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  • Core
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Archives 2018 primary exhibition

Christina Battle BAD STARS

May 4 – June 9, 2018
  • Trinity Square Video
Christina Battle, BAD STARS
Christina Battle, BAD STARS
Christina Battle, BAD STARS
Christina Battle, BAD STARS

BAD STARS is a new body of work and discursive programming series by London, Ontario-based artist Christina Battle, whose research investigates the limits of disaster. Battle regards disaster as more than a singular event and instead as a framework operating within larger systems of power. The root of the term “disaster” derives from the Greek: dus– meaning “bad,” and aster meaning “star.” For millennia, the movement of the stars have produced a profound and reliant understanding of the terrestrial. Constellations influence the development of navigational structures, and through astrological study, have the potential to both explain and predict events happening on Earth. Disruptions in these understandings are caused by the unprecedented migration of once unfailing stars—now deemed bad stars.

BAD STARS considers disaster through the metaphor of these astronomical “bad stars”—as phenomena that cause unprecedented change from a once-stable structure and influence a wider, interdependent network. To this end, Battle solicits photographic images from a community of artists, scholars, and activists through an email survey. Contributors are asked to provide an image of what they consider the term “disaster” to represents. The image can be vernacular or professional in execution, made or found online, in a book or a magazine. The options are open and endless, allowing space for personalized expressions of what the term evokes and, ultimately, to determine collective meanings. These images of disaster comprise the heart of the exhibition, taking the form of large-scale collage from which the discursive programming will develop.

Considering disaster as a series of linkages extending from environmental, cultural, political, economic, and social conditions, BAD STARS seeks to draw threads between these connections and to consider how they might be realigned in ways that will help to move beyond them. Employing strategies of participation and conversation, an interdisciplinary group of contributors will help forward the discussion by presenting their strategies for actively tackling disastrous incidents in their own communities. BAD STARS seeks to reframe perspectives about these events instead of wallowing in their destructive nature. To that end, the project sees the framework of disaster as an active strategy that can aid in the perspectival shifts necessary to advance beyond the causes of disasters themselves.

Co-presented with Trinity Square Video

Curated by Emily Fitzpatrick

Yuula Benivolski Scrap Pieces

A Space Gallery
Archives 2018 primary exhibition

Ryan Pechnick refuse/reuse

Abbozzo Gallery
Archives 2018 primary exhibition

Sylvia Galbraith Outside of Time

Abbozzo Gallery
Archives 2018 primary exhibition

Benjamin de Burca, Bárbara Wagner Bárbara Wagner and Benjamin de Burca

AGYU
Archives 2018 primary exhibition

Richard Mosse The Castle

Arsenal Contemporary
Archives 2018 primary exhibition

Piero Martinello Radicalia

Campbell House Museum
Archives 2018 primary exhibition

Felicity Hammond Arcades

CONTACT Gallery
Archives 2018 primary exhibition

Lotus Laurie Kang A Body Knots

Gallery TPW
Archives 2018 primary exhibition

Daniel Alexander When War Is Over

Harbourfront Centre
Archives 2018 primary exhibition

Group Exhibition …Everything Remains Raw: Photographing Toronto’s Hip Hop Culture from Analogue to Digital

The McMichael
Archives 2018 primary exhibition

Nadia Myre Acts That Fade Away

Salah J. Bachir New Media Wall
Archives 2018 primary exhibition

Christina Battle BAD STARS

Trinity Square Video
Archives 2018 primary exhibition
OverviewCorePublic ArtOpen CallArtists
  • Overview
  • Core
  • Public Art
  • Open Call
  • Artists
Archives 2018 primary exhibition

Christina Battle BAD STARS

May 4 – June 9, 2018
  • Trinity Square Video
Christina Battle, BAD STARS
Christina Battle, BAD STARS
Christina Battle, BAD STARS
Christina Battle, BAD STARS

BAD STARS is a new body of work and discursive programming series by London, Ontario-based artist Christina Battle, whose research investigates the limits of disaster. Battle regards disaster as more than a singular event and instead as a framework operating within larger systems of power. The root of the term “disaster” derives from the Greek: dus– meaning “bad,” and aster meaning “star.” For millennia, the movement of the stars have produced a profound and reliant understanding of the terrestrial. Constellations influence the development of navigational structures, and through astrological study, have the potential to both explain and predict events happening on Earth. Disruptions in these understandings are caused by the unprecedented migration of once unfailing stars—now deemed bad stars.

BAD STARS considers disaster through the metaphor of these astronomical “bad stars”—as phenomena that cause unprecedented change from a once-stable structure and influence a wider, interdependent network. To this end, Battle solicits photographic images from a community of artists, scholars, and activists through an email survey. Contributors are asked to provide an image of what they consider the term “disaster” to represents. The image can be vernacular or professional in execution, made or found online, in a book or a magazine. The options are open and endless, allowing space for personalized expressions of what the term evokes and, ultimately, to determine collective meanings. These images of disaster comprise the heart of the exhibition, taking the form of large-scale collage from which the discursive programming will develop.

Considering disaster as a series of linkages extending from environmental, cultural, political, economic, and social conditions, BAD STARS seeks to draw threads between these connections and to consider how they might be realigned in ways that will help to move beyond them. Employing strategies of participation and conversation, an interdisciplinary group of contributors will help forward the discussion by presenting their strategies for actively tackling disastrous incidents in their own communities. BAD STARS seeks to reframe perspectives about these events instead of wallowing in their destructive nature. To that end, the project sees the framework of disaster as an active strategy that can aid in the perspectival shifts necessary to advance beyond the causes of disasters themselves.

Co-presented with Trinity Square Video

Curated by Emily Fitzpatrick

Yuula Benivolski Scrap Pieces

A Space Gallery
Archives 2018 primary exhibition

Ryan Pechnick refuse/reuse

Abbozzo Gallery
Archives 2018 primary exhibition

Sylvia Galbraith Outside of Time

Abbozzo Gallery
Archives 2018 primary exhibition

Benjamin de Burca, Bárbara Wagner Bárbara Wagner and Benjamin de Burca

AGYU
Archives 2018 primary exhibition

Richard Mosse The Castle

Arsenal Contemporary
Archives 2018 primary exhibition

Piero Martinello Radicalia

Campbell House Museum
Archives 2018 primary exhibition

Felicity Hammond Arcades

CONTACT Gallery
Archives 2018 primary exhibition

Lotus Laurie Kang A Body Knots

Gallery TPW
Archives 2018 primary exhibition

Daniel Alexander When War Is Over

Harbourfront Centre
Archives 2018 primary exhibition

Group Exhibition …Everything Remains Raw: Photographing Toronto’s Hip Hop Culture from Analogue to Digital

The McMichael
Archives 2018 primary exhibition

Nadia Myre Acts That Fade Away

Salah J. Bachir New Media Wall
Archives 2018 primary exhibition

Christina Battle BAD STARS

Trinity Square Video
Archives 2018 primary exhibition

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CONTACT is a Toronto based non-profit organization dedicated to exhibiting, analyzing and celebrating photography and lens-based media through an annual festival that takes place every May.

Land Acknowledgement

CONTACT acknowledges that we live and work on the traditional territory of many nations, including the Mississaugas of the Credit, the Anishnabeg, the Chippewa, the Haudenosaunee and the Wendat peoples, and that this land is now home to many diverse First Nations, Inuit, and Métis peoples. CONTACT is committed to promoting Indigenous voices; to generating spaces for ongoing, meaningful, and creative Indigenous-settler dialogue; and to continuous learning about our place on this land.

Anti-Oppression

CONTACT is committed to the ongoing development of meaningful anti-oppressive practice on all levels. This includes our continuing goal of augmenting and maintaining diverse representation, foregrounding varied and under-represented voices and perspectives via our public platform (the Festival and all related programs), as well as continually examining the structures of power and decision-making within the organization itself. We aim to actively learn, grow, and embody the values of inclusivity, equity, and accessibility in all facets of the institution, as an ever-evolving process.