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OverviewCorePublic ArtOpen CallArtists
  • Overview
  • Core
  • Public Art
  • Open Call
  • Artists
Archives 2016 Public Art

UofTDrizzy #DrizzyDoesUTSG

May 1 – 31, 2016
  • University of Toronto
MAY1poster5
MAY10poster8
MAY1poster1
MAY1poster2

UofTDrizzy is a popular Instagram account run by an anonymous student at the University of Toronto since early 2015. The images feature Toronto rapper Drake photoshopped into student-life scenarios at U of T Scarborough. Using cleverly parodied lyrics for captions, “Drake the campus boy” can be seen waiting for the bus, eating street food, and studying in the library, among other everyday activities. According to UofTDrizzy, Drake was chosen because “Scarborough never got any real love from Drake before UofTDrizzy happened. While he would mention Scarborough in his tracks, it’s unlikely that he would ever actually go there.” The celebrity is now counted among the 16,700 people following the account, and he has even responded to posts.

UofTDrizzy visits the downtown St. George campus through a series of 11 × 17″ posters for #DrizzyDoesUTSG. In addition to five well-liked images, ten new works created specifically for the project will be released throughout the month of May. By distributing multiple copies of each poster across campus on the same day they are posted on Instagram, a cumulative body of work is created that physically mimics the visual presence of social media. As each new image goes up, the previous ones naturally fade from the immediate visual sphere, much like online images, which gradually get lost in the history of an account’s feed.

Exemplifying the influence of celebrity music culture and the reach of social media, #DrizzyDoesUTSG plays with concepts of communication by translating a digital platform into print form, lending a physical presence to something that typically only exists virtually. Bridging two methods of spreading the word about campus activities, the formats reflect equally relevant and widespread techniques. UofTDrizzy’s project also broaches a broader dialogue about how the creative use of media sites has expanded the terrain of artistic practice and widened the mutability of the photographic image.

Presented in partnership with Museum Studies, Faculty of Information, University of Toronto

Curated by Bethea Arielle Penny

Eva Stenram Drape

460 King St W
Archives 2016 Public Art

Chloe Sells Alliance

Adelaide Place
Archives 2016 Public Art

and Carl Lance Bonnici, in collaboration with “Jimmy” James Evans, Jeff Bierk 10 Blankets

The Annex Neighbourhood and Queen St E at Victoria St and Church St
Archives 2016 Public Art

Mickalene Thomas What it Means to be Beautiful

Billboards at Front St W at Spadina Ave, and across Canada
Archives 2016 Public Art

Sjoerd Knibbeler Paper Planes, Current Studies

Brookfield Place
Archives 2016 Public Art

Jens Ullrich Refugees in a State Apartment

Consulate General of Italy
Archives 2016 Public Art

Alex McLeod SPOTLIGHT

Harbourfront Centre, Parking Pavillion
Archives 2016 Public Art

Group Exhibition #Dysturb

Kensington Market
Archives 2016 Public Art

Raymond Boisjoly Further Clarities and Convolutions

Lansdowne and College Billboards
Archives 2016 Public Art

Group Exhibition Patchwork Village

Lower Sherbourne at The Esplanade
Archives 2016 Public Art

Pierpaolo Ferrari, Maurizio Cattelan Toilet Paper: Toronto Carousel

Metro Hall
Archives 2016 Public Art

Stopping Point

The Old Press Hall, The Globe and Mail
Archives 2016 Public Art

Elmgreen & Dragset Prada Marfa

Oxford Art Tablet
Archives 2016 Public Art

Aude Moreau Downtown Toronto (Twilight Time)

The Power Plant façade
Archives 2016 Public Art

Jake Verzosa The Last Tattooed Women of Kalinga

Royal Ontario Museum
Archives 2016 Public Art

Casa Susanna

St Patrick Subway Station
Archives 2016 Public Art

Group Exhibition Coming Attractions

TIFF Bell Lightbox
Archives 2016 Public Art

UofTDrizzy #DrizzyDoesUTSG

University of Toronto
Archives 2016 Public Art

Sarah Anne Johnson Best Beach

Westin Harbour Castle
Archives 2016 Public Art
OverviewCorePublic ArtOpen CallArtists
  • Overview
  • Core
  • Public Art
  • Open Call
  • Artists
Archives 2016 Public Art

UofTDrizzy #DrizzyDoesUTSG

May 1 – 31, 2016
  • University of Toronto
MAY1poster5
MAY10poster8
MAY1poster1
MAY1poster2

UofTDrizzy is a popular Instagram account run by an anonymous student at the University of Toronto since early 2015. The images feature Toronto rapper Drake photoshopped into student-life scenarios at U of T Scarborough. Using cleverly parodied lyrics for captions, “Drake the campus boy” can be seen waiting for the bus, eating street food, and studying in the library, among other everyday activities. According to UofTDrizzy, Drake was chosen because “Scarborough never got any real love from Drake before UofTDrizzy happened. While he would mention Scarborough in his tracks, it’s unlikely that he would ever actually go there.” The celebrity is now counted among the 16,700 people following the account, and he has even responded to posts.

UofTDrizzy visits the downtown St. George campus through a series of 11 × 17″ posters for #DrizzyDoesUTSG. In addition to five well-liked images, ten new works created specifically for the project will be released throughout the month of May. By distributing multiple copies of each poster across campus on the same day they are posted on Instagram, a cumulative body of work is created that physically mimics the visual presence of social media. As each new image goes up, the previous ones naturally fade from the immediate visual sphere, much like online images, which gradually get lost in the history of an account’s feed.

Exemplifying the influence of celebrity music culture and the reach of social media, #DrizzyDoesUTSG plays with concepts of communication by translating a digital platform into print form, lending a physical presence to something that typically only exists virtually. Bridging two methods of spreading the word about campus activities, the formats reflect equally relevant and widespread techniques. UofTDrizzy’s project also broaches a broader dialogue about how the creative use of media sites has expanded the terrain of artistic practice and widened the mutability of the photographic image.

Presented in partnership with Museum Studies, Faculty of Information, University of Toronto

Curated by Bethea Arielle Penny

Eva Stenram Drape

460 King St W
Archives 2016 Public Art

Chloe Sells Alliance

Adelaide Place
Archives 2016 Public Art

and Carl Lance Bonnici, in collaboration with “Jimmy” James Evans, Jeff Bierk 10 Blankets

The Annex Neighbourhood and Queen St E at Victoria St and Church St
Archives 2016 Public Art

Mickalene Thomas What it Means to be Beautiful

Billboards at Front St W at Spadina Ave, and across Canada
Archives 2016 Public Art

Sjoerd Knibbeler Paper Planes, Current Studies

Brookfield Place
Archives 2016 Public Art

Jens Ullrich Refugees in a State Apartment

Consulate General of Italy
Archives 2016 Public Art

Alex McLeod SPOTLIGHT

Harbourfront Centre, Parking Pavillion
Archives 2016 Public Art

Group Exhibition #Dysturb

Kensington Market
Archives 2016 Public Art

Raymond Boisjoly Further Clarities and Convolutions

Lansdowne and College Billboards
Archives 2016 Public Art

Group Exhibition Patchwork Village

Lower Sherbourne at The Esplanade
Archives 2016 Public Art

Pierpaolo Ferrari, Maurizio Cattelan Toilet Paper: Toronto Carousel

Metro Hall
Archives 2016 Public Art

Stopping Point

The Old Press Hall, The Globe and Mail
Archives 2016 Public Art

Elmgreen & Dragset Prada Marfa

Oxford Art Tablet
Archives 2016 Public Art

Aude Moreau Downtown Toronto (Twilight Time)

The Power Plant façade
Archives 2016 Public Art

Jake Verzosa The Last Tattooed Women of Kalinga

Royal Ontario Museum
Archives 2016 Public Art

Casa Susanna

St Patrick Subway Station
Archives 2016 Public Art

Group Exhibition Coming Attractions

TIFF Bell Lightbox
Archives 2016 Public Art

UofTDrizzy #DrizzyDoesUTSG

University of Toronto
Archives 2016 Public Art

Sarah Anne Johnson Best Beach

Westin Harbour Castle
Archives 2016 Public Art

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CONTACT is a Toronto based non-profit organization dedicated to exhibiting, analyzing and celebrating photography and lens-based media through an annual festival that takes place every May.

Land Acknowledgement

CONTACT acknowledges that we live and work on the traditional territory of many nations, including the Mississaugas of the Credit, the Anishnabeg, the Chippewa, the Haudenosaunee and the Wendat peoples, and that this land is now home to many diverse First Nations, Inuit, and Métis peoples. CONTACT is committed to promoting Indigenous voices; to generating spaces for ongoing, meaningful, and creative Indigenous-settler dialogue; and to continuous learning about our place on this land.

Anti-Oppression

CONTACT is committed to the ongoing development of meaningful anti-oppressive practice on all levels. This includes our continuing goal of augmenting and maintaining diverse representation, foregrounding varied and under-represented voices and perspectives via our public platform (the Festival and all related programs), as well as continually examining the structures of power and decision-making within the organization itself. We aim to actively learn, grow, and embody the values of inclusivity, equity, and accessibility in all facets of the institution, as an ever-evolving process.