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Archives 2017 Public Art

Steven Beckly New Romantics

May 1 – 31, 2017
  • Dupont Billboards
Steven Beckly, New Romantics
Steven Beckly, New Romantics
Steven Beckly, New Romantics
Steven Beckly, New Romantics
Steven Beckly, Untitled
Steven Beckly, Untitled

Two grappling arms merge in stillness. A bridge’s shadow zigzags across a concrete wall. A cluster of stars cloaks a nude body. Glowing light meets an open hand. These four images, placed at the intersection of Dovercourt Road and Dupont Street, comprise Toronto-based artist Steven Beckly’s public installation New Romantics. Void of advertising, and placed next to the changing light refracting through an abandoned glass building, each photograph tangles the perception of light and shadow, figure and ground, surface and space, arousing a fraught tenderness.

Cultivating moments of intimacy, Beckly approaches photography as both a sensual and a social practice—an act that connects rather than distances, feels rather than explains. The project’s title draws upon the spirit of New Romanticism. Stemming from the early 1980s, the British movement elevated images of “glam rock” stars, such as David Bowie and Boy George, bringing gender bending and androgyny to the public consciousness. Invoking a similar freedom of expression and fluidity of experience, New Romantics calls for the revival of a civil romance amid a seemingly bleak and fractured world. By focusing on images that evoke sensations of love and closeness, Beckly’s large-scale images bring visual poetry and optimism to the streets at a moment when the political climate is increasingly hostile and exclusive. Embodying a sense of hope, desire, and social togetherness, his project advocates a public intimacy built by an emotionally-connected humanity.

_
Supported by PATTISON Outdoor Advertising and Nikon Canada

Special thanks to the Toronto Arts Council

Curated by Heather Rigg

  • Steven Beckly (he/they) is a Chinese-Canadian photographic artist residing in Tkaronto/Toronto. Recent solo exhibitions include: Daniel Faria Gallery, Toronto; Stride Gallery, Calgary; and Centre3, Hamilton. Beckly’s work has been featured in exhibitions at the Doris McCarthy Gallery at the University of Toronto, Scarborough; Remai Modern, Saskatoon; the Musée d'art contemporain de Montréal; and The Museum of Fine Arts, Houston. Beckly is represented by Daniel Faria Gallery.

Petra Collins Jackie and Anna (rainbow tear)

460 King St W
Archives 2017 Public Art

Valérie Blass Nous ne somme pas des héros

Brookfield Place
Archives 2017 Public Art

Seth Fluker Blueberry Hill

Cross-Canada Billboards
Archives 2017 Public Art

Lori Blondeau Asiniy Iskwew

Devonian Square
Archives 2017 Public Art

Steven Beckly New Romantics

Dupont and Dovercourt Billboard
Archives 2017 Public Art

Shelley Niro Battlefields of my Ancestors

Fort York National Historic Site
Archives 2017 Public Art

Johan Hallberg-Campbell Coastal

Harbourfront Centre, Parking Pavillion
Archives 2017 Public Art

Jalani Morgan The Sum of All Parts

Metro Hall
Archives 2017 Public Art

Naomi Harris OH CANADA!

North York Centre
Archives 2017 Public Art

Maria Hupfield Bound, Hupfield 2017

The Power Plant façade
Archives 2017 Public Art

Spotlight Canada: Faces That Shaped a Nation

Ryerson Image Centre, west façade
Archives 2017 Public Art

Chris Lund Canada in Kodachrome: Imaging Pleasure and Leisure

St Patrick Subway Station
Archives 2017 Public Art

Andrew Blake McGill Two Half-Hitches Could Hold the Devil Himself - Photographs from Glencoe, Ontario, Canada

St. Lawrence Market
Archives 2017 Public Art

Sam Cotter On Location

TIFF Bell Lightbox
Archives 2017 Public Art

Sarah Anne Johnson Best Beach

Westin Harbour Castle
Archives 2017 Public Art
OverviewCorePublic ArtOpen CallArtists
  • Overview
  • Core
  • Public Art
  • Open Call
  • Artists
Archives 2017 Public Art

Steven Beckly New Romantics

May 1 – 31, 2017
  • Dupont Billboards
Steven Beckly, New Romantics
Steven Beckly, New Romantics
Steven Beckly, New Romantics
Steven Beckly, New Romantics
Steven Beckly, Untitled
Steven Beckly, Untitled

Two grappling arms merge in stillness. A bridge’s shadow zigzags across a concrete wall. A cluster of stars cloaks a nude body. Glowing light meets an open hand. These four images, placed at the intersection of Dovercourt Road and Dupont Street, comprise Toronto-based artist Steven Beckly’s public installation New Romantics. Void of advertising, and placed next to the changing light refracting through an abandoned glass building, each photograph tangles the perception of light and shadow, figure and ground, surface and space, arousing a fraught tenderness.

Cultivating moments of intimacy, Beckly approaches photography as both a sensual and a social practice—an act that connects rather than distances, feels rather than explains. The project’s title draws upon the spirit of New Romanticism. Stemming from the early 1980s, the British movement elevated images of “glam rock” stars, such as David Bowie and Boy George, bringing gender bending and androgyny to the public consciousness. Invoking a similar freedom of expression and fluidity of experience, New Romantics calls for the revival of a civil romance amid a seemingly bleak and fractured world. By focusing on images that evoke sensations of love and closeness, Beckly’s large-scale images bring visual poetry and optimism to the streets at a moment when the political climate is increasingly hostile and exclusive. Embodying a sense of hope, desire, and social togetherness, his project advocates a public intimacy built by an emotionally-connected humanity.

_
Supported by PATTISON Outdoor Advertising and Nikon Canada

Special thanks to the Toronto Arts Council

Curated by Heather Rigg

  • Steven Beckly (he/they) is a Chinese-Canadian photographic artist residing in Tkaronto/Toronto. Recent solo exhibitions include: Daniel Faria Gallery, Toronto; Stride Gallery, Calgary; and Centre3, Hamilton. Beckly’s work has been featured in exhibitions at the Doris McCarthy Gallery at the University of Toronto, Scarborough; Remai Modern, Saskatoon; the Musée d'art contemporain de Montréal; and The Museum of Fine Arts, Houston. Beckly is represented by Daniel Faria Gallery.

Petra Collins Jackie and Anna (rainbow tear)

460 King St W
Archives 2017 Public Art

Valérie Blass Nous ne somme pas des héros

Brookfield Place
Archives 2017 Public Art

Seth Fluker Blueberry Hill

Cross-Canada Billboards
Archives 2017 Public Art

Lori Blondeau Asiniy Iskwew

Devonian Square
Archives 2017 Public Art

Steven Beckly New Romantics

Dupont and Dovercourt Billboard
Archives 2017 Public Art

Shelley Niro Battlefields of my Ancestors

Fort York National Historic Site
Archives 2017 Public Art

Johan Hallberg-Campbell Coastal

Harbourfront Centre, Parking Pavillion
Archives 2017 Public Art

Jalani Morgan The Sum of All Parts

Metro Hall
Archives 2017 Public Art

Naomi Harris OH CANADA!

North York Centre
Archives 2017 Public Art

Maria Hupfield Bound, Hupfield 2017

The Power Plant façade
Archives 2017 Public Art

Spotlight Canada: Faces That Shaped a Nation

Ryerson Image Centre, west façade
Archives 2017 Public Art

Chris Lund Canada in Kodachrome: Imaging Pleasure and Leisure

St Patrick Subway Station
Archives 2017 Public Art

Andrew Blake McGill Two Half-Hitches Could Hold the Devil Himself - Photographs from Glencoe, Ontario, Canada

St. Lawrence Market
Archives 2017 Public Art

Sam Cotter On Location

TIFF Bell Lightbox
Archives 2017 Public Art

Sarah Anne Johnson Best Beach

Westin Harbour Castle
Archives 2017 Public Art

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CONTACT is a Toronto based non-profit organization dedicated to exhibiting, analyzing and celebrating photography and lens-based media through an annual festival that takes place every May.

Land Acknowledgement

CONTACT acknowledges that we live and work on the traditional territory of many nations, including the Mississaugas of the Credit, the Anishnabeg, the Chippewa, the Haudenosaunee and the Wendat peoples, and that this land is now home to many diverse First Nations, Inuit, and Métis peoples. CONTACT is committed to promoting Indigenous voices; to generating spaces for ongoing, meaningful, and creative Indigenous-settler dialogue; and to continuous learning about our place on this land.

Anti-Oppression

CONTACT is committed to the ongoing development of meaningful anti-oppressive practice on all levels. This includes our continuing goal of augmenting and maintaining diverse representation, foregrounding varied and under-represented voices and perspectives via our public platform (the Festival and all related programs), as well as continually examining the structures of power and decision-making within the organization itself. We aim to actively learn, grow, and embody the values of inclusivity, equity, and accessibility in all facets of the institution, as an ever-evolving process.