamna Muzaffar

  • Suneil Sanzgiri is an artist, researcher, and filmmaker. His first institutional solo exhibition Here the Earth Grows Gold opened at the Brooklyn Museum in October 2023. His award-winning films have circulated widely at film festivals and art institutions across the world including Mass MoCA, Massachusetts (2024); Wexner Center for the Arts, Ohio (2024); de Appel, Amsterdam (2024); Carnegie Museum, Pittsburgh (2024); Jameel Arts Centre, Dubai (2024); BFI London Film Festival (2024); Blackstar Film Festival, Philadelphia (2020 - 2024); e-Flux, New York (2023); moCa Cleveland (2022); The Menil Collection, Houston (2022); International Film Festival Rotterdam (2020 - 2022); Viennale (2021); Open City Docs, London (2021); New York Film Festival (2020); and many more.

  • Aamna Muzaffar is the Curator & Head of Exhibitions at Mercer Union, a centre for contemporary art.

Èxaucé: Ballet Studies by Édouard Lock

AND1357
Archives 2025 exhibition

Aurora Through the Archives: [un]Framed and in Focus

Aurora Museum & Archives
Archives 2025 exhibition

Ronnie Carrington Barbadian Folkways: they who sowed

BAND at Meridian Arts Centre
Archives 2025 exhibition

Natalie Hunter Bathed in Strange Light

The Bentway Studio and Terrace
2025 exhibition

Yann Pocreau The lapse in between

Blouin Division
Archives 2025 exhibition

Adam Swica Mistaken Identity

Christie Contemporary
Archives 2025 exhibition

Kiri Dalena Erased Slogans / Birds of Prey

College and Lansdowne Billboards, Dufferin and Queen Billboards
Archives 2025 Public Art

10x10 Photobooks Flashpoint! Protest Photography in Print

CONTACT Gallery
Archives 2025 exhibition

Group Exhibition Between Life and Light

Corkin Gallery
Archives 2025 exhibition

Steven Beckly Handy Work

Daniel Faria Gallery
Archives 2025 exhibition

Laure Tiberghien Time Capsule

Davisville Subway Station
Archives 2025 Public Art

Tamara Abdul Hadi Re-Imagining Return to the Marshes

Doris McCarthy Gallery, In the Instructional Centre Vitrines
Archives 2025 exhibition

Suneil Sanzgiri My Memory is Again in the Way of Your History (After Agha Shahid Ali)

Dundas and Rusholme Billboards
Archives 2025 Public Art

Andreas Koch, Pınar Öğrenci, Helena Uambembe Still Film: Photography in Motion

Goethe-Institut
Archives 2025 exhibition

Clara Gutsche

The Image Centre
Archives 2025 exhibition

Alanis Obomsawin Filmstrips. Educational Shorts from the NFB

The Image Centre
Archives 2025 exhibition

Caroline Monnet Creatura Dada

The Image Centre
Archives 2025 exhibition

Something Old, Something New: The Wedding Photography Collection of Stephen Bulger and Catherine Lash

The Image Centre
Archives 2025 exhibition

Rebecca Wood On Being Despised

The Image Centre
Archives 2025 exhibition

Tomaso Clavarino Emotional Geographies

Istituto Italiano di Cultura

Provinces and suburbs, margins and marginality, adolescence and uncertainty as conditions for...

Archives 2025 exhibition

Shawn Johnston the ghosts in our heads: dream states & the practice of archiving metaphysical snapshots

John B. Aird Gallery
Archives 2025 exhibition

Sandra Brewster FISH

The McMichael
2025 exhibition

Suneil Sanzgiri An Impossible Address

Mercer Union
Archives 2025 exhibition

Nabil Azab, Shannon Garden-Smith Presence in a past or an undetermined future.

Onsite Gallery
Archives 2025 exhibition

Rosalie Favell Facing the Camera: TSÍ TKARÒN:TO

Onsite Gallery Exterior Windows
2025 Public Art

Jeanne Randolph Pythagoras of the Prairies

Paul Petro Contemporary Art
Archives 2025 exhibition

Ho Tam Fine China

Paul Petro Contemporary Art
Archives 2025 exhibition

Sustainable Photobook Publishing Network What Makes a Photobook Sustainable?

Photobook Lab
Archives 2025 exhibition

Group Exhibition this is a place

the plumb
Archives 2025 exhibition

Ernesto Cabral de Luna, Delali Cofie, Amara King Fragile Residue

the plumb
Archives 2025 exhibition

Isabelle Hayeur The Prefix Prize

Prefix ICA @ Urbanspace Gallery
Archives 2025 exhibition

Jordan King Untitled Polaroid Series

Queen and Augusta Billboard
Archives 2025 Public Art

Christina Leslie Pinhole Portraits and Places

Stephen Bulger Gallery
Archives 2025 exhibition

Alanna Fields Unveiling

Strachan and King Billboards
Archives 2025 Public Art

John Latour Thursday’s Child

United Contemporary
Archives 2025 exhibition

Alison Postma Tender to the Touch

Xpace Cultural Centre
Archives 2025 exhibition

Group Exhibition Together in Quiet Light

Zalucky Contemporary
Archives 2025 exhibition
CorePublic ArtOpen CallArtistsCurators
  • Core
  • Public Art
  • Open Call
  • Artists
  • Curators
Archives 2025 exhibition

Suneil Sanzgiri An Impossible Address

April 12 – June 14, 2025
  • Mercer Union, a centre for contemporary art
2025 Mercer Union Suneil Sanzgiri an Impossible Adress 2025 001 Production Still
Suneil Sanzgiri, An Impossible Address, 2025, 16mm to Digital, CGI. Courtesy of the artist

Brooklyn-based artist Suneil Sanzgiri’s research-driven practice considers questions of inheritance and diaspora in relation to histories of structural violence and anti-colonial struggle. His experimental film and video projects richly explore image-making, collective memory, and testimony, and are often in dialogue with the works of filmmakers, historians, poets, and activists. Beginning with an examination of his father’s family legacy of resistance in Goa, India, to Portuguese occupation (1510–1961), Sanzgiri's recent works contend with the possibilities of transhistorical and cross-continental solidarity.

Commissioned for his solo exhibition, the artist’s new film An Impossible Address (2025) is the culmination of over four years of research into the bonds of mutual struggle for freedom that developed between India and Africa, against the Portuguese empire. This is the final work in a series of two films that trace the connections between various liberatory figures in India, Mozambique, Angola, and Guinea-Bissau. Central to the artist’s new film is Sita Valles, an Angolan-born doctor and revolutionary of Goan origin who joined the liberation movement against the Portuguese in Angola, and was subsequently disappeared there. In this experimental personal essay, her story both guides and haunts Sanzgiri, as the film pulls at the threads of historical time to expose entanglements with contemporary expressions of empire and the stakes of anticolonial and anti-imperialist struggle today.

2025 Mercer Union Suneil Sanzgiri an Impossible Address 2025 002 Production Still Copy
Suneil Sanzgiri, An Impossible Address, 2025, 16mm to Digital, CGI. Courtesy of the artist

An Impossible Address is a kaleidoscopic and sonically vibrant journey shot on location in Angola, Goa, and Portugal that combines Sanzgiri’s signature visual language of 16mm film with digital animation, hand-processing, 3D scanning, and archival translations. Through this varied and material exploration, the film wrestles with its own form to test the efficacy of words and images in times of struggle, mourning, suffering, and action.

Suneil Sanzgiri: An Impossible Address is the tenth project developed through Mercer Union’s Artist First commissioning platform, and Sanzgiri’s first institutional solo exhibition in Canada. The film is commissioned by Mercer Union, Toronto; and EMPAC—Curtis R. Priem Experimental Media and Performing Arts Center at Rensselaer Polytechnic Institute, New York.

Presented by Mercer Union in partnership with CONTACT, and Images Festival, Toronto.

Curated by Aamna Muzaffar

  • Suneil Sanzgiri is an artist, researcher, and filmmaker. His first institutional solo exhibition Here the Earth Grows Gold opened at the Brooklyn Museum in October 2023. His award-winning films have circulated widely at film festivals and art institutions across the world including Mass MoCA, Massachusetts (2024); Wexner Center for the Arts, Ohio (2024); de Appel, Amsterdam (2024); Carnegie Museum, Pittsburgh (2024); Jameel Arts Centre, Dubai (2024); BFI London Film Festival (2024); Blackstar Film Festival, Philadelphia (2020 - 2024); e-Flux, New York (2023); moCa Cleveland (2022); The Menil Collection, Houston (2022); International Film Festival Rotterdam (2020 - 2022); Viennale (2021); Open City Docs, London (2021); New York Film Festival (2020); and many more.

  • Aamna Muzaffar is the Curator & Head of Exhibitions at Mercer Union, a centre for contemporary art.

Èxaucé: Ballet Studies by Édouard Lock

AND1357
Archives 2025 exhibition

Aurora Through the Archives: [un]Framed and in Focus

Aurora Museum & Archives
Archives 2025 exhibition

Ronnie Carrington Barbadian Folkways: they who sowed

BAND at Meridian Arts Centre
Archives 2025 exhibition

Natalie Hunter Bathed in Strange Light

The Bentway Studio and Terrace
2025 exhibition

Yann Pocreau The lapse in between

Blouin Division
Archives 2025 exhibition

Adam Swica Mistaken Identity

Christie Contemporary
Archives 2025 exhibition

Kiri Dalena Erased Slogans / Birds of Prey

College and Lansdowne Billboards, Dufferin and Queen Billboards
Archives 2025 Public Art

10x10 Photobooks Flashpoint! Protest Photography in Print

CONTACT Gallery
Archives 2025 exhibition

Group Exhibition Between Life and Light

Corkin Gallery
Archives 2025 exhibition

Steven Beckly Handy Work

Daniel Faria Gallery
Archives 2025 exhibition

Laure Tiberghien Time Capsule

Davisville Subway Station
Archives 2025 Public Art

Tamara Abdul Hadi Re-Imagining Return to the Marshes

Doris McCarthy Gallery, In the Instructional Centre Vitrines
Archives 2025 exhibition

Suneil Sanzgiri My Memory is Again in the Way of Your History (After Agha Shahid Ali)

Dundas and Rusholme Billboards
Archives 2025 Public Art

Andreas Koch, Pınar Öğrenci, Helena Uambembe Still Film: Photography in Motion

Goethe-Institut
Archives 2025 exhibition

Clara Gutsche

The Image Centre
Archives 2025 exhibition

Alanis Obomsawin Filmstrips. Educational Shorts from the NFB

The Image Centre
Archives 2025 exhibition

Caroline Monnet Creatura Dada

The Image Centre
Archives 2025 exhibition

Something Old, Something New: The Wedding Photography Collection of Stephen Bulger and Catherine Lash

The Image Centre
Archives 2025 exhibition

Rebecca Wood On Being Despised

The Image Centre
Archives 2025 exhibition

Tomaso Clavarino Emotional Geographies

Istituto Italiano di Cultura

Provinces and suburbs, margins and marginality, adolescence and uncertainty as conditions for...

Archives 2025 exhibition

Shawn Johnston the ghosts in our heads: dream states & the practice of archiving metaphysical snapshots

John B. Aird Gallery
Archives 2025 exhibition

Sandra Brewster FISH

The McMichael
2025 exhibition

Suneil Sanzgiri An Impossible Address

Mercer Union
Archives 2025 exhibition

Nabil Azab, Shannon Garden-Smith Presence in a past or an undetermined future.

Onsite Gallery
Archives 2025 exhibition

Rosalie Favell Facing the Camera: TSÍ TKARÒN:TO

Onsite Gallery Exterior Windows
2025 Public Art

Jeanne Randolph Pythagoras of the Prairies

Paul Petro Contemporary Art
Archives 2025 exhibition

Ho Tam Fine China

Paul Petro Contemporary Art
Archives 2025 exhibition

Sustainable Photobook Publishing Network What Makes a Photobook Sustainable?

Photobook Lab
Archives 2025 exhibition

Group Exhibition this is a place

the plumb
Archives 2025 exhibition

Ernesto Cabral de Luna, Delali Cofie, Amara King Fragile Residue

the plumb
Archives 2025 exhibition

Isabelle Hayeur The Prefix Prize

Prefix ICA @ Urbanspace Gallery
Archives 2025 exhibition

Jordan King Untitled Polaroid Series

Queen and Augusta Billboard
Archives 2025 Public Art

Christina Leslie Pinhole Portraits and Places

Stephen Bulger Gallery
Archives 2025 exhibition

Alanna Fields Unveiling

Strachan and King Billboards
Archives 2025 Public Art

John Latour Thursday’s Child

United Contemporary
Archives 2025 exhibition

Alison Postma Tender to the Touch

Xpace Cultural Centre
Archives 2025 exhibition

Group Exhibition Together in Quiet Light

Zalucky Contemporary
Archives 2025 exhibition

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CONTACT is a Toronto based non-profit organization dedicated to exhibiting, analyzing and celebrating photography and lens-based media through an annual festival that takes place every May.

Land Acknowledgement

CONTACT acknowledges that we live and work on the traditional territory of many nations, including the Mississaugas of the Credit, the Anishnabeg, the Chippewa, the Haudenosaunee and the Wendat peoples, and that this land is now home to many diverse First Nations, Inuit, and Métis peoples. CONTACT is committed to promoting Indigenous voices; to generating spaces for ongoing, meaningful, and creative Indigenous-settler dialogue; and to continuous learning about our place on this land.

Anti-Oppression

CONTACT is committed to the ongoing development of meaningful anti-oppressive practice on all levels. This includes our continuing goal of augmenting and maintaining diverse representation, foregrounding varied and under-represented voices and perspectives via our public platform (the Festival and all related programs), as well as continually examining the structures of power and decision-making within the organization itself. We aim to actively learn, grow, and embody the values of inclusivity, equity, and accessibility in all facets of the institution, as an ever-evolving process.