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Archives 2016 Public Art

Mickalene Thomas What it Means to be Beautiful

May 1 – 31, 2016
  • Billboards at Front St W at Spadina Ave, and across Canada
Installation view of Mickalene Thomas, What it Means to be Beautiful
Mickalene Thomas, Racquel Reclining Wearing Purple Jumpsuit #1
Installation view of Mickalene Thomas, What it Means to be Beautiful
Mickalene Thomas, Liz with White Skirt and White Shoes
Installation view of Mickalene Thomas, What it Means to be Beautiful
Installation view of Mickalene Thomas, What it Means to be Beautiful
Installation view of Mickalene Thomas, What it Means to be Beautiful
Installation view of Mickalene Thomas, What it Means to be Beautiful
Installation view of Mickalene Thomas, What it Means to be Beautiful
Installation view of Mickalene Thomas, What it Means to be Beautiful

Mickalene Thomas is a multimedia artist whose paintings, photographs, and collages diversify ideas of beauty, race, and femininity. Throughout her practice, Thomas explores and asserts the complex identity of black women and challenges issues of representation in Western visual culture. The Brooklyn-based artist depicts relatives, friends, and lovers—real women with varying body types, ages, and hairstyles who exude a strong sense of confidence and elegance. Thomas’ portraits are often captured in her studio, where she constructs lavish 1970s-era living room settings, replete with wood panelling, furniture, and a rich cacophony of vintage-inspired patterns and textiles. Within this space, Thomas’ models make themselves at home, lounging and posing for the camera.

For What it Means to be Beautiful, the artist’s intimate photographic portraits are shown within the context of street advertising, where women are constantly bombarded with narrow notions of female beauty. Racquel Reclining Wearing Purple Jumpsuit #1 (2014), for example, is akin to a fashion advertisement, as the model—with her incredibly glamorous ensemble and afro—seductively leans back onto a couch. In some scenes, Thomas’ models appear relaxed, gazing at the viewer as if waking from a nap or listening to music, while others take the form of more traditional portraiture. In all, the women appear regal and graceful. The fractured and collaged spaces nod to cubism and add elements of tactility and three-dimensionality to the images. Thomas often riffs on art history—unabashedly posing her subjects to reference iconic paintings by masters such as Manet or Ingres. Through this project—positioned on billboards in Toronto and eight major cities across Canada— the artist critiques the lacuna of black women from visual culture while asserting their empowered presence and identity in the very spaces from which they have been historically excluded.

Across Canada Locations
Calgary: 9 Ave at 9 St SE & 10 St SE
Edmonton: 105 St & 103 Ave
Halifax: North St at Alderney Dr (Halifax)
Montreal: Van Horne Ave at St Laurent Blvd & St Urbain St
Saskatoon: Pacific Ave & 22nd St
Ottawa: Cumberland St at Besserer St
Vancouver: Clark Dr at East 4 Ave & East 2 Ave
Winnipeg: Bannatyne Ave at Hargrave St & Osborne St at Gertrude Ave & Wardlaw Ave

Supported by PATTISON Outdoor Advertising and Nikon Canada

Curated by Heather Rigg

Eva Stenram Drape

460 King St W
Archives 2016 Public Art

Chloe Sells Alliance

Adelaide Place
Archives 2016 Public Art

and Carl Lance Bonnici, in collaboration with “Jimmy” James Evans, Jeff Bierk 10 Blankets

The Annex Neighbourhood and Queen St E at Victoria St and Church St
Archives 2016 Public Art

Mickalene Thomas What it Means to be Beautiful

Billboards at Front St W at Spadina Ave, and across Canada
Archives 2016 Public Art

Sjoerd Knibbeler Paper Planes, Current Studies

Brookfield Place
Archives 2016 Public Art

Jens Ullrich Refugees in a State Apartment

Consulate General of Italy
Archives 2016 Public Art

Alex McLeod SPOTLIGHT

Harbourfront Centre, Parking Pavillion
Archives 2016 Public Art

Group Exhibition #Dysturb

Kensington Market
Archives 2016 Public Art

Raymond Boisjoly Further Clarities and Convolutions

Lansdowne and College Billboards
Archives 2016 Public Art

Group Exhibition Patchwork Village

Lower Sherbourne at The Esplanade
Archives 2016 Public Art

Pierpaolo Ferrari, Maurizio Cattelan Toilet Paper: Toronto Carousel

Metro Hall
Archives 2016 Public Art

Stopping Point

The Old Press Hall, The Globe and Mail
Archives 2016 Public Art

Elmgreen & Dragset Prada Marfa

Oxford Art Tablet
Archives 2016 Public Art

Aude Moreau Downtown Toronto (Twilight Time)

The Power Plant façade
Archives 2016 Public Art

Jake Verzosa The Last Tattooed Women of Kalinga

Royal Ontario Museum
Archives 2016 Public Art

Casa Susanna

St Patrick Subway Station
Archives 2016 Public Art

Group Exhibition Coming Attractions

TIFF Bell Lightbox
Archives 2016 Public Art

UofTDrizzy #DrizzyDoesUTSG

University of Toronto
Archives 2016 Public Art

Sarah Anne Johnson Best Beach

Westin Harbour Castle
Archives 2016 Public Art
OverviewCorePublic ArtOpen CallArtists
  • Overview
  • Core
  • Public Art
  • Open Call
  • Artists
Archives 2016 Public Art

Mickalene Thomas What it Means to be Beautiful

May 1 – 31, 2016
  • Billboards at Front St W at Spadina Ave, and across Canada
Installation view of Mickalene Thomas, What it Means to be Beautiful
Mickalene Thomas, Racquel Reclining Wearing Purple Jumpsuit #1
Installation view of Mickalene Thomas, What it Means to be Beautiful
Mickalene Thomas, Liz with White Skirt and White Shoes
Installation view of Mickalene Thomas, What it Means to be Beautiful
Installation view of Mickalene Thomas, What it Means to be Beautiful
Installation view of Mickalene Thomas, What it Means to be Beautiful
Installation view of Mickalene Thomas, What it Means to be Beautiful
Installation view of Mickalene Thomas, What it Means to be Beautiful
Installation view of Mickalene Thomas, What it Means to be Beautiful

Mickalene Thomas is a multimedia artist whose paintings, photographs, and collages diversify ideas of beauty, race, and femininity. Throughout her practice, Thomas explores and asserts the complex identity of black women and challenges issues of representation in Western visual culture. The Brooklyn-based artist depicts relatives, friends, and lovers—real women with varying body types, ages, and hairstyles who exude a strong sense of confidence and elegance. Thomas’ portraits are often captured in her studio, where she constructs lavish 1970s-era living room settings, replete with wood panelling, furniture, and a rich cacophony of vintage-inspired patterns and textiles. Within this space, Thomas’ models make themselves at home, lounging and posing for the camera.

For What it Means to be Beautiful, the artist’s intimate photographic portraits are shown within the context of street advertising, where women are constantly bombarded with narrow notions of female beauty. Racquel Reclining Wearing Purple Jumpsuit #1 (2014), for example, is akin to a fashion advertisement, as the model—with her incredibly glamorous ensemble and afro—seductively leans back onto a couch. In some scenes, Thomas’ models appear relaxed, gazing at the viewer as if waking from a nap or listening to music, while others take the form of more traditional portraiture. In all, the women appear regal and graceful. The fractured and collaged spaces nod to cubism and add elements of tactility and three-dimensionality to the images. Thomas often riffs on art history—unabashedly posing her subjects to reference iconic paintings by masters such as Manet or Ingres. Through this project—positioned on billboards in Toronto and eight major cities across Canada— the artist critiques the lacuna of black women from visual culture while asserting their empowered presence and identity in the very spaces from which they have been historically excluded.

Across Canada Locations
Calgary: 9 Ave at 9 St SE & 10 St SE
Edmonton: 105 St & 103 Ave
Halifax: North St at Alderney Dr (Halifax)
Montreal: Van Horne Ave at St Laurent Blvd & St Urbain St
Saskatoon: Pacific Ave & 22nd St
Ottawa: Cumberland St at Besserer St
Vancouver: Clark Dr at East 4 Ave & East 2 Ave
Winnipeg: Bannatyne Ave at Hargrave St & Osborne St at Gertrude Ave & Wardlaw Ave

Supported by PATTISON Outdoor Advertising and Nikon Canada

Curated by Heather Rigg

Eva Stenram Drape

460 King St W
Archives 2016 Public Art

Chloe Sells Alliance

Adelaide Place
Archives 2016 Public Art

and Carl Lance Bonnici, in collaboration with “Jimmy” James Evans, Jeff Bierk 10 Blankets

The Annex Neighbourhood and Queen St E at Victoria St and Church St
Archives 2016 Public Art

Mickalene Thomas What it Means to be Beautiful

Billboards at Front St W at Spadina Ave, and across Canada
Archives 2016 Public Art

Sjoerd Knibbeler Paper Planes, Current Studies

Brookfield Place
Archives 2016 Public Art

Jens Ullrich Refugees in a State Apartment

Consulate General of Italy
Archives 2016 Public Art

Alex McLeod SPOTLIGHT

Harbourfront Centre, Parking Pavillion
Archives 2016 Public Art

Group Exhibition #Dysturb

Kensington Market
Archives 2016 Public Art

Raymond Boisjoly Further Clarities and Convolutions

Lansdowne and College Billboards
Archives 2016 Public Art

Group Exhibition Patchwork Village

Lower Sherbourne at The Esplanade
Archives 2016 Public Art

Pierpaolo Ferrari, Maurizio Cattelan Toilet Paper: Toronto Carousel

Metro Hall
Archives 2016 Public Art

Stopping Point

The Old Press Hall, The Globe and Mail
Archives 2016 Public Art

Elmgreen & Dragset Prada Marfa

Oxford Art Tablet
Archives 2016 Public Art

Aude Moreau Downtown Toronto (Twilight Time)

The Power Plant façade
Archives 2016 Public Art

Jake Verzosa The Last Tattooed Women of Kalinga

Royal Ontario Museum
Archives 2016 Public Art

Casa Susanna

St Patrick Subway Station
Archives 2016 Public Art

Group Exhibition Coming Attractions

TIFF Bell Lightbox
Archives 2016 Public Art

UofTDrizzy #DrizzyDoesUTSG

University of Toronto
Archives 2016 Public Art

Sarah Anne Johnson Best Beach

Westin Harbour Castle
Archives 2016 Public Art

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80 Spadina Ave, Ste 205
Toronto, M5V 2J4
Canada

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CONTACT is a Toronto based non-profit organization dedicated to exhibiting, analyzing and celebrating photography and lens-based media through an annual festival that takes place every May.

Land Acknowledgement

CONTACT acknowledges that we live and work on the traditional territory of many nations, including the Mississaugas of the Credit, the Anishnabeg, the Chippewa, the Haudenosaunee and the Wendat peoples, and that this land is now home to many diverse First Nations, Inuit, and Métis peoples. CONTACT is committed to promoting Indigenous voices; to generating spaces for ongoing, meaningful, and creative Indigenous-settler dialogue; and to continuous learning about our place on this land.

Anti-Oppression

CONTACT is committed to the ongoing development of meaningful anti-oppressive practice on all levels. This includes our continuing goal of augmenting and maintaining diverse representation, foregrounding varied and under-represented voices and perspectives via our public platform (the Festival and all related programs), as well as continually examining the structures of power and decision-making within the organization itself. We aim to actively learn, grow, and embody the values of inclusivity, equity, and accessibility in all facets of the institution, as an ever-evolving process.