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Archives 2017 Public Art

Spotlight Canada: Faces That Shaped a Nation

April 28 – December 31, 2017
  • Ryerson Image Centre, west façade
Detail of, Spotlight Canada: Faces That Shaped a Nation
Installation view at Ryerson Image Centre, 2017. Photo by Toni Hafkenscheid., Spotlight Canada: Faces That Shaped a Nation
Installation view at Ryerson Image Centre, 2017. Photo by Toni Hafkenscheid., Spotlight Canada: Faces That Shaped a Nation

On the occasion of Canada’s sesquicentennial, the Ryerson Image Centre honours Canadian culture with Spotlight Canada: Faces That Shaped a Nation, a photographic mural highlighting key personalities who have helped establish our national identity through their endeavours and resilience. These 14 portraits, arrayed across the RIC’s west façade, celebrate a new promised gift to the collection—a cache of nearly 25,000 press photographs of Canadian personalities and events from the 20th century, preserved in The New York Times Photo Archive. Acquired by real estate entrepreneur Chris Bratty and donated as an act of cultural repatriation, the collection further establishes the RIC as a key destination for the study of significant archives of press photography.

Situated in the context of the university’s vibrant downtown campus, this historical panorama (including portraits of Margaret Atwood, Viola Desmond, Wayne Gretzky, Marshall McLuhan, Oscar Peterson, Mary Pickford, Buffy Sainte-Marie, and Pierre Elliott Trudeau, among others) symbolizes the diverse generations who have exemplified Canadian achievement. The building that houses the Ryerson Image Centre and the School of Image Arts is a hybrid of new and old, the renovation and expansion of a former brewery warehouse by Diamond Schmitt Architects. When the RIC celebrated its grand opening in September 2012, visitors entered the galleries beneath a glass vista depicting important North American and European actors and activists, along with politicians, artists, scientists, and athletes. These photographs were selected from the RIC’s Black Star Collection of photojournalism, which, despite its rich representation of 20th-century history, includes few images of Canada. The arrival of this new collection of press photographs from the United States’ “newspaper of record”—on the eve of the 150th anniversary of Confederation—provides an ideal opportunity to celebrate the primacy and eminence of our nation’s own history and culture.

The Ryerson Image Centre will further introduce this important collection to the public later this year, when The Faraway Nearby goes on view between September 13 and December 10, 2017.

Designed by Kelsey Blackwell

Presented in partnership with Ryerson Image Centre and Ryerson University

Petra Collins Jackie and Anna (rainbow tear)

460 King St W
Archives 2017 Public Art

Valérie Blass Nous ne somme pas des héros

Brookfield Place
Archives 2017 Public Art

Seth Fluker Blueberry Hill

Cross-Canada Billboards
Archives 2017 Public Art

Lori Blondeau Asiniy Iskwew

Devonian Square
Archives 2017 Public Art

Steven Beckly New Romantics

Dupont and Dovercourt Billboard
Archives 2017 Public Art

Shelley Niro Battlefields of my Ancestors

Fort York National Historic Site
Archives 2017 Public Art

Johan Hallberg-Campbell Coastal

Harbourfront Centre, Parking Pavillion
Archives 2017 Public Art

Jalani Morgan The Sum of All Parts

Metro Hall
Archives 2017 Public Art

Naomi Harris OH CANADA!

North York Centre
Archives 2017 Public Art

Maria Hupfield Bound, Hupfield 2017

The Power Plant façade
Archives 2017 Public Art

Spotlight Canada: Faces That Shaped a Nation

Ryerson Image Centre, west façade
Archives 2017 Public Art

Chris Lund Canada in Kodachrome: Imaging Pleasure and Leisure

St Patrick Subway Station
Archives 2017 Public Art

Andrew Blake McGill Two Half-Hitches Could Hold the Devil Himself - Photographs from Glencoe, Ontario, Canada

St. Lawrence Market
Archives 2017 Public Art

Sam Cotter On Location

TIFF Bell Lightbox
Archives 2017 Public Art

Sarah Anne Johnson Best Beach

Westin Harbour Castle
Archives 2017 Public Art
OverviewCorePublic ArtOpen CallArtists
  • Overview
  • Core
  • Public Art
  • Open Call
  • Artists
Archives 2017 Public Art

Spotlight Canada: Faces That Shaped a Nation

April 28 – December 31, 2017
  • Ryerson Image Centre, west façade
Detail of, Spotlight Canada: Faces That Shaped a Nation
Installation view at Ryerson Image Centre, 2017. Photo by Toni Hafkenscheid., Spotlight Canada: Faces That Shaped a Nation
Installation view at Ryerson Image Centre, 2017. Photo by Toni Hafkenscheid., Spotlight Canada: Faces That Shaped a Nation

On the occasion of Canada’s sesquicentennial, the Ryerson Image Centre honours Canadian culture with Spotlight Canada: Faces That Shaped a Nation, a photographic mural highlighting key personalities who have helped establish our national identity through their endeavours and resilience. These 14 portraits, arrayed across the RIC’s west façade, celebrate a new promised gift to the collection—a cache of nearly 25,000 press photographs of Canadian personalities and events from the 20th century, preserved in The New York Times Photo Archive. Acquired by real estate entrepreneur Chris Bratty and donated as an act of cultural repatriation, the collection further establishes the RIC as a key destination for the study of significant archives of press photography.

Situated in the context of the university’s vibrant downtown campus, this historical panorama (including portraits of Margaret Atwood, Viola Desmond, Wayne Gretzky, Marshall McLuhan, Oscar Peterson, Mary Pickford, Buffy Sainte-Marie, and Pierre Elliott Trudeau, among others) symbolizes the diverse generations who have exemplified Canadian achievement. The building that houses the Ryerson Image Centre and the School of Image Arts is a hybrid of new and old, the renovation and expansion of a former brewery warehouse by Diamond Schmitt Architects. When the RIC celebrated its grand opening in September 2012, visitors entered the galleries beneath a glass vista depicting important North American and European actors and activists, along with politicians, artists, scientists, and athletes. These photographs were selected from the RIC’s Black Star Collection of photojournalism, which, despite its rich representation of 20th-century history, includes few images of Canada. The arrival of this new collection of press photographs from the United States’ “newspaper of record”—on the eve of the 150th anniversary of Confederation—provides an ideal opportunity to celebrate the primacy and eminence of our nation’s own history and culture.

The Ryerson Image Centre will further introduce this important collection to the public later this year, when The Faraway Nearby goes on view between September 13 and December 10, 2017.

Designed by Kelsey Blackwell

Presented in partnership with Ryerson Image Centre and Ryerson University

Petra Collins Jackie and Anna (rainbow tear)

460 King St W
Archives 2017 Public Art

Valérie Blass Nous ne somme pas des héros

Brookfield Place
Archives 2017 Public Art

Seth Fluker Blueberry Hill

Cross-Canada Billboards
Archives 2017 Public Art

Lori Blondeau Asiniy Iskwew

Devonian Square
Archives 2017 Public Art

Steven Beckly New Romantics

Dupont and Dovercourt Billboard
Archives 2017 Public Art

Shelley Niro Battlefields of my Ancestors

Fort York National Historic Site
Archives 2017 Public Art

Johan Hallberg-Campbell Coastal

Harbourfront Centre, Parking Pavillion
Archives 2017 Public Art

Jalani Morgan The Sum of All Parts

Metro Hall
Archives 2017 Public Art

Naomi Harris OH CANADA!

North York Centre
Archives 2017 Public Art

Maria Hupfield Bound, Hupfield 2017

The Power Plant façade
Archives 2017 Public Art

Spotlight Canada: Faces That Shaped a Nation

Ryerson Image Centre, west façade
Archives 2017 Public Art

Chris Lund Canada in Kodachrome: Imaging Pleasure and Leisure

St Patrick Subway Station
Archives 2017 Public Art

Andrew Blake McGill Two Half-Hitches Could Hold the Devil Himself - Photographs from Glencoe, Ontario, Canada

St. Lawrence Market
Archives 2017 Public Art

Sam Cotter On Location

TIFF Bell Lightbox
Archives 2017 Public Art

Sarah Anne Johnson Best Beach

Westin Harbour Castle
Archives 2017 Public Art

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CONTACT is a Toronto based non-profit organization dedicated to exhibiting, analyzing and celebrating photography and lens-based media through an annual festival that takes place every May.

Land Acknowledgement

CONTACT acknowledges that we live and work on the traditional territory of many nations, including the Mississaugas of the Credit, the Anishnabeg, the Chippewa, the Haudenosaunee and the Wendat peoples, and that this land is now home to many diverse First Nations, Inuit, and Métis peoples. CONTACT is committed to promoting Indigenous voices; to generating spaces for ongoing, meaningful, and creative Indigenous-settler dialogue; and to continuous learning about our place on this land.

Anti-Oppression

CONTACT is committed to the ongoing development of meaningful anti-oppressive practice on all levels. This includes our continuing goal of augmenting and maintaining diverse representation, foregrounding varied and under-represented voices and perspectives via our public platform (the Festival and all related programs), as well as continually examining the structures of power and decision-making within the organization itself. We aim to actively learn, grow, and embody the values of inclusivity, equity, and accessibility in all facets of the institution, as an ever-evolving process.