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Archives 2022 Public Art

Brendan George Ko Monarch Butterflies at El Rosario II

March 16 – April 20, 2022
  • Critical Distance – Artscape Youngplace Billboard
    Brendan George Ko, Monarch Butterflies at El Rosario II, 2020. Courtesy of the artist
Brendan George Ko, Monarch Butterflies at El Rosario II, 2020. Courtesy of the artist

In early fall, the iconic monarch butterfly embarks on a heroic 4,000-kilometre journey from southern Canada to the mountains of central Mexico—one of the longest insect migrations in the world. Made while on assignment for The New Yorker, the image presented on this street-level billboard by Toronto-based photographer Brendan George Ko documents one stage of this epic passage.

Au début de l’automne, l’emblématique papillon monarque entreprend un voyage héroïque de 4 000 kilomètres, du sud du Canada aux montagnes du centre du Mexique—l’une des plus longues migrations d’insectes au monde. Réalisée lors d’une mission pour le New Yorker, l’image présentée sur ce panneau d’affichage à hauteur de rue par le photographe torontois Brendan George Ko documente une étape de ce passage épique.

A partnership between the Mexican government and the World Wildlife Fund, The Monarch Butterfly Biosphere Reserve covers over 100,000 acres north of Mexico City, helping to preserve the monarch’s habitat. The reserve belongs to multiple groups, including Indigenous communities and communal-land villages, providing tourism income to locals who once relied predominantly on logging and mining industries in the area. Climate change and habitat loss, both in Mexico as well as in Canada and the United States, have resulted in declining butterfly numbers over the last few years. Land conservation and the protection of biodiversity across the continent are key to sustaining their numbers and supporting the monarch’s incredible journey. 

Ko’s mural on Shaw Street depicts the arrival of millions of monarchs to a forest filled with oyamel firs where they hibernate for four months, at altitudes of around 10,000 feet. Presented on a site where an old maple once stood, it is a reminder of the larger connections at play in the natural world, and a cue to slow down and observe the monarch butterflies fluttering about in the park or garden this season.

Co-presented with Critical Distance Centre for Curators

Curated by Tara Smith

  • Brendan George Ko is a visual storyteller working in photography, video, installation, text, and sound. His work conveys a sense of experience through storytelling, and he describes the image as supplementary to the story it represents. In 2010, Ko received his BFA from the Ontario College of Art & Design University, where he majored in photography, and he went on to the Master of Visual Studies programme at the University of Toronto, where his practice focused on video and sound.

     

Installation Images

  • Brendan George Ko, Monarch Butterflies at El Rosario II, installation view, billboard at Critical Distance Centre for Curators, Toronto, 2022. Courtesy of the artist and CONTACT
  • Brendan George Ko, Monarch Butterflies at El Rosario II, installation view, billboard at Critical Distance Centre for Curators, Toronto, 2022. Courtesy of the artist and CONTACT
  • Brendan George Ko, Monarch Butterflies at El Rosario II, installation view, billboard at Critical Distance Centre for Curators, Toronto, 2022. Courtesy of the artist and CONTACT

Group Exhibition Land of None / Land of Us

CONTACT Gallery, Metro Hall
Archives 2022 Public Art

Jorian Charlton Georgia

460 King St W

Asserting a powerful Black presence in the city, challenging colonial histories of...

Archives 2022 Public Art

Brendan George Ko Monarch Butterflies at El Rosario II

Artscape Youngplace Billboard

Documenting an epic transcontinental journey...

Archives 2022 Public Art

Memory Work Collective Memory Work

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Situated at the Strachan Gate entrance to the Bentway, Memory Work is...

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Mahtab Hussain Tajvin Kazi and Rishada Majeed

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A new visual narrative of Muslim experience and identity in Toronto...

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Brendan George Ko The Forest is Wired for Wisdom

Cross-Canada Billboards, Strachan and King Billboards

A poetic and luminous look at the wonder and complexity of the...

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Anastasia Samoylova FloodZone

Davisville Subway Station

Nature's power in conflict with the menace of human desire...

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Jimmy Manning Floe / Flow

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An installation of delicate, monumental beauty warning of things to come...

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Tyler Mitchell Cultural Turns: Billboards in Toronto

Dupont and Dovercourt Billboard

Keeping alive the polychromatic nature of Black experiences, holding the vastness of...

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Atong Atem Surat

Lansdowne and College Billboards

Restaging personal histories toward expansive new futures...

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Tyler Mitchell Cultural Turns: Metro Hall

Metro Hall

A decolonial praxis guiding the viewer toward freedom, liberation, joy, and celebration...

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Bidemi Oloyede I Am Hu(e)Man

PAMA

Collaborative yet self-styled portraits generate new space for Black men in the...

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Vid Ingelevics & Ryan Walker How to Build a River

Port Lands

A third instalment charting the progression of the massive Port Lands Flood...

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Sasha Huber Rentyhorn

The Power Plant façade

Envisioning reparative interventions into the remaining traces of a vast colonial project...

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Sanctuary Doors

Walmer Road Baptist Church
Archives 2022 Public Art

Esmaa Mohamoud The Brotherhood FUBU (For Us, By Us)

Westin Harbour Castle, Harbour Square Park

Focusing on the physical connection between Black male bodies by amplifying the...

Archives 2022 Public Art
CorePublic ArtOpen CallArtists
  • Core
  • Public Art
  • Open Call
  • Artists
Archives 2022 Public Art

Brendan George Ko Monarch Butterflies at El Rosario II

March 16 – April 20, 2022
  • Critical Distance – Artscape Youngplace Billboard
    Brendan George Ko, Monarch Butterflies at El Rosario II, 2020. Courtesy of the artist
Brendan George Ko, Monarch Butterflies at El Rosario II, 2020. Courtesy of the artist

In early fall, the iconic monarch butterfly embarks on a heroic 4,000-kilometre journey from southern Canada to the mountains of central Mexico—one of the longest insect migrations in the world. Made while on assignment for The New Yorker, the image presented on this street-level billboard by Toronto-based photographer Brendan George Ko documents one stage of this epic passage.

Au début de l’automne, l’emblématique papillon monarque entreprend un voyage héroïque de 4 000 kilomètres, du sud du Canada aux montagnes du centre du Mexique—l’une des plus longues migrations d’insectes au monde. Réalisée lors d’une mission pour le New Yorker, l’image présentée sur ce panneau d’affichage à hauteur de rue par le photographe torontois Brendan George Ko documente une étape de ce passage épique.

A partnership between the Mexican government and the World Wildlife Fund, The Monarch Butterfly Biosphere Reserve covers over 100,000 acres north of Mexico City, helping to preserve the monarch’s habitat. The reserve belongs to multiple groups, including Indigenous communities and communal-land villages, providing tourism income to locals who once relied predominantly on logging and mining industries in the area. Climate change and habitat loss, both in Mexico as well as in Canada and the United States, have resulted in declining butterfly numbers over the last few years. Land conservation and the protection of biodiversity across the continent are key to sustaining their numbers and supporting the monarch’s incredible journey. 

Ko’s mural on Shaw Street depicts the arrival of millions of monarchs to a forest filled with oyamel firs where they hibernate for four months, at altitudes of around 10,000 feet. Presented on a site where an old maple once stood, it is a reminder of the larger connections at play in the natural world, and a cue to slow down and observe the monarch butterflies fluttering about in the park or garden this season.

Co-presented with Critical Distance Centre for Curators

Curated by Tara Smith

  • Brendan George Ko is a visual storyteller working in photography, video, installation, text, and sound. His work conveys a sense of experience through storytelling, and he describes the image as supplementary to the story it represents. In 2010, Ko received his BFA from the Ontario College of Art & Design University, where he majored in photography, and he went on to the Master of Visual Studies programme at the University of Toronto, where his practice focused on video and sound.

     

Installation Images

  • Brendan George Ko, Monarch Butterflies at El Rosario II, installation view, billboard at Critical Distance Centre for Curators, Toronto, 2022. Courtesy of the artist and CONTACT
  • Brendan George Ko, Monarch Butterflies at El Rosario II, installation view, billboard at Critical Distance Centre for Curators, Toronto, 2022. Courtesy of the artist and CONTACT
  • Brendan George Ko, Monarch Butterflies at El Rosario II, installation view, billboard at Critical Distance Centre for Curators, Toronto, 2022. Courtesy of the artist and CONTACT

Group Exhibition Land of None / Land of Us

CONTACT Gallery, Metro Hall
Archives 2022 Public Art

Jorian Charlton Georgia

460 King St W

Asserting a powerful Black presence in the city, challenging colonial histories of...

Archives 2022 Public Art

Brendan George Ko Monarch Butterflies at El Rosario II

Artscape Youngplace Billboard

Documenting an epic transcontinental journey...

Archives 2022 Public Art

Memory Work Collective Memory Work

The Bentway

Situated at the Strachan Gate entrance to the Bentway, Memory Work is...

Archives 2022 Public Art

Mahtab Hussain Tajvin Kazi and Rishada Majeed

Billboard at Dupont and Dufferin

A new visual narrative of Muslim experience and identity in Toronto...

Archives 2022 Public Art

Brendan George Ko The Forest is Wired for Wisdom

Cross-Canada Billboards, Strachan and King Billboards

A poetic and luminous look at the wonder and complexity of the...

Archives 2022 Public Art

Anastasia Samoylova FloodZone

Davisville Subway Station

Nature's power in conflict with the menace of human desire...

Archives 2022 Public Art

Jimmy Manning Floe / Flow

Devonian Square

An installation of delicate, monumental beauty warning of things to come...

Archives 2022 Public Art

Tyler Mitchell Cultural Turns: Billboards in Toronto

Dupont and Dovercourt Billboard

Keeping alive the polychromatic nature of Black experiences, holding the vastness of...

Archives 2022 Public Art

Atong Atem Surat

Lansdowne and College Billboards

Restaging personal histories toward expansive new futures...

Archives 2022 Public Art

Tyler Mitchell Cultural Turns: Metro Hall

Metro Hall

A decolonial praxis guiding the viewer toward freedom, liberation, joy, and celebration...

Archives 2022 Public Art

Bidemi Oloyede I Am Hu(e)Man

PAMA

Collaborative yet self-styled portraits generate new space for Black men in the...

Archives 2022 Public Art

Vid Ingelevics & Ryan Walker How to Build a River

Port Lands

A third instalment charting the progression of the massive Port Lands Flood...

Archives 2022 Public Art

Sasha Huber Rentyhorn

The Power Plant façade

Envisioning reparative interventions into the remaining traces of a vast colonial project...

Archives 2022 Public Art

Sanctuary Doors

Walmer Road Baptist Church
Archives 2022 Public Art

Esmaa Mohamoud The Brotherhood FUBU (For Us, By Us)

Westin Harbour Castle, Harbour Square Park

Focusing on the physical connection between Black male bodies by amplifying the...

Archives 2022 Public Art

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CONTACT is a Toronto based non-profit organization dedicated to exhibiting, analyzing and celebrating photography and lens-based media through an annual festival that takes place every May.

Land Acknowledgement

CONTACT acknowledges that we live and work on the traditional territory of many nations, including the Mississaugas of the Credit, the Anishnabeg, the Chippewa, the Haudenosaunee and the Wendat peoples, and that this land is now home to many diverse First Nations, Inuit, and Métis peoples. CONTACT is committed to promoting Indigenous voices; to generating spaces for ongoing, meaningful, and creative Indigenous-settler dialogue; and to continuous learning about our place on this land.

Anti-Oppression

CONTACT is committed to the ongoing development of meaningful anti-oppressive practice on all levels. This includes our continuing goal of augmenting and maintaining diverse representation, foregrounding varied and under-represented voices and perspectives via our public platform (the Festival and all related programs), as well as continually examining the structures of power and decision-making within the organization itself. We aim to actively learn, grow, and embody the values of inclusivity, equity, and accessibility in all facets of the institution, as an ever-evolving process.