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Archives 2023 Public Art

Jake Kimble Grow Up #1

May 1 – June 30, 2023
  • 460 King St W, north façade
    Jake Kimble, Grow Up #1, 2022. Courtesy of the artist
Jake Kimble, Grow Up #1, 2022. Courtesy of the artist

Artist Jake Kimble, a Chipewyan (Dëne Sųłıné) from Treaty 8 Territory in the Northwest Territories, combines humour and pathos in reflective images often featuring the artist himself engaged in acts of self-repair. Presented as a photographic banner on the streets of Toronto, this work speaks literally and figuratively to passersby, provoking contemplation through combined text and image that elicit the complex dynamics between power and vulnerability.

Grow Up #1 (2022) is an image of the artist, aged six or seven, taken by his mother and overlaid with text that reads “I was told peace was mine to keep”—the statement of a promise unfulfilled or a burden to bear. The phrase implies both that peace was his, and its opposite—that he was to be the peacekeeper. The work reflects the artist’s personal experience of growing up in a chaotic household in which, from a young age, he felt the burden of adult responsibility. The photo features Kimble wearing a cowboy hat, on his way to the Calgary stampede, complicating his identity as a Chipewyan (Dëne Sųłıné) child. In this work, Kimble subverts traditional dichotomies between “cowboys and Indians” and “parent and child” by playing both roles simultaneously.

Presented in partnership with Capture Photography Festival

Curated by Emmy Lee Wall, Executive Director, Capture Photography Festival

  • Jake Kimble is a photo-based Chipewyan (Dënesųłıné) artist from Treaty 8 Territory who currently lives and works on the stolen territory of xʷməθkʷəy̓əm (Musqueam), Sḵwx̱wú7mesh Úxwumixw (Squamish) and səl̓ilw̓ətaʔɬ (Tsleil-Waututh) Nations. Most recently he attained a BFA in Photography from Emily Carr University of Art + Design while also holding a Degree in Acting from Vancouver Film School. Kimble’s practice mainly revolves around acts of self-care, self-repair, and gender-based ideological refusal. By doing so with a sense of humour, Kimble allows the audience to exhale, unclench, and even chuckle in spaces where laughter is often lost. Kimble’s work was featured on the King and Shaw Street billboards for the 2023 Scotiabank CONTACT Photography Festival.

Installation Images

  • Jake Kimble, Grow Up #1, 2022, installation view, 460 King St W, Toronto, 2023. Courtesy of the artist and CONTACT. Photo: Toni Hafkenscheid
  • Jake Kimble, Grow Up #1, 2022, installation view, 460 King St W, Toronto, 2023. Courtesy of the artist and CONTACT. Photo: Toni Hafkenscheid
  • Jake Kimble, Grow Up #1, 2022, installation view, 460 King St W, Toronto, 2023. Courtesy of the artist and CONTACT. Photo: Toni Hafkenscheid

Jake Kimble Grow Up #1

460 King St W

Artist Jake Kimble, a Chipewyan (Dëne Sųłıné) from Treaty 8 Territory in...

Archives 2023 Public Art

Maïmouna Guerresi Sebaätou Rijal & Villes Nouvelles and Ancient Shadows

Aga Khan, Aga Khan Park

The work of Italian-Senegalese multimedia artist Maïmouna Guerresi invites viewers to look...

Archives 2023 Public Art

Jake Kimble Grow Up #4

Artscape Youngplace Billboard

Artist Jake Kimble, a Chipewyan (Dëne Sųłıné) from Treaty 8 Territory in...

Archives 2023 Public Art

Nadya Kwandibens Shiibaashka’igan: Honouring the Sacred Jingle Dress

Artscape Youngplace Billboard

This outdoor component of the exhibition Materialized presents an image by newly-appointed...

Archives 2023 Public Art

Memory Work Collective Memory Work

The Bentway

Situated at the Strachan Gate entrance to the Bentway, Memory Work is...

Archives 2022 Public Art

Genesis Báez Groundcover

The Bentway

Brooklyn-based artist Genesis Báez grew up between the northeastern United States and...

Archives 2023 Public Art

Night Swimming

Davisville Subway Station

Working between the United Arab Emirates and New York, Lebanese-American artist Farah...

Archives 2023 Public Art

Maggie Groat DOUBLE PENDULUM: billboards

Dupont and Dovercourt Billboard

Presented across three sites in Toronto—at CONTACT Gallery, on billboards, and in...

Archives 2023 Public Art

Maggie Groat DOUBLE PENDULUM: Harbourfront

Harbourfront Centre parking pavilion

Presented across three sites in Toronto—at CONTACT Gallery, on billboards, and in...

Archives 2023 Public Art

Sunday School Feels Like Home: billboards

Lansdowne & College Billboards

Founded by Josef Adamu in Toronto in 2017, Sunday School is a...

Archives 2023 Public Art

Writing Without Words: The Autoportraits of Hélène Amouzou

Metro Hall

Togolese-Belgian photographer Hélène Amouzou creates distinctive imagery through long exposures, generating photographic...

Archives 2023 Public Art

Robert Burley The Last Day of Work

Mount Dennis Library

Known for his inspiring colour vistas of urban architecture and landscape, Canadian...

Archives 2023 Public Art

Vid Ingelevics & Ryan Walker Greenwork

Port Lands

Since 2019, Toronto-based artists Vid Ingelevics and Ryan Walker have photographically documented...

Archives 2023 Public Art

Anique Jordan these times, 2019

The Power Plant façade

Presented as a billboard on The Power Plant’s south façade, these times,...

Archives 2023 Public Art

Nabil Azab Just How We Found It

Runnymede and Ryding Billboards

In tandem with his solo exhibition The Big Mess With Us Inside...

Archives 2023 Public Art

Seif Kousmate Waha (Oasis)

Strachan and King Billboards

Waha (“oasis” in Arabic) is Moroccan photographer Seif Kousmate’s three-year–long research-based project...

Archives 2023 Public Art

Sarah Palmer Wish You Were Here

Summerville Olympic Pools

In Wish You Were Here, Toronto-based photographer Sarah Palmer documents the world...

Archives 2023 Public Art

Esmaa Mohamoud The Brotherhood FUBU (For Us, By Us)

Westin Harbour Castle, Harbour Square Park

Focusing on the physical connection between Black male bodies by amplifying the...

Archives 2022 Public Art
CorePublic ArtOpen CallArtists
  • Core
  • Public Art
  • Open Call
  • Artists
Archives 2023 Public Art

Jake Kimble Grow Up #1

May 1 – June 30, 2023
  • 460 King St W, north façade
    Jake Kimble, Grow Up #1, 2022. Courtesy of the artist
Jake Kimble, Grow Up #1, 2022. Courtesy of the artist

Artist Jake Kimble, a Chipewyan (Dëne Sųłıné) from Treaty 8 Territory in the Northwest Territories, combines humour and pathos in reflective images often featuring the artist himself engaged in acts of self-repair. Presented as a photographic banner on the streets of Toronto, this work speaks literally and figuratively to passersby, provoking contemplation through combined text and image that elicit the complex dynamics between power and vulnerability.

Grow Up #1 (2022) is an image of the artist, aged six or seven, taken by his mother and overlaid with text that reads “I was told peace was mine to keep”—the statement of a promise unfulfilled or a burden to bear. The phrase implies both that peace was his, and its opposite—that he was to be the peacekeeper. The work reflects the artist’s personal experience of growing up in a chaotic household in which, from a young age, he felt the burden of adult responsibility. The photo features Kimble wearing a cowboy hat, on his way to the Calgary stampede, complicating his identity as a Chipewyan (Dëne Sųłıné) child. In this work, Kimble subverts traditional dichotomies between “cowboys and Indians” and “parent and child” by playing both roles simultaneously.

Presented in partnership with Capture Photography Festival

Curated by Emmy Lee Wall, Executive Director, Capture Photography Festival

  • Jake Kimble is a photo-based Chipewyan (Dënesųłıné) artist from Treaty 8 Territory who currently lives and works on the stolen territory of xʷməθkʷəy̓əm (Musqueam), Sḵwx̱wú7mesh Úxwumixw (Squamish) and səl̓ilw̓ətaʔɬ (Tsleil-Waututh) Nations. Most recently he attained a BFA in Photography from Emily Carr University of Art + Design while also holding a Degree in Acting from Vancouver Film School. Kimble’s practice mainly revolves around acts of self-care, self-repair, and gender-based ideological refusal. By doing so with a sense of humour, Kimble allows the audience to exhale, unclench, and even chuckle in spaces where laughter is often lost. Kimble’s work was featured on the King and Shaw Street billboards for the 2023 Scotiabank CONTACT Photography Festival.

Installation Images

  • Jake Kimble, Grow Up #1, 2022, installation view, 460 King St W, Toronto, 2023. Courtesy of the artist and CONTACT. Photo: Toni Hafkenscheid
  • Jake Kimble, Grow Up #1, 2022, installation view, 460 King St W, Toronto, 2023. Courtesy of the artist and CONTACT. Photo: Toni Hafkenscheid
  • Jake Kimble, Grow Up #1, 2022, installation view, 460 King St W, Toronto, 2023. Courtesy of the artist and CONTACT. Photo: Toni Hafkenscheid

Jake Kimble Grow Up #1

460 King St W

Artist Jake Kimble, a Chipewyan (Dëne Sųłıné) from Treaty 8 Territory in...

Archives 2023 Public Art

Maïmouna Guerresi Sebaätou Rijal & Villes Nouvelles and Ancient Shadows

Aga Khan, Aga Khan Park

The work of Italian-Senegalese multimedia artist Maïmouna Guerresi invites viewers to look...

Archives 2023 Public Art

Jake Kimble Grow Up #4

Artscape Youngplace Billboard

Artist Jake Kimble, a Chipewyan (Dëne Sųłıné) from Treaty 8 Territory in...

Archives 2023 Public Art

Nadya Kwandibens Shiibaashka’igan: Honouring the Sacred Jingle Dress

Artscape Youngplace Billboard

This outdoor component of the exhibition Materialized presents an image by newly-appointed...

Archives 2023 Public Art

Memory Work Collective Memory Work

The Bentway

Situated at the Strachan Gate entrance to the Bentway, Memory Work is...

Archives 2022 Public Art

Genesis Báez Groundcover

The Bentway

Brooklyn-based artist Genesis Báez grew up between the northeastern United States and...

Archives 2023 Public Art

Night Swimming

Davisville Subway Station

Working between the United Arab Emirates and New York, Lebanese-American artist Farah...

Archives 2023 Public Art

Maggie Groat DOUBLE PENDULUM: billboards

Dupont and Dovercourt Billboard

Presented across three sites in Toronto—at CONTACT Gallery, on billboards, and in...

Archives 2023 Public Art

Maggie Groat DOUBLE PENDULUM: Harbourfront

Harbourfront Centre parking pavilion

Presented across three sites in Toronto—at CONTACT Gallery, on billboards, and in...

Archives 2023 Public Art

Sunday School Feels Like Home: billboards

Lansdowne & College Billboards

Founded by Josef Adamu in Toronto in 2017, Sunday School is a...

Archives 2023 Public Art

Writing Without Words: The Autoportraits of Hélène Amouzou

Metro Hall

Togolese-Belgian photographer Hélène Amouzou creates distinctive imagery through long exposures, generating photographic...

Archives 2023 Public Art

Robert Burley The Last Day of Work

Mount Dennis Library

Known for his inspiring colour vistas of urban architecture and landscape, Canadian...

Archives 2023 Public Art

Vid Ingelevics & Ryan Walker Greenwork

Port Lands

Since 2019, Toronto-based artists Vid Ingelevics and Ryan Walker have photographically documented...

Archives 2023 Public Art

Anique Jordan these times, 2019

The Power Plant façade

Presented as a billboard on The Power Plant’s south façade, these times,...

Archives 2023 Public Art

Nabil Azab Just How We Found It

Runnymede and Ryding Billboards

In tandem with his solo exhibition The Big Mess With Us Inside...

Archives 2023 Public Art

Seif Kousmate Waha (Oasis)

Strachan and King Billboards

Waha (“oasis” in Arabic) is Moroccan photographer Seif Kousmate’s three-year–long research-based project...

Archives 2023 Public Art

Sarah Palmer Wish You Were Here

Summerville Olympic Pools

In Wish You Were Here, Toronto-based photographer Sarah Palmer documents the world...

Archives 2023 Public Art

Esmaa Mohamoud The Brotherhood FUBU (For Us, By Us)

Westin Harbour Castle, Harbour Square Park

Focusing on the physical connection between Black male bodies by amplifying the...

Archives 2022 Public Art

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80 Spadina Ave, Ste 205
Toronto, M5V 2J4
Canada

416 539 9595 info @ contactphoto.com Instagram

CONTACT is a Toronto based non-profit organization dedicated to exhibiting, analyzing and celebrating photography and lens-based media through an annual festival that takes place every May.

Land Acknowledgement

CONTACT acknowledges that we live and work on the traditional territory of many nations, including the Mississaugas of the Credit, the Anishnabeg, the Chippewa, the Haudenosaunee and the Wendat peoples, and that this land is now home to many diverse First Nations, Inuit, and Métis peoples. CONTACT is committed to promoting Indigenous voices; to generating spaces for ongoing, meaningful, and creative Indigenous-settler dialogue; and to continuous learning about our place on this land.

Anti-Oppression

CONTACT is committed to the ongoing development of meaningful anti-oppressive practice on all levels. This includes our continuing goal of augmenting and maintaining diverse representation, foregrounding varied and under-represented voices and perspectives via our public platform (the Festival and all related programs), as well as continually examining the structures of power and decision-making within the organization itself. We aim to actively learn, grow, and embody the values of inclusivity, equity, and accessibility in all facets of the institution, as an ever-evolving process.