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Archives 2022 Public Art

Tyler Mitchell Cultural Turns: Billboards in Toronto

April 29 – May 30, 2022
  • Dupont Billboards
Tyler Mitchell, Untitled (Eyelash), 2019. © Tyler Mitchell. Courtesy of the artist and Jack Shainman Gallery, New York.
Tyler Mitchell, Untitled (Eyelash), 2019. © Tyler Mitchell. Courtesy of the artist and Jack Shainman Gallery, New York.

Presented across three sites in Toronto, the work of American photographer Tyler Mitchell brings a bold vision to the city. His vibrant images richly portray the beauty, presence, and self-assurance of Black lives, referencing the rich history of Black photography while proposing new futures. In these two images, presented at a massive scale on billboards at the intersection of Dupont and Dovercourt, Mitchell brings the powerful gaze of the Black subject into focus while opening portals into intimate narratives.

Présentée dans trois sites torontois, l’œuvre du photographe américain Tyler Mitchell fait souffler un vent d’audace sur la ville. Ses images vibrantes dépeignent magnifiquement la beauté, la présence et l’assurance qui caractérisent la vie des Noirs, renvoyant à la riche histoire de la photographie noire tout en proposant de nouvelles perspectives. Dans ces deux images, exposées à très grande échelle sur des panneaux d’affichage à l’intersection de Dupont et Dovercourt, Mitchell met en évidence le regard puissant du sujet noir tout en laissant entrevoir sa part intime.

Tyler Mitchell, Untitled (Sloane and Leo Embrace), 2019. © Tyler Mitchell. Courtesy of the artist and Jack Shainman Gallery, New York.
Tyler Mitchell, Untitled (Sloane and Leo Embrace), 2019. © Tyler Mitchell. Courtesy of the artist and Jack Shainman Gallery, New York.

Read the complete exhibition essay by British curator and cultural historian Mark Sealy, which contextualizes this and the other two parts of Mitchell’s three-part presentation—including an exhibition at CONTACT Gallery and an outdoor installation at Metro Hall—within the frameworks of identity politics, human rights, the relationship of photography to social change, and the African diaspora.

Curated by Mark Sealy, OBE, Director of Autograph London; Professor of Photography – Rights and Representation, University of the Arts London; and core member of Photography and the Archive Research Centre (PARC), London College of Communication

  • Tyler Mitchell (b. 1995 Atlanta, GA; lives and works in Brooklyn, NY) is a photographer and filmmaker working across genres to explore and document a new aesthetic of Blackness. In 2018, he made history as the first Black photographer to shoot a cover of American Vogue for Beyoncé’s appearance in the September issue. A work from this series was acquired by The Smithsonian National Portrait Gallery. Mitchell’s first solo exhibition, I Can Make You Feel Good (2019) at Foam Fotografiemuseum Amsterdam traveled to the International Center of Photography (NY)(2020), and he published a monograph with Prestel Random House in conjunction. In 2020 Mitchell was awarded the Gordon Parks Fellowship, culminating in an exhibition at the Gordon Parks Foundation Gallery, Pleasantville, NY (2021). Mitchell has lectured at a number of institutions including Harvard University, NYU, Paris Photo, and the ICP.

Installation Images

  • Tyler Mitchell, Cultural Turns, installation on billboards at Dovercourt Ave and Dupont St, Toronto, 2022. © Tyler Mitchell. Courtesy of the artist, Jack Shainman Gallery, New York, and CONTACT. Photo: Toni Hafkenscheid
  • Tyler Mitchell, Cultural Turns, installation on billboards at Dovercourt Ave and Dupont St, Toronto, 2022. © Tyler Mitchell. Courtesy of the artist, Jack Shainman Gallery, New York, and CONTACT. Photo: Toni Hafkenscheid
  • Tyler Mitchell, Cultural Turns, installation on billboards at Dovercourt Ave and Dupont St, Toronto, 2022. © Tyler Mitchell. Courtesy of the artist, Jack Shainman Gallery, New York, and CONTACT. Photo: Toni Hafkenscheid

Group Exhibition Land of None / Land of Us

CONTACT Gallery, Metro Hall
Archives 2022 Public Art

Jorian Charlton Georgia

460 King St W

Asserting a powerful Black presence in the city, challenging colonial histories of...

Archives 2022 Public Art

Brendan George Ko Monarch Butterflies at El Rosario II

Artscape Youngplace Billboard

Documenting an epic transcontinental journey...

Archives 2022 Public Art

Memory Work Collective Memory Work

The Bentway

Situated at the Strachan Gate entrance to the Bentway, Memory Work is...

Archives 2022 Public Art

Mahtab Hussain Tajvin Kazi and Rishada Majeed

Billboard at Dupont and Dufferin

A new visual narrative of Muslim experience and identity in Toronto...

Archives 2022 Public Art

Brendan George Ko The Forest is Wired for Wisdom

Cross-Canada Billboards, Strachan and King Billboards

A poetic and luminous look at the wonder and complexity of the...

Archives 2022 Public Art

Anastasia Samoylova FloodZone

Davisville Subway Station

Nature's power in conflict with the menace of human desire...

Archives 2022 Public Art

Jimmy Manning Floe / Flow

Devonian Square

An installation of delicate, monumental beauty warning of things to come...

Archives 2022 Public Art

Tyler Mitchell Cultural Turns: Billboards in Toronto

Dupont and Dovercourt Billboard

Keeping alive the polychromatic nature of Black experiences, holding the vastness of...

Archives 2022 Public Art

Atong Atem Surat

Lansdowne and College Billboards

Restaging personal histories toward expansive new futures...

Archives 2022 Public Art

Tyler Mitchell Cultural Turns: Metro Hall

Metro Hall

A decolonial praxis guiding the viewer toward freedom, liberation, joy, and celebration...

Archives 2022 Public Art

Bidemi Oloyede I Am Hu(e)Man

PAMA

Collaborative yet self-styled portraits generate new space for Black men in the...

Archives 2022 Public Art

Vid Ingelevics & Ryan Walker How to Build a River

Port Lands

A third instalment charting the progression of the massive Port Lands Flood...

Archives 2022 Public Art

Sasha Huber Rentyhorn

The Power Plant façade

Envisioning reparative interventions into the remaining traces of a vast colonial project...

Archives 2022 Public Art

Sanctuary Doors

Walmer Road Baptist Church
Archives 2022 Public Art

Esmaa Mohamoud The Brotherhood FUBU (For Us, By Us)

Westin Harbour Castle, Harbour Square Park

Focusing on the physical connection between Black male bodies by amplifying the...

Archives 2022 Public Art
CorePublic ArtOpen CallArtists
  • Core
  • Public Art
  • Open Call
  • Artists
Archives 2022 Public Art

Tyler Mitchell Cultural Turns: Billboards in Toronto

April 29 – May 30, 2022
  • Dupont Billboards
Tyler Mitchell, Untitled (Eyelash), 2019. © Tyler Mitchell. Courtesy of the artist and Jack Shainman Gallery, New York.
Tyler Mitchell, Untitled (Eyelash), 2019. © Tyler Mitchell. Courtesy of the artist and Jack Shainman Gallery, New York.

Presented across three sites in Toronto, the work of American photographer Tyler Mitchell brings a bold vision to the city. His vibrant images richly portray the beauty, presence, and self-assurance of Black lives, referencing the rich history of Black photography while proposing new futures. In these two images, presented at a massive scale on billboards at the intersection of Dupont and Dovercourt, Mitchell brings the powerful gaze of the Black subject into focus while opening portals into intimate narratives.

Présentée dans trois sites torontois, l’œuvre du photographe américain Tyler Mitchell fait souffler un vent d’audace sur la ville. Ses images vibrantes dépeignent magnifiquement la beauté, la présence et l’assurance qui caractérisent la vie des Noirs, renvoyant à la riche histoire de la photographie noire tout en proposant de nouvelles perspectives. Dans ces deux images, exposées à très grande échelle sur des panneaux d’affichage à l’intersection de Dupont et Dovercourt, Mitchell met en évidence le regard puissant du sujet noir tout en laissant entrevoir sa part intime.

Tyler Mitchell, Untitled (Sloane and Leo Embrace), 2019. © Tyler Mitchell. Courtesy of the artist and Jack Shainman Gallery, New York.
Tyler Mitchell, Untitled (Sloane and Leo Embrace), 2019. © Tyler Mitchell. Courtesy of the artist and Jack Shainman Gallery, New York.

Read the complete exhibition essay by British curator and cultural historian Mark Sealy, which contextualizes this and the other two parts of Mitchell’s three-part presentation—including an exhibition at CONTACT Gallery and an outdoor installation at Metro Hall—within the frameworks of identity politics, human rights, the relationship of photography to social change, and the African diaspora.

Curated by Mark Sealy, OBE, Director of Autograph London; Professor of Photography – Rights and Representation, University of the Arts London; and core member of Photography and the Archive Research Centre (PARC), London College of Communication

  • Tyler Mitchell (b. 1995 Atlanta, GA; lives and works in Brooklyn, NY) is a photographer and filmmaker working across genres to explore and document a new aesthetic of Blackness. In 2018, he made history as the first Black photographer to shoot a cover of American Vogue for Beyoncé’s appearance in the September issue. A work from this series was acquired by The Smithsonian National Portrait Gallery. Mitchell’s first solo exhibition, I Can Make You Feel Good (2019) at Foam Fotografiemuseum Amsterdam traveled to the International Center of Photography (NY)(2020), and he published a monograph with Prestel Random House in conjunction. In 2020 Mitchell was awarded the Gordon Parks Fellowship, culminating in an exhibition at the Gordon Parks Foundation Gallery, Pleasantville, NY (2021). Mitchell has lectured at a number of institutions including Harvard University, NYU, Paris Photo, and the ICP.

Installation Images

  • Tyler Mitchell, Cultural Turns, installation on billboards at Dovercourt Ave and Dupont St, Toronto, 2022. © Tyler Mitchell. Courtesy of the artist, Jack Shainman Gallery, New York, and CONTACT. Photo: Toni Hafkenscheid
  • Tyler Mitchell, Cultural Turns, installation on billboards at Dovercourt Ave and Dupont St, Toronto, 2022. © Tyler Mitchell. Courtesy of the artist, Jack Shainman Gallery, New York, and CONTACT. Photo: Toni Hafkenscheid
  • Tyler Mitchell, Cultural Turns, installation on billboards at Dovercourt Ave and Dupont St, Toronto, 2022. © Tyler Mitchell. Courtesy of the artist, Jack Shainman Gallery, New York, and CONTACT. Photo: Toni Hafkenscheid

Group Exhibition Land of None / Land of Us

CONTACT Gallery, Metro Hall
Archives 2022 Public Art

Jorian Charlton Georgia

460 King St W

Asserting a powerful Black presence in the city, challenging colonial histories of...

Archives 2022 Public Art

Brendan George Ko Monarch Butterflies at El Rosario II

Artscape Youngplace Billboard

Documenting an epic transcontinental journey...

Archives 2022 Public Art

Memory Work Collective Memory Work

The Bentway

Situated at the Strachan Gate entrance to the Bentway, Memory Work is...

Archives 2022 Public Art

Mahtab Hussain Tajvin Kazi and Rishada Majeed

Billboard at Dupont and Dufferin

A new visual narrative of Muslim experience and identity in Toronto...

Archives 2022 Public Art

Brendan George Ko The Forest is Wired for Wisdom

Cross-Canada Billboards, Strachan and King Billboards

A poetic and luminous look at the wonder and complexity of the...

Archives 2022 Public Art

Anastasia Samoylova FloodZone

Davisville Subway Station

Nature's power in conflict with the menace of human desire...

Archives 2022 Public Art

Jimmy Manning Floe / Flow

Devonian Square

An installation of delicate, monumental beauty warning of things to come...

Archives 2022 Public Art

Tyler Mitchell Cultural Turns: Billboards in Toronto

Dupont and Dovercourt Billboard

Keeping alive the polychromatic nature of Black experiences, holding the vastness of...

Archives 2022 Public Art

Atong Atem Surat

Lansdowne and College Billboards

Restaging personal histories toward expansive new futures...

Archives 2022 Public Art

Tyler Mitchell Cultural Turns: Metro Hall

Metro Hall

A decolonial praxis guiding the viewer toward freedom, liberation, joy, and celebration...

Archives 2022 Public Art

Bidemi Oloyede I Am Hu(e)Man

PAMA

Collaborative yet self-styled portraits generate new space for Black men in the...

Archives 2022 Public Art

Vid Ingelevics & Ryan Walker How to Build a River

Port Lands

A third instalment charting the progression of the massive Port Lands Flood...

Archives 2022 Public Art

Sasha Huber Rentyhorn

The Power Plant façade

Envisioning reparative interventions into the remaining traces of a vast colonial project...

Archives 2022 Public Art

Sanctuary Doors

Walmer Road Baptist Church
Archives 2022 Public Art

Esmaa Mohamoud The Brotherhood FUBU (For Us, By Us)

Westin Harbour Castle, Harbour Square Park

Focusing on the physical connection between Black male bodies by amplifying the...

Archives 2022 Public Art

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CONTACT is a Toronto based non-profit organization dedicated to exhibiting, analyzing and celebrating photography and lens-based media through an annual festival that takes place every May.

Land Acknowledgement

CONTACT acknowledges that we live and work on the traditional territory of many nations, including the Mississaugas of the Credit, the Anishnabeg, the Chippewa, the Haudenosaunee and the Wendat peoples, and that this land is now home to many diverse First Nations, Inuit, and Métis peoples. CONTACT is committed to promoting Indigenous voices; to generating spaces for ongoing, meaningful, and creative Indigenous-settler dialogue; and to continuous learning about our place on this land.

Anti-Oppression

CONTACT is committed to the ongoing development of meaningful anti-oppressive practice on all levels. This includes our continuing goal of augmenting and maintaining diverse representation, foregrounding varied and under-represented voices and perspectives via our public platform (the Festival and all related programs), as well as continually examining the structures of power and decision-making within the organization itself. We aim to actively learn, grow, and embody the values of inclusivity, equity, and accessibility in all facets of the institution, as an ever-evolving process.