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OverviewCorePublic ArtOpen CallArtists
  • Overview
  • Core
  • Public Art
  • Open Call
  • Artists
Archives 2016 Public Art

Group Exhibition Patchwork Village

May 1 – June 27, 2016
  • Lower Sherbourne at The Esplanade
Charlie Lindsay, Solomon Muyoboke
Charlie Lindsay, Zénon Nicayenzi

The site plan for The Esplanade neighbourhood (original St Lawrence boundaries) was approved in May 1976, when the vision for an inclusive, all-ages housing project welcoming a culturally diverse population of mixed income was supported by the City of Toronto. In celebration of the community’s 40th anniversary, Patchwork Village encompasses a written and visual collection of stories told by residents. On view in Crombie Park—the heart of The Esplanade—this installation celebrates the area’s most valuable asset: its people and their stories.

Ezat, for example, lives in The Esplanade and journeyed from Iran to Canada 31 years ago after fleeing his beloved home country because he was being tortured for being a journalist. Marie-France lives next door to Ezat. She settled in the neighbourhood 40 years ago following a journey that brought her from Cognac, to Orleans, to Mannheim. Around the corner lives Solomon, originally from Rwanda, who grew up in the area and is dedicated to encouraging youth to be actively engaged in their community.

This project is a snapshot of The Esplanade’s composition today, seen through the lenses of residents and photographer Charlie Lindsay. In a collaborative creative process, people of all ages interviewed and gathered stories recounted by 40 selected protagonists. Each story was then translated into a written text and visually interpreted by Lindsay with input from residents. For Patchwork Village, both the stories and the resulting images are displayed throughout the grounds of Crombie Park.

Each neighbour plays an important role in making what The Esplanade is today, and each resident’s story is a component of an ensemble: the social fabric of a community that connects people and forms their collective memory. Patchwork Village explores how a 40-year-old urban-planning vision has resulted in a socially rich neighbourhood; an idea that Esplanadians continue to develop beyond this project.

Presented in partnership with Jamii & CORPUS

Curated by Isorine Marc

Eva Stenram Drape

460 King St W
Archives 2016 Public Art

Chloe Sells Alliance

Adelaide Place
Archives 2016 Public Art

and Carl Lance Bonnici, in collaboration with “Jimmy” James Evans, Jeff Bierk 10 Blankets

The Annex Neighbourhood and Queen St E at Victoria St and Church St
Archives 2016 Public Art

Mickalene Thomas What it Means to be Beautiful

Billboards at Front St W at Spadina Ave, and across Canada
Archives 2016 Public Art

Sjoerd Knibbeler Paper Planes, Current Studies

Brookfield Place
Archives 2016 Public Art

Jens Ullrich Refugees in a State Apartment

Consulate General of Italy
Archives 2016 Public Art

Alex McLeod SPOTLIGHT

Harbourfront Centre, Parking Pavillion
Archives 2016 Public Art

Group Exhibition #Dysturb

Kensington Market
Archives 2016 Public Art

Raymond Boisjoly Further Clarities and Convolutions

Lansdowne and College Billboards
Archives 2016 Public Art

Group Exhibition Patchwork Village

Lower Sherbourne at The Esplanade
Archives 2016 Public Art

Pierpaolo Ferrari, Maurizio Cattelan Toilet Paper: Toronto Carousel

Metro Hall
Archives 2016 Public Art

Stopping Point

The Old Press Hall, The Globe and Mail
Archives 2016 Public Art

Elmgreen & Dragset Prada Marfa

Oxford Art Tablet
Archives 2016 Public Art

Aude Moreau Downtown Toronto (Twilight Time)

The Power Plant façade
Archives 2016 Public Art

Jake Verzosa The Last Tattooed Women of Kalinga

Royal Ontario Museum
Archives 2016 Public Art

Casa Susanna

St Patrick Subway Station
Archives 2016 Public Art

Group Exhibition Coming Attractions

TIFF Bell Lightbox
Archives 2016 Public Art

UofTDrizzy #DrizzyDoesUTSG

University of Toronto
Archives 2016 Public Art

Sarah Anne Johnson Best Beach

Westin Harbour Castle
Archives 2016 Public Art
OverviewCorePublic ArtOpen CallArtists
  • Overview
  • Core
  • Public Art
  • Open Call
  • Artists
Archives 2016 Public Art

Group Exhibition Patchwork Village

May 1 – June 27, 2016
  • Lower Sherbourne at The Esplanade
Charlie Lindsay, Solomon Muyoboke
Charlie Lindsay, Zénon Nicayenzi

The site plan for The Esplanade neighbourhood (original St Lawrence boundaries) was approved in May 1976, when the vision for an inclusive, all-ages housing project welcoming a culturally diverse population of mixed income was supported by the City of Toronto. In celebration of the community’s 40th anniversary, Patchwork Village encompasses a written and visual collection of stories told by residents. On view in Crombie Park—the heart of The Esplanade—this installation celebrates the area’s most valuable asset: its people and their stories.

Ezat, for example, lives in The Esplanade and journeyed from Iran to Canada 31 years ago after fleeing his beloved home country because he was being tortured for being a journalist. Marie-France lives next door to Ezat. She settled in the neighbourhood 40 years ago following a journey that brought her from Cognac, to Orleans, to Mannheim. Around the corner lives Solomon, originally from Rwanda, who grew up in the area and is dedicated to encouraging youth to be actively engaged in their community.

This project is a snapshot of The Esplanade’s composition today, seen through the lenses of residents and photographer Charlie Lindsay. In a collaborative creative process, people of all ages interviewed and gathered stories recounted by 40 selected protagonists. Each story was then translated into a written text and visually interpreted by Lindsay with input from residents. For Patchwork Village, both the stories and the resulting images are displayed throughout the grounds of Crombie Park.

Each neighbour plays an important role in making what The Esplanade is today, and each resident’s story is a component of an ensemble: the social fabric of a community that connects people and forms their collective memory. Patchwork Village explores how a 40-year-old urban-planning vision has resulted in a socially rich neighbourhood; an idea that Esplanadians continue to develop beyond this project.

Presented in partnership with Jamii & CORPUS

Curated by Isorine Marc

Eva Stenram Drape

460 King St W
Archives 2016 Public Art

Chloe Sells Alliance

Adelaide Place
Archives 2016 Public Art

and Carl Lance Bonnici, in collaboration with “Jimmy” James Evans, Jeff Bierk 10 Blankets

The Annex Neighbourhood and Queen St E at Victoria St and Church St
Archives 2016 Public Art

Mickalene Thomas What it Means to be Beautiful

Billboards at Front St W at Spadina Ave, and across Canada
Archives 2016 Public Art

Sjoerd Knibbeler Paper Planes, Current Studies

Brookfield Place
Archives 2016 Public Art

Jens Ullrich Refugees in a State Apartment

Consulate General of Italy
Archives 2016 Public Art

Alex McLeod SPOTLIGHT

Harbourfront Centre, Parking Pavillion
Archives 2016 Public Art

Group Exhibition #Dysturb

Kensington Market
Archives 2016 Public Art

Raymond Boisjoly Further Clarities and Convolutions

Lansdowne and College Billboards
Archives 2016 Public Art

Group Exhibition Patchwork Village

Lower Sherbourne at The Esplanade
Archives 2016 Public Art

Pierpaolo Ferrari, Maurizio Cattelan Toilet Paper: Toronto Carousel

Metro Hall
Archives 2016 Public Art

Stopping Point

The Old Press Hall, The Globe and Mail
Archives 2016 Public Art

Elmgreen & Dragset Prada Marfa

Oxford Art Tablet
Archives 2016 Public Art

Aude Moreau Downtown Toronto (Twilight Time)

The Power Plant façade
Archives 2016 Public Art

Jake Verzosa The Last Tattooed Women of Kalinga

Royal Ontario Museum
Archives 2016 Public Art

Casa Susanna

St Patrick Subway Station
Archives 2016 Public Art

Group Exhibition Coming Attractions

TIFF Bell Lightbox
Archives 2016 Public Art

UofTDrizzy #DrizzyDoesUTSG

University of Toronto
Archives 2016 Public Art

Sarah Anne Johnson Best Beach

Westin Harbour Castle
Archives 2016 Public Art

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80 Spadina Ave, Ste 205
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Canada

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CONTACT is a Toronto based non-profit organization dedicated to exhibiting, analyzing and celebrating photography and lens-based media through an annual festival that takes place every May.

Land Acknowledgement

CONTACT acknowledges that we live and work on the traditional territory of many nations, including the Mississaugas of the Credit, the Anishnabeg, the Chippewa, the Haudenosaunee and the Wendat peoples, and that this land is now home to many diverse First Nations, Inuit, and Métis peoples. CONTACT is committed to promoting Indigenous voices; to generating spaces for ongoing, meaningful, and creative Indigenous-settler dialogue; and to continuous learning about our place on this land.

Anti-Oppression

CONTACT is committed to the ongoing development of meaningful anti-oppressive practice on all levels. This includes our continuing goal of augmenting and maintaining diverse representation, foregrounding varied and under-represented voices and perspectives via our public platform (the Festival and all related programs), as well as continually examining the structures of power and decision-making within the organization itself. We aim to actively learn, grow, and embody the values of inclusivity, equity, and accessibility in all facets of the institution, as an ever-evolving process.