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OverviewCorePublic ArtOpen CallArtists
  • Overview
  • Core
  • Public Art
  • Open Call
  • Artists
Archives 2018 Public Art

Charlie Engman Mom

April 30 – June 3, 2018
  • Dupont Billboards
Charlie Engman, Mom on the Ground 2
Charlie Engman, Mom
Charlie Engman, Mom
Charlie Engman, Mom
Charlie Engman, Mom
Charlie Engman, Mom
Charlie Engman, Mom
Charlie Engman, Mom with Plum

These four billboards feature photographs from Charlie Engman’s ongoing series Mom. In this quasi-collaborative, long-standing project, Engman’s mother has stepped into the role of muse and mannequin donning makeup, stylized hair, high-fashion and ubiquitous clothing for his camera. Throughout the series we observe a middle-aged, middle-American woman engaging with the possibilities of dress, gesture, and identity. The photographs momentarily unfix her from static visualizations of motherhood and womanhood, while challenging the relationships between parent and child, photographer and subject.

Presented in conjunction with Charlie Engman’s exhibition Mom at Scrap Metal.

  • Charlie Engman, originally as a movement artist, arrived at picture-taking as a form of visual notation. His images capture the sculptural potential of an action, as a detail of the setting is caught in the moment of becoming something other than itself. Engman’s images are at essence conceptual and visual solutions to the formal problem of picture making, pushing the scope and visual possibility of what he has to work with—models, clothing, props and sets, a certain space, light, the potential of post-production and graphic design. Engman playfully and cleverly confronts the artifice of his images, allowing the viewer to be privy to the boundaries and construction of his working environments.

Felicity Hammond Post Production

460 King St W
Archives 2018 Public Art

Aïda Muluneh Reflections of Hope

Aga Khan
Archives 2018 Public Art

Sofia Mesa Guardians

Allan Gardens Conservatory
Archives 2018 Public Art

Dana Claxton A Forest of Canoes

The Bentway
Archives 2018 Public Art

Kent Monkman in collaboration with Chris Chapman United in Love

Billboards at Dundas St W and Glenlake Ave
Archives 2018 Public Art

Marleen Sleeuwits Not The Actual Site

Brookfield Place
Archives 2018 Public Art

Charlie Engman Mom

Dupont and Dovercourt Billboard
Archives 2018 Public Art

Max Dean Still Moving

East Harbour, Unilever Soap Factory
Archives 2018 Public Art

Awol Erizku Say Less

Lansdowne and College Billboards
Archives 2018 Public Art

John Edmonds Hoods

Metro Hall
Archives 2018 Public Art

Wang Yishu Caught In-Between

Osgoode Subway Station
Archives 2018 Public Art

Emeka Ogboh WER HAT ANGST VOR SCHWARZ: Casino Baden-Baden series

The Power Plant façade
Archives 2018 Public Art

Scott Benesiinaabandan newlandia: debaabaminaagwad

Ryerson University – Gould and Bond St
Archives 2018 Public Art

History shall speak for itself

TIFF Bell Lightbox
Archives 2018 Public Art

Elizabeth Zvonar Milky Way Smiling

Westin Harbour Castle
Archives 2018 Public Art
OverviewCorePublic ArtOpen CallArtists
  • Overview
  • Core
  • Public Art
  • Open Call
  • Artists
Archives 2018 Public Art

Charlie Engman Mom

April 30 – June 3, 2018
  • Dupont Billboards
Charlie Engman, Mom on the Ground 2
Charlie Engman, Mom
Charlie Engman, Mom
Charlie Engman, Mom
Charlie Engman, Mom
Charlie Engman, Mom
Charlie Engman, Mom
Charlie Engman, Mom with Plum

These four billboards feature photographs from Charlie Engman’s ongoing series Mom. In this quasi-collaborative, long-standing project, Engman’s mother has stepped into the role of muse and mannequin donning makeup, stylized hair, high-fashion and ubiquitous clothing for his camera. Throughout the series we observe a middle-aged, middle-American woman engaging with the possibilities of dress, gesture, and identity. The photographs momentarily unfix her from static visualizations of motherhood and womanhood, while challenging the relationships between parent and child, photographer and subject.

Presented in conjunction with Charlie Engman’s exhibition Mom at Scrap Metal.

  • Charlie Engman, originally as a movement artist, arrived at picture-taking as a form of visual notation. His images capture the sculptural potential of an action, as a detail of the setting is caught in the moment of becoming something other than itself. Engman’s images are at essence conceptual and visual solutions to the formal problem of picture making, pushing the scope and visual possibility of what he has to work with—models, clothing, props and sets, a certain space, light, the potential of post-production and graphic design. Engman playfully and cleverly confronts the artifice of his images, allowing the viewer to be privy to the boundaries and construction of his working environments.

Felicity Hammond Post Production

460 King St W
Archives 2018 Public Art

Aïda Muluneh Reflections of Hope

Aga Khan
Archives 2018 Public Art

Sofia Mesa Guardians

Allan Gardens Conservatory
Archives 2018 Public Art

Dana Claxton A Forest of Canoes

The Bentway
Archives 2018 Public Art

Kent Monkman in collaboration with Chris Chapman United in Love

Billboards at Dundas St W and Glenlake Ave
Archives 2018 Public Art

Marleen Sleeuwits Not The Actual Site

Brookfield Place
Archives 2018 Public Art

Charlie Engman Mom

Dupont and Dovercourt Billboard
Archives 2018 Public Art

Max Dean Still Moving

East Harbour, Unilever Soap Factory
Archives 2018 Public Art

Awol Erizku Say Less

Lansdowne and College Billboards
Archives 2018 Public Art

John Edmonds Hoods

Metro Hall
Archives 2018 Public Art

Wang Yishu Caught In-Between

Osgoode Subway Station
Archives 2018 Public Art

Emeka Ogboh WER HAT ANGST VOR SCHWARZ: Casino Baden-Baden series

The Power Plant façade
Archives 2018 Public Art

Scott Benesiinaabandan newlandia: debaabaminaagwad

Ryerson University – Gould and Bond St
Archives 2018 Public Art

History shall speak for itself

TIFF Bell Lightbox
Archives 2018 Public Art

Elizabeth Zvonar Milky Way Smiling

Westin Harbour Castle
Archives 2018 Public Art

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CONTACT is a Toronto based non-profit organization dedicated to exhibiting, analyzing and celebrating photography and lens-based media through an annual festival that takes place every May.

Land Acknowledgement

CONTACT acknowledges that we live and work on the traditional territory of many nations, including the Mississaugas of the Credit, the Anishnabeg, the Chippewa, the Haudenosaunee and the Wendat peoples, and that this land is now home to many diverse First Nations, Inuit, and Métis peoples. CONTACT is committed to promoting Indigenous voices; to generating spaces for ongoing, meaningful, and creative Indigenous-settler dialogue; and to continuous learning about our place on this land.

Anti-Oppression

CONTACT is committed to the ongoing development of meaningful anti-oppressive practice on all levels. This includes our continuing goal of augmenting and maintaining diverse representation, foregrounding varied and under-represented voices and perspectives via our public platform (the Festival and all related programs), as well as continually examining the structures of power and decision-making within the organization itself. We aim to actively learn, grow, and embody the values of inclusivity, equity, and accessibility in all facets of the institution, as an ever-evolving process.