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Archives 2022 exhibition

Shine On: Photographs from The BIPOC Photo Mentorship Program

May 6 – 31, 2022
  • Nathan Phillips Square
    Hannah Somers, A Form of Dance, 2021. Courtesy of the artist
Hannah Somers, A Form of Dance, 2021. Courtesy of the artist

This inaugural exhibition of photographs produced by mentees in the BIPOC Photo Mentorship Program reflects the breadth of perspectives of the emerging generation of photographers. Presented on the grounds of Nathan Phillips Square as part of Doors Open Toronto, Shine On features critical and creative explorations in genres ranging from portraiture, to fashion, to still life.

Cette exposition inaugurale de photographies produites par les mentorés du programme de mentorat photographique BIPOC reflète l’étendue des perspectives de la nouvelle génération de photographes. Présentée sur le terrain du Nathan Phillips Square à l’occasion de l’événement Doors Open Toronto, Shine On rassemble des explorations critiques et créatives dans des genres allant du portrait à la mode, en passant par la nature morte.

Dominique Burnside, Behold the Light, 2019. Courtesy of the artist
Dominique Burnside, Behold the Light, 2019. Courtesy of the artist
Jeyolyn Christi, if beads could talk, what would they say?, 2021. Courtesy of the artist
Jeyolyn Christi, if beads could talk, what would they say?, 2021. Courtesy of the artist
Jenisha Hibbert Thomas, Blue Du, 2021. Courtesy of the artist
Jenisha Hibbert Thomas, Blue Du, 2021. Courtesy of the artist
Katherine Cheng, Through the Five Senses (Touch), 2021. Courtesy of the artist
Katherine Cheng, Through the Five Senses (Touch), 2021. Courtesy of the artist

Wherever you looked, 2020 was a year of seeing many things anew—a year of 20/20 vision, so to speak—and the impacts are still reverberating all around us. Between the global pandemic and the protests for racial justice, our worlds came more sharply into view and the need for change became ever more pronounced. Given photography’s role in shaping how we look and what we see, our industry is no different.

Sumi Siddiqa, Extraterrestrial, 2021. Courtesy of the artist
Sumi Siddiqa, Extraterrestrial, 2021. Courtesy of the artist
Noor Gatih, Self, 2020. Courtesy of the artist
Noor Gatih, Self, 2020. Courtesy of the artist
Janice Reid, Fancy Dress, 2021. Courtesy of the artist
Janice Reid, Fancy Dress, 2021. Courtesy of the artist

Over the past few years, numerous efforts have been launched to address longstanding inequities and to reform harmful institutional practices, most often led by grassroots organizations. To celebrate the 2022 Doors Open Toronto theme of “Renewal,” it seems fitting to shine a light on one such local organization, the BIPOC Photo Mentorship Program (BPM). Founded by Sheridan College professor Heather Morton, BPM was launched in Toronto in September 2020 as a way to address systemic barriers faced by emerging BIPOC (Black, Indigenous, and People of Colour) photographers, and with the goal of encouraging diversity in the photographic industry. Since then, more than 210 mentorship opportunities have been offered by 100 professional photographers and members of the photographic industry from Canada and the United States. The mentorships have varied in structure and content, and have included fielding business questions by phone, providing on-set opportunities, giving project-specific critiques via Zoom and FaceTime, offering structured research and shooting assignments, and hosting virtual group-based check-ins.

Craig Bagol, slowdown, 2019. Courtesy of the artist
Craig Bagol, slowdown, 2019. Courtesy of the artist
Christina Oyawale, you, the light & nothing else, 2020. Courtesy of the artist
Christina Oyawale, you, the light & nothing else, 2020. Courtesy of the artist
Pascal Lee, Just one more swim, 2021. Courtesy of the artist
Pascal Lee, Just one more swim, 2021. Courtesy of the artist

Curated by Michèle Pearson Clarke, Toronto’s Photo Laureate 2019–2022, Shine On is the first exhibition of photographs produced by BPM mentee participants and features the work of early-career GTA-based photographers. Fittingly, these works are situated outdoors at Nathan Phillips Square—a popular gathering spot and the site of innumerable protests. Through the support of their mentors, these artists have built professional relationships that will both increase the opportunities for this work to be seen and have a lasting impact on their careers. Each one is teaching one, strengthening our photographic community as we work toward a more inclusive and equitable visual media industry.  

Sahar Rana, Maximal Still Life Study, 2019. Courtesy of the artist
Sahar Rana, Maximal Still Life Study, 2019. Courtesy of the artist
Marc Santos, A Still of Life, A Still of Death, 2021. Courtesy of the artist
Marc Santos, A Still of Life, A Still of Death, 2021. Courtesy of the artist
Bisma Jay, What Would People Say?, 2021. Courtesy of the artist
Bisma Jay, What Would People Say?, 2021. Courtesy of the artist
Marlon Porter, Rainbow of Feathers, 2020. Courtesy of the artist
Marlon Porter, Rainbow of Feathers, 2020. Courtesy of the artist

For more information on the BIPOC Photo Mentorship Program, please visit:
W: bipocphotomentorship.com
IG: @bipocphotomentorship

Curated by Michèle Pearson Clarke

  • Hannah Somers is a London-born, Toronto-based artist and photographer. Being a biracial woman of colour with a Caribbean heritage has influenced many of her investigations, and her work centralizes around the expression and discovery of identity, ethnicity and race. Understanding different relationships and histories of these themes are important in her process, and she creates relevant narratives utilizing photography, video, and audio. Hannah holds a BFA in Image Arts: Photography Studies from X University, and coming from a documentary photography background has offered her a unique outlook when creating collaborative work.

  • Sumi Siddiqa is a Toronto-based photographer and director who is obsessed with colour theory and fashion. Sumi’s work can be described as fun and colourful, with a hint of avant-garde fashion. Her work has been featured in VSCO, GMARO Elegant, and PAP magazine, and her latest collaboration saw her directing a fashion video for Tokina Lenses. Sumi is committed to telling compelling stories which touch, move, and inspire people.

  • Marc Santos is a Toronto-based freelance photographer and a 2019 graduate of Sheridan College’s Bachelor of Photography Program. In his work, he continually plays with the relationship of inanimate objects while toying with the juxtaposition of viewer expectations. Subjects that one may not think of placing together or giving hierarchy towards may sometimes be the perfect thing to explore in his visual world. He also loves pancakes and coffee.

  • Sahar Rana is a stills and motion artist with a focus on fashion, portraiture and still life. She creates vivid imagery with the use of conceptual storytelling, thoughtful colour palettes, set design and digital compositing. Sahar's practice spans editorial, commercial and fine art projects, and her work has been published in Reader’s Digest Canada, The Globe & Mail and The Toronto Star.

  • Marlon Porter is a Mississauga-based photographer and writer specializing in capturing the little moments of magic hidden within the poetry of everyday life. Marlon’s work has been featured in multiple exhibitions and publications, and has been awarded in both the 2021 Smithsonian Photo Competition and the 2020 International Photography Awards. He is currently an Artist-in-Resident with Visual Arts Mississauga, and his inspiration comes from the elegance of nature, the intricacies of the human experience, and the stunning spectacle of the world around him.

  • Christina Oyawale (b. 2000) is a Black, non-binary, disabled, lens-based Tkaronto/Toronto artist, dance artist, curator and creative director. Currently, they are finishing their BFA in Photography at X University while challenging colonial ideals of productivity. Their artistic focus at the moment is documenting radical occupation of space. They strive for community engagement by creating conversations that pertain to human condition, growth, rebirth and investigations of self. This is done through experimenting with practices based in video, performance, photography and installation.

  • Pascal Lee is a photographer who focuses on finding the narrative within the moment. Stories are powerful; they have the power to put people in others’ shoes. They can capture someone’s complete attention and allow them to get lost in the minute details of events, like an impactful memory that they never had. Through photography, Pascal aims to utilize the spellbinding qualities of stories in his images in the hopes that everybody who sees them will feel something outside of their everyday lives, and forget about everything else for one moment.

  • Bisma Jay is a queer, multi-media artist currently based in Toronto. In their work, they seek to create more positive representation of queer and trans South Asian folks living in the diaspora. In their spare time, they like to make videos for Instagram, design clothes, and take endless self-portraits.

  • Jenisha Hibbert Thomas is a Canadian-Jamaican portrait, fashion, and fine-art photographer and creative director working in and around the Greater Toronto Area. She studied design and photography for several years before earning her BA in Photography from Sheridan College in 2019. She combines her skills to create imagery with narrative intent, graphic style, and purposeful uses of colour. Jenisha loves to focus her camera lens on subjects of a diverse category, especially those within her Black community.

Installation Images

  • Group exhibition, Shine On: Photographs from The BIPOC Photo Mentorship Program, installation view, Nathan Philips Square, 2022. Courtesy of the artists and BPM
  • installation view, Nathan Philips Square, 2022. Courtesy of the artists and BPM, Shine On: Photographs from The BIPOC Photo Mentorship Program, installation view, Nathan Philips Square, 2022. Courtesy of the artists and BPM

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John Delante Finding Comfort Under the Sky

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Archives 2022 exhibition

Shine On: Photographs from The BIPOC Photo Mentorship Program

May 6 – 31, 2022
  • Nathan Phillips Square
    Hannah Somers, A Form of Dance, 2021. Courtesy of the artist
Hannah Somers, A Form of Dance, 2021. Courtesy of the artist

This inaugural exhibition of photographs produced by mentees in the BIPOC Photo Mentorship Program reflects the breadth of perspectives of the emerging generation of photographers. Presented on the grounds of Nathan Phillips Square as part of Doors Open Toronto, Shine On features critical and creative explorations in genres ranging from portraiture, to fashion, to still life.

Cette exposition inaugurale de photographies produites par les mentorés du programme de mentorat photographique BIPOC reflète l’étendue des perspectives de la nouvelle génération de photographes. Présentée sur le terrain du Nathan Phillips Square à l’occasion de l’événement Doors Open Toronto, Shine On rassemble des explorations critiques et créatives dans des genres allant du portrait à la mode, en passant par la nature morte.

Dominique Burnside, Behold the Light, 2019. Courtesy of the artist
Dominique Burnside, Behold the Light, 2019. Courtesy of the artist
Jeyolyn Christi, if beads could talk, what would they say?, 2021. Courtesy of the artist
Jeyolyn Christi, if beads could talk, what would they say?, 2021. Courtesy of the artist
Jenisha Hibbert Thomas, Blue Du, 2021. Courtesy of the artist
Jenisha Hibbert Thomas, Blue Du, 2021. Courtesy of the artist
Katherine Cheng, Through the Five Senses (Touch), 2021. Courtesy of the artist
Katherine Cheng, Through the Five Senses (Touch), 2021. Courtesy of the artist

Wherever you looked, 2020 was a year of seeing many things anew—a year of 20/20 vision, so to speak—and the impacts are still reverberating all around us. Between the global pandemic and the protests for racial justice, our worlds came more sharply into view and the need for change became ever more pronounced. Given photography’s role in shaping how we look and what we see, our industry is no different.

Sumi Siddiqa, Extraterrestrial, 2021. Courtesy of the artist
Sumi Siddiqa, Extraterrestrial, 2021. Courtesy of the artist
Noor Gatih, Self, 2020. Courtesy of the artist
Noor Gatih, Self, 2020. Courtesy of the artist
Janice Reid, Fancy Dress, 2021. Courtesy of the artist
Janice Reid, Fancy Dress, 2021. Courtesy of the artist

Over the past few years, numerous efforts have been launched to address longstanding inequities and to reform harmful institutional practices, most often led by grassroots organizations. To celebrate the 2022 Doors Open Toronto theme of “Renewal,” it seems fitting to shine a light on one such local organization, the BIPOC Photo Mentorship Program (BPM). Founded by Sheridan College professor Heather Morton, BPM was launched in Toronto in September 2020 as a way to address systemic barriers faced by emerging BIPOC (Black, Indigenous, and People of Colour) photographers, and with the goal of encouraging diversity in the photographic industry. Since then, more than 210 mentorship opportunities have been offered by 100 professional photographers and members of the photographic industry from Canada and the United States. The mentorships have varied in structure and content, and have included fielding business questions by phone, providing on-set opportunities, giving project-specific critiques via Zoom and FaceTime, offering structured research and shooting assignments, and hosting virtual group-based check-ins.

Craig Bagol, slowdown, 2019. Courtesy of the artist
Craig Bagol, slowdown, 2019. Courtesy of the artist
Christina Oyawale, you, the light & nothing else, 2020. Courtesy of the artist
Christina Oyawale, you, the light & nothing else, 2020. Courtesy of the artist
Pascal Lee, Just one more swim, 2021. Courtesy of the artist
Pascal Lee, Just one more swim, 2021. Courtesy of the artist

Curated by Michèle Pearson Clarke, Toronto’s Photo Laureate 2019–2022, Shine On is the first exhibition of photographs produced by BPM mentee participants and features the work of early-career GTA-based photographers. Fittingly, these works are situated outdoors at Nathan Phillips Square—a popular gathering spot and the site of innumerable protests. Through the support of their mentors, these artists have built professional relationships that will both increase the opportunities for this work to be seen and have a lasting impact on their careers. Each one is teaching one, strengthening our photographic community as we work toward a more inclusive and equitable visual media industry.  

Sahar Rana, Maximal Still Life Study, 2019. Courtesy of the artist
Sahar Rana, Maximal Still Life Study, 2019. Courtesy of the artist
Marc Santos, A Still of Life, A Still of Death, 2021. Courtesy of the artist
Marc Santos, A Still of Life, A Still of Death, 2021. Courtesy of the artist
Bisma Jay, What Would People Say?, 2021. Courtesy of the artist
Bisma Jay, What Would People Say?, 2021. Courtesy of the artist
Marlon Porter, Rainbow of Feathers, 2020. Courtesy of the artist
Marlon Porter, Rainbow of Feathers, 2020. Courtesy of the artist

For more information on the BIPOC Photo Mentorship Program, please visit:
W: bipocphotomentorship.com
IG: @bipocphotomentorship

Curated by Michèle Pearson Clarke

  • Hannah Somers is a London-born, Toronto-based artist and photographer. Being a biracial woman of colour with a Caribbean heritage has influenced many of her investigations, and her work centralizes around the expression and discovery of identity, ethnicity and race. Understanding different relationships and histories of these themes are important in her process, and she creates relevant narratives utilizing photography, video, and audio. Hannah holds a BFA in Image Arts: Photography Studies from X University, and coming from a documentary photography background has offered her a unique outlook when creating collaborative work.

  • Sumi Siddiqa is a Toronto-based photographer and director who is obsessed with colour theory and fashion. Sumi’s work can be described as fun and colourful, with a hint of avant-garde fashion. Her work has been featured in VSCO, GMARO Elegant, and PAP magazine, and her latest collaboration saw her directing a fashion video for Tokina Lenses. Sumi is committed to telling compelling stories which touch, move, and inspire people.

  • Marc Santos is a Toronto-based freelance photographer and a 2019 graduate of Sheridan College’s Bachelor of Photography Program. In his work, he continually plays with the relationship of inanimate objects while toying with the juxtaposition of viewer expectations. Subjects that one may not think of placing together or giving hierarchy towards may sometimes be the perfect thing to explore in his visual world. He also loves pancakes and coffee.

  • Sahar Rana is a stills and motion artist with a focus on fashion, portraiture and still life. She creates vivid imagery with the use of conceptual storytelling, thoughtful colour palettes, set design and digital compositing. Sahar's practice spans editorial, commercial and fine art projects, and her work has been published in Reader’s Digest Canada, The Globe & Mail and The Toronto Star.

  • Marlon Porter is a Mississauga-based photographer and writer specializing in capturing the little moments of magic hidden within the poetry of everyday life. Marlon’s work has been featured in multiple exhibitions and publications, and has been awarded in both the 2021 Smithsonian Photo Competition and the 2020 International Photography Awards. He is currently an Artist-in-Resident with Visual Arts Mississauga, and his inspiration comes from the elegance of nature, the intricacies of the human experience, and the stunning spectacle of the world around him.

  • Christina Oyawale (b. 2000) is a Black, non-binary, disabled, lens-based Tkaronto/Toronto artist, dance artist, curator and creative director. Currently, they are finishing their BFA in Photography at X University while challenging colonial ideals of productivity. Their artistic focus at the moment is documenting radical occupation of space. They strive for community engagement by creating conversations that pertain to human condition, growth, rebirth and investigations of self. This is done through experimenting with practices based in video, performance, photography and installation.

  • Pascal Lee is a photographer who focuses on finding the narrative within the moment. Stories are powerful; they have the power to put people in others’ shoes. They can capture someone’s complete attention and allow them to get lost in the minute details of events, like an impactful memory that they never had. Through photography, Pascal aims to utilize the spellbinding qualities of stories in his images in the hopes that everybody who sees them will feel something outside of their everyday lives, and forget about everything else for one moment.

  • Bisma Jay is a queer, multi-media artist currently based in Toronto. In their work, they seek to create more positive representation of queer and trans South Asian folks living in the diaspora. In their spare time, they like to make videos for Instagram, design clothes, and take endless self-portraits.

  • Jenisha Hibbert Thomas is a Canadian-Jamaican portrait, fashion, and fine-art photographer and creative director working in and around the Greater Toronto Area. She studied design and photography for several years before earning her BA in Photography from Sheridan College in 2019. She combines her skills to create imagery with narrative intent, graphic style, and purposeful uses of colour. Jenisha loves to focus her camera lens on subjects of a diverse category, especially those within her Black community.

Installation Images

  • Group exhibition, Shine On: Photographs from The BIPOC Photo Mentorship Program, installation view, Nathan Philips Square, 2022. Courtesy of the artists and BPM
  • installation view, Nathan Philips Square, 2022. Courtesy of the artists and BPM, Shine On: Photographs from The BIPOC Photo Mentorship Program, installation view, Nathan Philips Square, 2022. Courtesy of the artists and BPM

Jorian Charlton Georgia

460 King St W

Asserting a powerful Black presence in the city, challenging colonial histories of...

Archives 2022 Public Art

Mahtab Hussain An Ocean in a Drop: Muslims in Toronto

Aga Khan Museum

A new visual narrative of Muslim experience and identity in Toronto...

Archives 2022 exhibition

John Delante Finding Comfort Under the Sky

Alliance Française Gallery

Using photography to navigate the experiences of a first-generation immigrant...

Archives 2022 exhibition

Anne-Marie Cloutier Teen Spirit

Alliance Française Gallery

An exploration of “teenagehood,” when childhood collides with adulthood...

Archives 2022 exhibition

Group Exhibition New Generation Photography Award

Arsenal Contemporary

Emerging photographers probing the challenges in contemporary representations of identity, culture and...

Archives 2022 exhibition

Morgan Sears-Williams Impermanent Embrace

Arsenal Contemporary
Archives 2022 exhibition

Jorian Charlton Out of Many

Art Gallery of Ontario

Exploring new ways of thinking about Jamaican-Canadian culture, and reimagining the family...

Archives 2022 exhibition

We Have Found Each Other

Art Gallery of Ontario

Mining personal archives, institutional collections, music, and oral histories to chart and...

Archives 2022 exhibition

Raymond Boisjoly From age to age, as its shape slowly unravelled

Art Gallery of Ontario

An incisive remediation of archival material, exploding colonial notions of Indigeneity...

Archives 2022 exhibition

Miao Ying A Field Guide to Ideology

Art Museum

A parodic and critical take on internet culture as a complex space...

Archives 2022 exhibition

Group Exhibition As We Rise: Photography from the Black Atlantic

Art Museum at the University of Toronto
Archives 2022 exhibition

Brendan George Ko Monarch Butterflies at El Rosario II

Artscape Youngplace Billboard

Documenting an epic transcontinental journey...

Archives 2022 Public Art

Durga Rajah & Tommy Calderon Fixations: Thoughts on Time

Artspace Gallery

Exploring physical, psychological, and cultural conceptions of time in relation to photography...

Archives 2022 exhibition

Memory Work Collective Memory Work

The Bentway

Situated at the Strachan Gate entrance to the Bentway, Memory Work is...

Archives 2022 Public Art

Mahtab Hussain Tajvin Kazi and Rishada Majeed

Billboard at Dupont and Dufferin

A new visual narrative of Muslim experience and identity in Toronto...

Archives 2022 Public Art

Alberto Giuliani Surviving Humanity

Brookfield Place

Documenting global projects that endeavour to ensure ecological and societal longevity...

Archives 2022 exhibition

monica maria moraru An Ant in the Mouth of a Furnace

Bunker 2 Projects

A mixed-media installation evoking the spaces on either side of the camera's...

Archives 2022 exhibition

Adam Swica Daybreak

Christie Contemporary

An homage to light's ephemeral apparitions...

Archives 2022 exhibition

Carlos & Jason Sanchez New Work

Christopher Cutts Gallery

Compelling staged scenes ignite the imagination...

Archives 2022 exhibition

Tyler Mitchell Cultural Turns: CONTACT Gallery

CONTACT Gallery

Deconstructing oppressive barriers, dreaming everyday utopias into being...

Archives 2022 exhibition

Group Exhibition I am my own muse

Corkin Gallery
Archives 2021 exhibition

Group Exhibition OF THE SACRED

Critical Distance

Exploring the role of belief under the conditions of our age...

Archives 2022 exhibition

Brendan George Ko The Forest is Wired for Wisdom

Cross-Canada Billboards, Strachan and King Billboards

A poetic and luminous look at the wonder and complexity of the...

Archives 2022 Public Art

Judy Chicago The Natural World

Daniel Faria Gallery
Archives 2022 exhibition

Anastasia Samoylova FloodZone

Davisville Subway Station

Nature's power in conflict with the menace of human desire...

Archives 2022 Public Art

Jimmy Manning Floe / Flow

Devonian Square

An installation of delicate, monumental beauty warning of things to come...

Archives 2022 Public Art

Sunset Watch

Dianna Witte Gallery

A delicate balance between absence and presence evokes life's ephemeral nature...

Archives 2022 exhibition

Group Exhibition Now You See Me

Doris McCarthy Gallery

Questioning the complex cultural and gender-related politics that underlie representation...

Archives 2022 exhibition

Tyler Mitchell Cultural Turns: Billboards in Toronto

Dupont and Dovercourt Billboard

Keeping alive the polychromatic nature of Black experiences, holding the vastness of...

Archives 2022 Public Art

Sandra Brewster Roots

Evergreen Brick Works

Embedding and activating Black diasporic narratives in the urban wilderness...

Archives 2022 exhibition

Suzanne Morrissette with Clayton Morrissette What does good work look like?

Gallery 44

Exploring how familial exchanges produce Indigenous art histories...

Archives 2022 exhibition

Group Exhibition a soft landing

Gallery TPW
Archives 2022 exhibition

Mobilizing Conscience: Art + Protest

Goethe-Institut Toronto

Appropriating contemporary images to highlight photography's role as an instrument of protest...

Archives 2022 exhibition

From Here to Eternity. Sunil Gupta, A Retrospective

The Image Centre

A comprehensive selection of works exemplifying a unique, transcontinental, queer photographic vision...

Archives 2022 exhibition

Mauvais Genre/Under Cover: A Secret History of Cross-Dressers

The Image Centre

A photographic collection offering a candid look into the hidden worlds of...

Archives 2022 exhibition

Dominique Blain Dérive/Drift

The Image Centre

A delicate, composite seascape commemorating the countless migrants who sail in search...

Archives 2022 exhibition

Red All Over: World War II Press Photographs From the Sovfoto Agency

The Image Centre

Interrogating practices of photojournalism in photographs made in the USSR and Eastern...

Archives 2022 exhibition

Scotiabank Photography Award: Deanna Bowen. Black Drones in the Hive

The Image Centre

Drawing on collections and archival materials, Bowen weaves together narrative threads...

Archives 2022 exhibition

Andréanne Michon états d’esprit – states of mind

The Image Centre

A mixed-media installation addressing the dramatic forces of the Anthropocene and its...

Archives 2022 exhibition

CANADA NOW: New Photography Acquisitions

The Image Centre

Ten Canadian artists employing photographic media to engage with issues of identity...

Archives 2022 exhibition

The Optics of Science: Early Western Stereographs from The Dr. Martin Bass and Gail Silverman Bass Collection

The Image Centre

Focusing in on stereographic representations of Western science at a time of...

Archives 2022 exhibition

UNKNOWN RELATIVE: Ancestry / Photo / Paper / Image / Visuals

John B. Aird Gallery

An exploration of family, land, and the power of place in Mixed...

Archives 2022 exhibition

nichola feldman-kiss SIREN

Koffler Gallery

SIREN is a solo exhibition by the Toronto-based inter-disciplinary artist nichola feldman-kiss. The multi-layered...

Archives 2022 exhibition

Atong Atem Surat

Lansdowne and College Billboards

Restaging personal histories toward expansive new futures...

Archives 2022 Public Art

Lawrence Abu Hamdan 45th Parallel

Mercer Union

An evocative video and installation framing borders not as lines but rather...

Archives 2022 exhibition

Honam: An Akan Word for Body

Meridian Arts Centre

Engaging with a history of Black male visual representation, reflecting shifting notions...

Archives 2022 exhibition

Tyler Mitchell Cultural Turns: Metro Hall

Metro Hall

A decolonial praxis guiding the viewer toward freedom, liberation, joy, and celebration...

Archives 2022 Public Art

Land of Dreams

MOCA Toronto

An immersive experience focusing on global issues of displacement, migration, and geopolitical...

Archives 2022 exhibition

Shine On: Photographs from The BIPOC Photo Mentorship Program

Nathan Phillips Square

Exemplifying the creativity and range of perspectives of the emerging generation of...

Archives 2022 exhibition

Angela Grauerholz Instant Resemblances

Olga Korper Gallery

An examination of analogue and digital aesthetics and their relationships to time...

Archives 2022 exhibition

Wendy Coburn Fable for Tomorrow

Onsite Gallery

Exploring performances of gender, queerness, nations, environmentalism, and public protest...

Archives 2022 exhibition

Bidemi Oloyede I Am Hu(e)Man

PAMA

Collaborative yet self-styled portraits generate new space for Black men in the...

Archives 2022 Public Art

Katherine Melançon Night Blossoms

Patel Brown Gallery
Archives 2022 exhibition

Ho Tam The Greatest Stories Ever Told

Paul Petro Contemporary Art

Examining structures of power through splicing and remixing the iconography of global...

Archives 2022 exhibition

Group Exhibition What is Left

Paul Petro Contemporary Art

A group exhibition looking at memory, loss, and the aftermath of change...

Archives 2022 exhibition

Group Exhibition Only Reliable Narrators

the plumb

A group exhibition contemplating the influential power of narrative ...

Archives 2022 exhibition

Vid Ingelevics & Ryan Walker How to Build a River

Port Lands

A third instalment charting the progression of the massive Port Lands Flood...

Archives 2022 Public Art

Sasha Huber YOU NAME IT

The Power Plant

Investigating colonial residues left in the environment and conceiving of natural spaces...

Archives 2022 exhibition

Sasha Huber Rentyhorn

The Power Plant façade

Envisioning reparative interventions into the remaining traces of a vast colonial project...

Archives 2022 Public Art

Jeff Thomas Where Are You From?

Stephen Bulger Gallery

A retrospective look at the trajectory of Thomas's powerful photographic vision...

Archives 2022 exhibition

Aïda Muluneh Water Life

Textile Museum of Canada

Vivid images addressing the impact on local women and girls of living...

Archives 2022 exhibition

Claudia Andujar, Gisela Motta & Leandro Lima The Falling Sky

Trinity Square Video

An installation bringing a photograph, a cultural tradition, and the power of...

Archives 2022 exhibition

Ryan Van Der Hout Collecting Dust

United Contemporary

Reflecting on the rebirth borne of crisis and its collateral effects...

Archives 2022 exhibition

Andreas Rutkauskas The Prefix Prize

Urbanspace Gallery

Images reflecting the destructive and regenerative power of wildfires...

Archives 2022 exhibition

Jorian Charlton, Kadine Lindsay fi di gyal dem

Virtual

An intimate celebration of the interior lives of Black women...

Archives 2022 exhibition

Group Exhibition NOSTALGIA INTERRUPTED

Virtual, Doris McCarthy Gallery
Archives 2022 exhibition

Sanctuary Doors

Walmer Road Baptist Church
Archives 2022 Public Art

Esmaa Mohamoud The Brotherhood FUBU (For Us, By Us)

Westin Harbour Castle, Harbour Square Park

Focusing on the physical connection between Black male bodies by amplifying the...

Archives 2022 Public Art

Ayla Dmyterko Vyshyvani Kazky, Embroidered Stories

Zalucky Contemporary

Re-engaging the archival vestiges of cultural memory to embody their lasting traces...

Archives 2022 exhibition

Lara Almarcegui Guide to the Wastelands of Toronto

Examining the construction, development, uses, and implications of the unique Leslie Street...

Archives 2022 exhibition

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CONTACT is a Toronto based non-profit organization dedicated to exhibiting, analyzing and celebrating photography and lens-based media through an annual festival that takes place every May.

Land Acknowledgement

CONTACT acknowledges that we live and work on the traditional territory of many nations, including the Mississaugas of the Credit, the Anishnabeg, the Chippewa, the Haudenosaunee and the Wendat peoples, and that this land is now home to many diverse First Nations, Inuit, and Métis peoples. CONTACT is committed to promoting Indigenous voices; to generating spaces for ongoing, meaningful, and creative Indigenous-settler dialogue; and to continuous learning about our place on this land.

Anti-Oppression

CONTACT is committed to the ongoing development of meaningful anti-oppressive practice on all levels. This includes our continuing goal of augmenting and maintaining diverse representation, foregrounding varied and under-represented voices and perspectives via our public platform (the Festival and all related programs), as well as continually examining the structures of power and decision-making within the organization itself. We aim to actively learn, grow, and embody the values of inclusivity, equity, and accessibility in all facets of the institution, as an ever-evolving process.