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OverviewCorePublic ArtOpen CallArtists
  • Overview
  • Core
  • Public Art
  • Open Call
  • Artists
Archives 2016 Public Art

Group Exhibition #Dysturb

May 1 – 31, 2016
  • Kensington Market
Paula Bronstein, LESBOS, GREECE-OCTOBER 28: An Iraqi man peers through the high fence of a registration area at Moria camp where thousands of refugees wait for days to get their paperwork done so they can move on. Cold weather and rough seas have done little to curb the endless flow of desperate people fleeing war or poverty trying to get to Europe. More than a million people reached Europe in 2015 in the continent’s largest refugee influx since the end of World War II. Nearly all of those entering Greece on a boat from Turkey are from the war zones of Syria, Iraq and Afghanistan. Courtesy of Getty Images.
A photograph by Ben Lowy installed in front of 8eleven Gallery at 233 Spadina Avenue, Toronto. , Photo: Benjamin Petit
A photograph by Sim Chi Yin installed at 173 R Baldwin Street, Toronto. , Photo: Benjamin Petit
A photograph by Jake Naughton installed at 56 Kensington Avenue, Toronto, Photo: Benjamin Petit
David Maurice Smith, Pyin Gi Village, Tanintharyi, Myanmar. January 3, 2015. A woman carries recently purchased fish on her head at the morning fish market at Pyin Gi Village. Villages like Pyin Gi face an uncertain future as the development of the massive DSEZ (Dawei Special Economic Zone) deep sea port will impact the area on many levels. The project will turn an area filled with villages like Pyin Gi into the largest petrochemical facility and deep sea port in Southeast Asia. Courtesy of Oculi.

#Dysturb is a collective of freelance photojournalists who take current, international news stories to the streets. Through an emphatic intervention into public space, this network of professionals exposes the general public to global issues by installing large-format photographs guerrilla-style on the walls of city hubs. Co-founded by Pierre Terdjman and Benjamin Girette, #Dysturb first occupied the streets of Paris, and subsequently major cities including New York City and Melbourne. The collective operates independently of the conventions and restrictions of traditional news publishing outlets, and its urban takeovers provide an alternative context to raise awareness and disseminate information about world events.

Presenting recent images by 20 photojournalists from across the globe, #Dysturb’s Toronto iteration makes visible such stories as the Zika virus outbreak in Latin America, the various waves of turmoil in Nigeria, and the fragile social context in Cuba, among others. #Dysturb’s life-size photographic murals, accompanied by explanatory captions, confront passersby and provide unexpected physical encounters with challenging subjects. Reproduced in black and white and printed on thin matte paper that mimics the look and feel of newsprint, the images contrast significantly with the colourful advertising often found in the urban landscape. Installed in the bustling Kensington Market and Chinatown area—a vibrant and diverse neighbourhood where nearly everything happens out in the streets—this project creates a public forum for discussion and engagement with the community. In these publicly accessible locations, photojournalists share images that otherwise might go unnoticed on fast-paced mass media platforms. While low-cost cameras, citizen-generated images, and small media budgets continue to affect the industry, #Dysturb offers an alternative method for circulating personal visual testimonies.

For full map of locations visit: dysturb.com/event/dysturb-contact-instagram

Organized with The Kensington Market BIA and Studio 223A. Special thanks to 4 Life Natural Foods, 8eleven, Cold Tea, and Kind Supply. 

Eva Stenram Drape

460 King St W
Archives 2016 Public Art

Chloe Sells Alliance

Adelaide Place
Archives 2016 Public Art

and Carl Lance Bonnici, in collaboration with “Jimmy” James Evans, Jeff Bierk 10 Blankets

The Annex Neighbourhood and Queen St E at Victoria St and Church St
Archives 2016 Public Art

Mickalene Thomas What it Means to be Beautiful

Billboards at Front St W at Spadina Ave, and across Canada
Archives 2016 Public Art

Sjoerd Knibbeler Paper Planes, Current Studies

Brookfield Place
Archives 2016 Public Art

Jens Ullrich Refugees in a State Apartment

Consulate General of Italy
Archives 2016 Public Art

Alex McLeod SPOTLIGHT

Harbourfront Centre, Parking Pavillion
Archives 2016 Public Art

Group Exhibition #Dysturb

Kensington Market
Archives 2016 Public Art

Raymond Boisjoly Further Clarities and Convolutions

Lansdowne and College Billboards
Archives 2016 Public Art

Group Exhibition Patchwork Village

Lower Sherbourne at The Esplanade
Archives 2016 Public Art

Pierpaolo Ferrari, Maurizio Cattelan Toilet Paper: Toronto Carousel

Metro Hall
Archives 2016 Public Art

Stopping Point

The Old Press Hall, The Globe and Mail
Archives 2016 Public Art

Elmgreen & Dragset Prada Marfa

Oxford Art Tablet
Archives 2016 Public Art

Aude Moreau Downtown Toronto (Twilight Time)

The Power Plant façade
Archives 2016 Public Art

Jake Verzosa The Last Tattooed Women of Kalinga

Royal Ontario Museum
Archives 2016 Public Art

Casa Susanna

St Patrick Subway Station
Archives 2016 Public Art

Group Exhibition Coming Attractions

TIFF Bell Lightbox
Archives 2016 Public Art

UofTDrizzy #DrizzyDoesUTSG

University of Toronto
Archives 2016 Public Art

Sarah Anne Johnson Best Beach

Westin Harbour Castle
Archives 2016 Public Art
OverviewCorePublic ArtOpen CallArtists
  • Overview
  • Core
  • Public Art
  • Open Call
  • Artists
Archives 2016 Public Art

Group Exhibition #Dysturb

May 1 – 31, 2016
  • Kensington Market
Paula Bronstein, LESBOS, GREECE-OCTOBER 28: An Iraqi man peers through the high fence of a registration area at Moria camp where thousands of refugees wait for days to get their paperwork done so they can move on. Cold weather and rough seas have done little to curb the endless flow of desperate people fleeing war or poverty trying to get to Europe. More than a million people reached Europe in 2015 in the continent’s largest refugee influx since the end of World War II. Nearly all of those entering Greece on a boat from Turkey are from the war zones of Syria, Iraq and Afghanistan. Courtesy of Getty Images.
A photograph by Ben Lowy installed in front of 8eleven Gallery at 233 Spadina Avenue, Toronto. , Photo: Benjamin Petit
A photograph by Sim Chi Yin installed at 173 R Baldwin Street, Toronto. , Photo: Benjamin Petit
A photograph by Jake Naughton installed at 56 Kensington Avenue, Toronto, Photo: Benjamin Petit
David Maurice Smith, Pyin Gi Village, Tanintharyi, Myanmar. January 3, 2015. A woman carries recently purchased fish on her head at the morning fish market at Pyin Gi Village. Villages like Pyin Gi face an uncertain future as the development of the massive DSEZ (Dawei Special Economic Zone) deep sea port will impact the area on many levels. The project will turn an area filled with villages like Pyin Gi into the largest petrochemical facility and deep sea port in Southeast Asia. Courtesy of Oculi.

#Dysturb is a collective of freelance photojournalists who take current, international news stories to the streets. Through an emphatic intervention into public space, this network of professionals exposes the general public to global issues by installing large-format photographs guerrilla-style on the walls of city hubs. Co-founded by Pierre Terdjman and Benjamin Girette, #Dysturb first occupied the streets of Paris, and subsequently major cities including New York City and Melbourne. The collective operates independently of the conventions and restrictions of traditional news publishing outlets, and its urban takeovers provide an alternative context to raise awareness and disseminate information about world events.

Presenting recent images by 20 photojournalists from across the globe, #Dysturb’s Toronto iteration makes visible such stories as the Zika virus outbreak in Latin America, the various waves of turmoil in Nigeria, and the fragile social context in Cuba, among others. #Dysturb’s life-size photographic murals, accompanied by explanatory captions, confront passersby and provide unexpected physical encounters with challenging subjects. Reproduced in black and white and printed on thin matte paper that mimics the look and feel of newsprint, the images contrast significantly with the colourful advertising often found in the urban landscape. Installed in the bustling Kensington Market and Chinatown area—a vibrant and diverse neighbourhood where nearly everything happens out in the streets—this project creates a public forum for discussion and engagement with the community. In these publicly accessible locations, photojournalists share images that otherwise might go unnoticed on fast-paced mass media platforms. While low-cost cameras, citizen-generated images, and small media budgets continue to affect the industry, #Dysturb offers an alternative method for circulating personal visual testimonies.

For full map of locations visit: dysturb.com/event/dysturb-contact-instagram

Organized with The Kensington Market BIA and Studio 223A. Special thanks to 4 Life Natural Foods, 8eleven, Cold Tea, and Kind Supply. 

Eva Stenram Drape

460 King St W
Archives 2016 Public Art

Chloe Sells Alliance

Adelaide Place
Archives 2016 Public Art

and Carl Lance Bonnici, in collaboration with “Jimmy” James Evans, Jeff Bierk 10 Blankets

The Annex Neighbourhood and Queen St E at Victoria St and Church St
Archives 2016 Public Art

Mickalene Thomas What it Means to be Beautiful

Billboards at Front St W at Spadina Ave, and across Canada
Archives 2016 Public Art

Sjoerd Knibbeler Paper Planes, Current Studies

Brookfield Place
Archives 2016 Public Art

Jens Ullrich Refugees in a State Apartment

Consulate General of Italy
Archives 2016 Public Art

Alex McLeod SPOTLIGHT

Harbourfront Centre, Parking Pavillion
Archives 2016 Public Art

Group Exhibition #Dysturb

Kensington Market
Archives 2016 Public Art

Raymond Boisjoly Further Clarities and Convolutions

Lansdowne and College Billboards
Archives 2016 Public Art

Group Exhibition Patchwork Village

Lower Sherbourne at The Esplanade
Archives 2016 Public Art

Pierpaolo Ferrari, Maurizio Cattelan Toilet Paper: Toronto Carousel

Metro Hall
Archives 2016 Public Art

Stopping Point

The Old Press Hall, The Globe and Mail
Archives 2016 Public Art

Elmgreen & Dragset Prada Marfa

Oxford Art Tablet
Archives 2016 Public Art

Aude Moreau Downtown Toronto (Twilight Time)

The Power Plant façade
Archives 2016 Public Art

Jake Verzosa The Last Tattooed Women of Kalinga

Royal Ontario Museum
Archives 2016 Public Art

Casa Susanna

St Patrick Subway Station
Archives 2016 Public Art

Group Exhibition Coming Attractions

TIFF Bell Lightbox
Archives 2016 Public Art

UofTDrizzy #DrizzyDoesUTSG

University of Toronto
Archives 2016 Public Art

Sarah Anne Johnson Best Beach

Westin Harbour Castle
Archives 2016 Public Art

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CONTACT is a Toronto based non-profit organization dedicated to exhibiting, analyzing and celebrating photography and lens-based media through an annual festival that takes place every May.

Land Acknowledgement

CONTACT acknowledges that we live and work on the traditional territory of many nations, including the Mississaugas of the Credit, the Anishnabeg, the Chippewa, the Haudenosaunee and the Wendat peoples, and that this land is now home to many diverse First Nations, Inuit, and Métis peoples. CONTACT is committed to promoting Indigenous voices; to generating spaces for ongoing, meaningful, and creative Indigenous-settler dialogue; and to continuous learning about our place on this land.

Anti-Oppression

CONTACT is committed to the ongoing development of meaningful anti-oppressive practice on all levels. This includes our continuing goal of augmenting and maintaining diverse representation, foregrounding varied and under-represented voices and perspectives via our public platform (the Festival and all related programs), as well as continually examining the structures of power and decision-making within the organization itself. We aim to actively learn, grow, and embody the values of inclusivity, equity, and accessibility in all facets of the institution, as an ever-evolving process.