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Archives 2023 Public Art

Nadya Kwandibens Shiibaashka’igan: Honouring the Sacred Jingle Dress

April 21 – June 3, 2023
  • Critical Distance – Artscape Youngplace Billboard
    Nadya Kwandibens, Shiibaashka’igan: Honouring the Sacred Jingle Dress, 2019. Courtesy of the artist
Nadya Kwandibens, Shiibaashka’igan: Honouring the Sacred Jingle Dress, 2019. Courtesy of the artist

This outdoor component of the exhibition Materialized presents an image by newly-appointed Toronto Photo Laureate Nadya Kwandibens. Photographed at the Naotkamegwanning roundhouse, the portrait depicts three Anishinaabekwewag sharing a candid moment of laughter, subverting the “stoic Indian” trope that characterizes historical portraits by non-Indigenous photographers. It is said that laughter is medicine—this image brings together that energy with the healing power of the jingle dress.

The jingle dress and dance were gifted to the Anishinaabek in the early 1900s. Pictured in Kwandibens’ image are Shirley White, Roseanna Cowley, and Caroline White, from Naotkamegwanning First Nation in northwestern Ontario, the region from which the jingle dress originates. Kwandibens’ extensive and prolific body of work as a portrait photographer has taken her across Canada to document Indigenous artists, activists, knowledge keepers, and thought leaders. These portrait sessions often result in a number of outtakes, capturing subjects in candid moments. The work presented here is one of several outtakes from a series photographed for the exhibition Shiibaashka’igan: Honouring the Sacred Jingle Dress at the Lake of the Woods Museum (Kenora, Ontario). As part of the group exhibition Materialized with artists Joi T. Arcand, Celeste-Pedri Spade, and Catherine Blackburn, and presented offsite at street level in the context of a public billboard, the work Shiibaashka’igan brings the viewer into the healing circle of laughter, providing a much-needed moment of respite and joy to passersby while speaking to the exhibition’s broader themes of intergenerational memory, familial narrative, and decolonization.

Read more about the exhibition Materialized here.

Curated by Ariel Smith
Smith is an award winning nêhiyaw, white settler and Jewish filmmaker, video artist, writer, and cultural worker. Having created independent media art since 2001, she has shown at festivals and galleries across Canada and Internationally. Ariel has worked as a programmer/curator for such organizations as galerie saw gallery, The Ottawa International Animation Festival, Reel Canada, imagineNATIVE, Canadian Filmmakers Distribution Centre, and the National Gallery of Canada. Ariel works as the Artistic and Managing Director of Native Women in the Arts and is in the process of completing an MFA in Film Production from York University.

  • Nadya Kwandibens is Anishinaabe from the Animakee Wa Zhing #37 First Nation in northwestern Ontario. She is an award winning photographer and a Canon Ambassador. In 2008 she founded Red Works Photography. Red Works is a dynamic photography company empowering contemporary Indigenous lifestyles and cultures through photographic essays, features, and portraits. Red Works specializes in natural light portraiture and headshots sessions plus event and concert photography. Nadya’s photography has been exhibited in group and solo shows across Canada and the United States. She currently resides in Tkarón:to on Wendat, Haudenosaunee, Mississauga of the Credit River & Dish With One Spoon Territory. In 2023, she was declared the City of Toronto's third Photo Laureate.

Installation Images

  • Nadya Kwandibens, Shiibaashka’igan: Honouring the Sacred Jingle Dress, 2019, installation view, 180 Shaw St, Toronto, 2023. Courtesy of the artist, Critical Distance Centre for Curators, and CONTACT. Photo: Toni Hafkenscheid
  • Nadya Kwandibens, Shiibaashka’igan: Honouring the Sacred Jingle Dress, 2019, installation view, 180 Shaw St, Toronto, 2023. Courtesy of the artist, Critical Distance Centre for Curators, and CONTACT. Photo: Toni Hafkenscheid
  • Nadya Kwandibens, Shiibaashka’igan: Honouring the Sacred Jingle Dress, 2019, installation view, 180 Shaw St, Toronto, 2023. Courtesy of the artist, Critical Distance Centre for Curators, and CONTACT. Photo: Toni Hafkenscheid

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Nadya Kwandibens Shiibaashka’igan: Honouring the Sacred Jingle Dress

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This outdoor component of the exhibition Materialized presents an image by newly-appointed...

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CorePublic ArtOpen CallArtists
  • Core
  • Public Art
  • Open Call
  • Artists
Archives 2023 Public Art

Nadya Kwandibens Shiibaashka’igan: Honouring the Sacred Jingle Dress

April 21 – June 3, 2023
  • Critical Distance – Artscape Youngplace Billboard
    Nadya Kwandibens, Shiibaashka’igan: Honouring the Sacred Jingle Dress, 2019. Courtesy of the artist
Nadya Kwandibens, Shiibaashka’igan: Honouring the Sacred Jingle Dress, 2019. Courtesy of the artist

This outdoor component of the exhibition Materialized presents an image by newly-appointed Toronto Photo Laureate Nadya Kwandibens. Photographed at the Naotkamegwanning roundhouse, the portrait depicts three Anishinaabekwewag sharing a candid moment of laughter, subverting the “stoic Indian” trope that characterizes historical portraits by non-Indigenous photographers. It is said that laughter is medicine—this image brings together that energy with the healing power of the jingle dress.

The jingle dress and dance were gifted to the Anishinaabek in the early 1900s. Pictured in Kwandibens’ image are Shirley White, Roseanna Cowley, and Caroline White, from Naotkamegwanning First Nation in northwestern Ontario, the region from which the jingle dress originates. Kwandibens’ extensive and prolific body of work as a portrait photographer has taken her across Canada to document Indigenous artists, activists, knowledge keepers, and thought leaders. These portrait sessions often result in a number of outtakes, capturing subjects in candid moments. The work presented here is one of several outtakes from a series photographed for the exhibition Shiibaashka’igan: Honouring the Sacred Jingle Dress at the Lake of the Woods Museum (Kenora, Ontario). As part of the group exhibition Materialized with artists Joi T. Arcand, Celeste-Pedri Spade, and Catherine Blackburn, and presented offsite at street level in the context of a public billboard, the work Shiibaashka’igan brings the viewer into the healing circle of laughter, providing a much-needed moment of respite and joy to passersby while speaking to the exhibition’s broader themes of intergenerational memory, familial narrative, and decolonization.

Read more about the exhibition Materialized here.

Curated by Ariel Smith
Smith is an award winning nêhiyaw, white settler and Jewish filmmaker, video artist, writer, and cultural worker. Having created independent media art since 2001, she has shown at festivals and galleries across Canada and Internationally. Ariel has worked as a programmer/curator for such organizations as galerie saw gallery, The Ottawa International Animation Festival, Reel Canada, imagineNATIVE, Canadian Filmmakers Distribution Centre, and the National Gallery of Canada. Ariel works as the Artistic and Managing Director of Native Women in the Arts and is in the process of completing an MFA in Film Production from York University.

  • Nadya Kwandibens is Anishinaabe from the Animakee Wa Zhing #37 First Nation in northwestern Ontario. She is an award winning photographer and a Canon Ambassador. In 2008 she founded Red Works Photography. Red Works is a dynamic photography company empowering contemporary Indigenous lifestyles and cultures through photographic essays, features, and portraits. Red Works specializes in natural light portraiture and headshots sessions plus event and concert photography. Nadya’s photography has been exhibited in group and solo shows across Canada and the United States. She currently resides in Tkarón:to on Wendat, Haudenosaunee, Mississauga of the Credit River & Dish With One Spoon Territory. In 2023, she was declared the City of Toronto's third Photo Laureate.

Installation Images

  • Nadya Kwandibens, Shiibaashka’igan: Honouring the Sacred Jingle Dress, 2019, installation view, 180 Shaw St, Toronto, 2023. Courtesy of the artist, Critical Distance Centre for Curators, and CONTACT. Photo: Toni Hafkenscheid
  • Nadya Kwandibens, Shiibaashka’igan: Honouring the Sacred Jingle Dress, 2019, installation view, 180 Shaw St, Toronto, 2023. Courtesy of the artist, Critical Distance Centre for Curators, and CONTACT. Photo: Toni Hafkenscheid
  • Nadya Kwandibens, Shiibaashka’igan: Honouring the Sacred Jingle Dress, 2019, installation view, 180 Shaw St, Toronto, 2023. Courtesy of the artist, Critical Distance Centre for Curators, and CONTACT. Photo: Toni Hafkenscheid

Jake Kimble Grow Up #1

460 King St W

Artist Jake Kimble, a Chipewyan (Dëne Sųłıné) from Treaty 8 Territory in...

Archives 2023 Public Art

Maïmouna Guerresi Sebaätou Rijal & Villes Nouvelles and Ancient Shadows

Aga Khan, Aga Khan Park

The work of Italian-Senegalese multimedia artist Maïmouna Guerresi invites viewers to look...

Archives 2023 Public Art

Jake Kimble Grow Up #4

Artscape Youngplace Billboard

Artist Jake Kimble, a Chipewyan (Dëne Sųłıné) from Treaty 8 Territory in...

Archives 2023 Public Art

Nadya Kwandibens Shiibaashka’igan: Honouring the Sacred Jingle Dress

Artscape Youngplace Billboard

This outdoor component of the exhibition Materialized presents an image by newly-appointed...

Archives 2023 Public Art

Memory Work Collective Memory Work

The Bentway

Situated at the Strachan Gate entrance to the Bentway, Memory Work is...

Archives 2022 Public Art

Genesis Báez Groundcover

The Bentway

Brooklyn-based artist Genesis Báez grew up between the northeastern United States and...

Archives 2023 Public Art

Night Swimming

Davisville Subway Station

Working between the United Arab Emirates and New York, Lebanese-American artist Farah...

Archives 2023 Public Art

Maggie Groat DOUBLE PENDULUM: billboards

Dupont and Dovercourt Billboard

Presented across three sites in Toronto—at CONTACT Gallery, on billboards, and in...

Archives 2023 Public Art

Maggie Groat DOUBLE PENDULUM: Harbourfront

Harbourfront Centre parking pavilion

Presented across three sites in Toronto—at CONTACT Gallery, on billboards, and in...

Archives 2023 Public Art

Sunday School Feels Like Home: billboards

Lansdowne & College Billboards

Founded by Josef Adamu in Toronto in 2017, Sunday School is a...

Archives 2023 Public Art

Writing Without Words: The Autoportraits of Hélène Amouzou

Metro Hall

Togolese-Belgian photographer Hélène Amouzou creates distinctive imagery through long exposures, generating photographic...

Archives 2023 Public Art

Robert Burley The Last Day of Work

Mount Dennis Library

Known for his inspiring colour vistas of urban architecture and landscape, Canadian...

Archives 2023 Public Art

Vid Ingelevics & Ryan Walker Greenwork

Port Lands

Since 2019, Toronto-based artists Vid Ingelevics and Ryan Walker have photographically documented...

Archives 2023 Public Art

Anique Jordan these times, 2019

The Power Plant façade

Presented as a billboard on The Power Plant’s south façade, these times,...

Archives 2023 Public Art

Nabil Azab Just How We Found It

Runnymede and Ryding Billboards

In tandem with his solo exhibition The Big Mess With Us Inside...

Archives 2023 Public Art

Seif Kousmate Waha (Oasis)

Strachan and King Billboards

Waha (“oasis” in Arabic) is Moroccan photographer Seif Kousmate’s three-year–long research-based project...

Archives 2023 Public Art

Sarah Palmer Wish You Were Here

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In Wish You Were Here, Toronto-based photographer Sarah Palmer documents the world...

Archives 2023 Public Art

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Westin Harbour Castle, Harbour Square Park

Focusing on the physical connection between Black male bodies by amplifying the...

Archives 2022 Public Art

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416 539 9595 info @ contactphoto.com Instagram

CONTACT is a Toronto based non-profit organization dedicated to exhibiting, analyzing and celebrating photography and lens-based media through an annual festival that takes place every May.

Land Acknowledgement

CONTACT acknowledges that we live and work on the traditional territory of many nations, including the Mississaugas of the Credit, the Anishnabeg, the Chippewa, the Haudenosaunee and the Wendat peoples, and that this land is now home to many diverse First Nations, Inuit, and Métis peoples. CONTACT is committed to promoting Indigenous voices; to generating spaces for ongoing, meaningful, and creative Indigenous-settler dialogue; and to continuous learning about our place on this land.

Anti-Oppression

CONTACT is committed to the ongoing development of meaningful anti-oppressive practice on all levels. This includes our continuing goal of augmenting and maintaining diverse representation, foregrounding varied and under-represented voices and perspectives via our public platform (the Festival and all related programs), as well as continually examining the structures of power and decision-making within the organization itself. We aim to actively learn, grow, and embody the values of inclusivity, equity, and accessibility in all facets of the institution, as an ever-evolving process.