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OverviewCorePublic ArtOpen CallArtists
  • Overview
  • Core
  • Public Art
  • Open Call
  • Artists

Felicity Hammond Post Production

460 King St W
Archives 2018 Public Art

Aïda Muluneh Reflections of Hope

Aga Khan
Archives 2018 Public Art

Sofia Mesa Guardians

Allan Gardens Conservatory
Archives 2018 Public Art

Dana Claxton A Forest of Canoes

The Bentway
Archives 2018 Public Art

Kent Monkman in collaboration with Chris Chapman United in Love

Billboards at Dundas St W and Glenlake Ave
Archives 2018 Public Art

Marleen Sleeuwits Not The Actual Site

Brookfield Place
Archives 2018 Public Art

Charlie Engman Mom

Dupont and Dovercourt Billboard
Archives 2018 Public Art

Max Dean Still Moving

East Harbour, Unilever Soap Factory
Archives 2018 Public Art

Awol Erizku Say Less

Lansdowne and College Billboards
Archives 2018 Public Art

John Edmonds Hoods

Metro Hall
Archives 2018 Public Art

Wang Yishu Caught In-Between

Osgoode Subway Station
Archives 2018 Public Art

Emeka Ogboh WER HAT ANGST VOR SCHWARZ: Casino Baden-Baden series

The Power Plant façade
Archives 2018 Public Art

Scott Benesiinaabandan newlandia: debaabaminaagwad

Ryerson University – Gould and Bond St
Archives 2018 Public Art

History shall speak for itself

TIFF Bell Lightbox
Archives 2018 Public Art

Elizabeth Zvonar Milky Way Smiling

Westin Harbour Castle
Archives 2018 Public Art
OverviewCorePublic ArtOpen CallArtists
  • Overview
  • Core
  • Public Art
  • Open Call
  • Artists

Felicity Hammond Post Production

460 King St W
Archives 2018 Public Art

Aïda Muluneh Reflections of Hope

Aga Khan
Archives 2018 Public Art

Sofia Mesa Guardians

Allan Gardens Conservatory
Archives 2018 Public Art

Dana Claxton A Forest of Canoes

The Bentway
Archives 2018 Public Art

Kent Monkman in collaboration with Chris Chapman United in Love

Billboards at Dundas St W and Glenlake Ave
Archives 2018 Public Art

Marleen Sleeuwits Not The Actual Site

Brookfield Place
Archives 2018 Public Art

Charlie Engman Mom

Dupont and Dovercourt Billboard
Archives 2018 Public Art

Max Dean Still Moving

East Harbour, Unilever Soap Factory
Archives 2018 Public Art

Awol Erizku Say Less

Lansdowne and College Billboards
Archives 2018 Public Art

John Edmonds Hoods

Metro Hall
Archives 2018 Public Art

Wang Yishu Caught In-Between

Osgoode Subway Station
Archives 2018 Public Art

Emeka Ogboh WER HAT ANGST VOR SCHWARZ: Casino Baden-Baden series

The Power Plant façade
Archives 2018 Public Art

Scott Benesiinaabandan newlandia: debaabaminaagwad

Ryerson University – Gould and Bond St
Archives 2018 Public Art

History shall speak for itself

TIFF Bell Lightbox
Archives 2018 Public Art

Elizabeth Zvonar Milky Way Smiling

Westin Harbour Castle
Archives 2018 Public Art

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80 Spadina Ave, Ste 205
Toronto, M5V 2J4
Canada

416 539 9595 info @ contactphoto.com Instagram

CONTACT is a Toronto based non-profit organization dedicated to exhibiting, analyzing and celebrating photography and lens-based media through an annual festival that takes place every May.

Land Acknowledgement

CONTACT acknowledges that we live and work on the traditional territory of many nations, including the Mississaugas of the Credit, the Anishnabeg, the Chippewa, the Haudenosaunee and the Wendat peoples, and that this land is now home to many diverse First Nations, Inuit, and Métis peoples. CONTACT is committed to promoting Indigenous voices; to generating spaces for ongoing, meaningful, and creative Indigenous-settler dialogue; and to continuous learning about our place on this land.

Anti-Oppression

CONTACT is committed to the ongoing development of meaningful anti-oppressive practice on all levels. This includes our continuing goal of augmenting and maintaining diverse representation, foregrounding varied and under-represented voices and perspectives via our public platform (the Festival and all related programs), as well as continually examining the structures of power and decision-making within the organization itself. We aim to actively learn, grow, and embody the values of inclusivity, equity, and accessibility in all facets of the institution, as an ever-evolving process.