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Archives 2018 Public Art

Emeka Ogboh WER HAT ANGST VOR SCHWARZ: Casino Baden-Baden series

January 27 – December 31, 2018
  • The Power Plant Contemporary Art Gallery
Emeka Ogboh, WER HAT ANGST VOR SCHWARZ: Casino Baden-Baden series
Emeka Ogboh, WER HAT ANGST VOR SCHWARZ: Casino Baden-Baden series

Sufferhead Original is a craft beer inspired by the food tastes and experiences of Africans living in Europe, especially Germany, which communicates some of the received stereotypes, politics of difference, and integration through the brewing and branding of the beer. Sufferhead beer is developed through interactions with these African communities and their feedback on topics including migration, assimilation, and multiculturalism. The name “Sufferhead” was drawn from the 1981 track by Fela Kuti, Original Suffer Head, in which Fela sings about the dire political and economic circumstances in Nigeria at that time.

Emeka Ogboh’s continuously evolving stout has adopted myriad tropes of advertising, including a website, infomercial, and social media platforms. Ogboh’s billboard on The Power Plant’s south façade is presented in conjunction with his solo exhibition inside the gallery, on view until May 13, 2018. WER HAT ANGST VOR SCHWARZ? (Who is afraid of Black?) references a controversial German schoolyard game, “Wer hat Angst vorm schwarzen Mann?” (Who is afraid of the Black man?). The image was shot on the premises of the Baden-Baden Casino, one of the oldest casinos in Europe. Its protagonists are people with an African background who live in the town of Baden-Baden and its surrounding areas.

Using the language of commercial advertising photography, Ogboh’s image complicates the realms between art and marketing while making connections between Germany’s notions of purity, its African immigrant community, and the immigrant experience as a whole.

Presented in partnership with The Power Plant Contemporary Art Gallery

Felicity Hammond Post Production

460 King St W
Archives 2018 Public Art

Aïda Muluneh Reflections of Hope

Aga Khan
Archives 2018 Public Art

Sofia Mesa Guardians

Allan Gardens Conservatory
Archives 2018 Public Art

Dana Claxton A Forest of Canoes

The Bentway
Archives 2018 Public Art

Kent Monkman in collaboration with Chris Chapman United in Love

Billboards at Dundas St W and Glenlake Ave
Archives 2018 Public Art

Marleen Sleeuwits Not The Actual Site

Brookfield Place
Archives 2018 Public Art

Charlie Engman Mom

Dupont and Dovercourt Billboard
Archives 2018 Public Art

Max Dean Still Moving

East Harbour, Unilever Soap Factory
Archives 2018 Public Art

Awol Erizku Say Less

Lansdowne and College Billboards
Archives 2018 Public Art

John Edmonds Hoods

Metro Hall
Archives 2018 Public Art

Wang Yishu Caught In-Between

Osgoode Subway Station
Archives 2018 Public Art

Emeka Ogboh WER HAT ANGST VOR SCHWARZ: Casino Baden-Baden series

The Power Plant façade
Archives 2018 Public Art

Scott Benesiinaabandan newlandia: debaabaminaagwad

Ryerson University – Gould and Bond St
Archives 2018 Public Art

History shall speak for itself

TIFF Bell Lightbox
Archives 2018 Public Art

Elizabeth Zvonar Milky Way Smiling

Westin Harbour Castle
Archives 2018 Public Art
OverviewCorePublic ArtOpen CallArtists
  • Overview
  • Core
  • Public Art
  • Open Call
  • Artists
Archives 2018 Public Art

Emeka Ogboh WER HAT ANGST VOR SCHWARZ: Casino Baden-Baden series

January 27 – December 31, 2018
  • The Power Plant Contemporary Art Gallery
Emeka Ogboh, WER HAT ANGST VOR SCHWARZ: Casino Baden-Baden series
Emeka Ogboh, WER HAT ANGST VOR SCHWARZ: Casino Baden-Baden series

Sufferhead Original is a craft beer inspired by the food tastes and experiences of Africans living in Europe, especially Germany, which communicates some of the received stereotypes, politics of difference, and integration through the brewing and branding of the beer. Sufferhead beer is developed through interactions with these African communities and their feedback on topics including migration, assimilation, and multiculturalism. The name “Sufferhead” was drawn from the 1981 track by Fela Kuti, Original Suffer Head, in which Fela sings about the dire political and economic circumstances in Nigeria at that time.

Emeka Ogboh’s continuously evolving stout has adopted myriad tropes of advertising, including a website, infomercial, and social media platforms. Ogboh’s billboard on The Power Plant’s south façade is presented in conjunction with his solo exhibition inside the gallery, on view until May 13, 2018. WER HAT ANGST VOR SCHWARZ? (Who is afraid of Black?) references a controversial German schoolyard game, “Wer hat Angst vorm schwarzen Mann?” (Who is afraid of the Black man?). The image was shot on the premises of the Baden-Baden Casino, one of the oldest casinos in Europe. Its protagonists are people with an African background who live in the town of Baden-Baden and its surrounding areas.

Using the language of commercial advertising photography, Ogboh’s image complicates the realms between art and marketing while making connections between Germany’s notions of purity, its African immigrant community, and the immigrant experience as a whole.

Presented in partnership with The Power Plant Contemporary Art Gallery

Felicity Hammond Post Production

460 King St W
Archives 2018 Public Art

Aïda Muluneh Reflections of Hope

Aga Khan
Archives 2018 Public Art

Sofia Mesa Guardians

Allan Gardens Conservatory
Archives 2018 Public Art

Dana Claxton A Forest of Canoes

The Bentway
Archives 2018 Public Art

Kent Monkman in collaboration with Chris Chapman United in Love

Billboards at Dundas St W and Glenlake Ave
Archives 2018 Public Art

Marleen Sleeuwits Not The Actual Site

Brookfield Place
Archives 2018 Public Art

Charlie Engman Mom

Dupont and Dovercourt Billboard
Archives 2018 Public Art

Max Dean Still Moving

East Harbour, Unilever Soap Factory
Archives 2018 Public Art

Awol Erizku Say Less

Lansdowne and College Billboards
Archives 2018 Public Art

John Edmonds Hoods

Metro Hall
Archives 2018 Public Art

Wang Yishu Caught In-Between

Osgoode Subway Station
Archives 2018 Public Art

Emeka Ogboh WER HAT ANGST VOR SCHWARZ: Casino Baden-Baden series

The Power Plant façade
Archives 2018 Public Art

Scott Benesiinaabandan newlandia: debaabaminaagwad

Ryerson University – Gould and Bond St
Archives 2018 Public Art

History shall speak for itself

TIFF Bell Lightbox
Archives 2018 Public Art

Elizabeth Zvonar Milky Way Smiling

Westin Harbour Castle
Archives 2018 Public Art

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CONTACT is a Toronto based non-profit organization dedicated to exhibiting, analyzing and celebrating photography and lens-based media through an annual festival that takes place every May.

Land Acknowledgement

CONTACT acknowledges that we live and work on the traditional territory of many nations, including the Mississaugas of the Credit, the Anishnabeg, the Chippewa, the Haudenosaunee and the Wendat peoples, and that this land is now home to many diverse First Nations, Inuit, and Métis peoples. CONTACT is committed to promoting Indigenous voices; to generating spaces for ongoing, meaningful, and creative Indigenous-settler dialogue; and to continuous learning about our place on this land.

Anti-Oppression

CONTACT is committed to the ongoing development of meaningful anti-oppressive practice on all levels. This includes our continuing goal of augmenting and maintaining diverse representation, foregrounding varied and under-represented voices and perspectives via our public platform (the Festival and all related programs), as well as continually examining the structures of power and decision-making within the organization itself. We aim to actively learn, grow, and embody the values of inclusivity, equity, and accessibility in all facets of the institution, as an ever-evolving process.