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Archives 2015 Public Art

Edouard LeBouthillier Edouard

May 1 – 31, 2015
  • Union Station Vitrines – VIA Rail Concourse
Installation view of, Edouard
Image courtesy of Archive of Modern Conflict Toronto
Image courtesy of Archive of Modern Conflict Toronto
Installation view of, Edouard
Installation view of, Edouard
Image courtesy of Archive of Modern Conflict Toronto

In the early 2000s, the Archive of Modern Conflict Toronto acquired the photographs of amateur Canadian photographer Edouard LeBouthillier after his Polaroids were found discarded curbside in The Annex, a residential Toronto neighbourhood. Employing the medium of instant photography, LeBouthillier documented his life in Toronto throughout the 1970s and 1980s. From photo booth self-portraits and urban landscapes, to vignettes of his eclectic apartment, he meticulously annotated all of his images with exact times, dates, names, and locations. LeBouthillier also repeatedly photographed public attractions that were recently constructed at the time, such as the Eaton Centre, the CN Tower, and Nathan Phillips Square. These photographs document not only his personal travels, but also the transition of downtown Toronto from a grimy and underutilized urban centre into a modern metropolis.

LeBouthillier’s story unfolds in this two-part exhibition. A selection of his Polaroids documenting some of the city’s most recognizable landmarks are presented as large-scale images on the vitrine windows within Union Station’s VIA Rail concourse, a major access hub to the city. Positioned within this historic site, they act as a reminder of the city’s changing landscape as it currently goes through yet another major transformation. The second part of this exhibition appears at Art Metropole, which features a selection of LeBouthillier’s original Polaroids depicting his domestic life. These images allow the viewer to delve further into the private life of this charismatic figure, shown posing for the camera, hand embroidering his clothing, or relaxing with family, almost always dressed in plaid. As a whole, Edouard reveals a private photographic collection chronicling the life of an individual and the city.

Presented in partnership with the Archive of Modern Conflict Toronto and Osmington (Union Station) Inc.

An opening for Edouard will be held on May 9, 2-5pm at Art Metropole (1490 Dundas Street West). 

Curated by Sabrina Maltese & Andrea Raymond

Edouard LeBouthillier Edouard

Art Metropole
Archives 2015 Public Art

Group Exhibition Productive Displacement

Billboards at Front St W at Spadina Ave, and across Canada
Archives 2015 Public Art

Myoung Ho Lee Tree

Brookfield Place
Archives 2015 Public Art

Matthew Stone Optimism as Cultural Rebellion

The Drake Hotel
Archives 2015 Public Art

Sara Cwynar Flat Death

Lansdowne and College Billboards
Archives 2015 Public Art

Isabelle Wenzel Figures & Models of Surfaces

Metro Hall
Archives 2015 Public Art

Jihyun Jung Demolition Site

MOCCA Courtyard & Alcove
Archives 2015 Public Art

Zineb Sedira The Death of a Journey V

The Power Plant façade
Archives 2015 Public Art

Phil Solomon EMPIRE x 8

Salah J. Bachir New Media Wall
Archives 2015 Public Art

Edouard LeBouthillier Edouard

Union Station Vitrines – VIA Rail Concourse
Archives 2015 Public Art

Larry Towell Union Station

Union Station, West Wing – PROJECT CANCELLED
Archives 2015 Public Art

Owen Fernley, Alejandro Cartagena, Julia Krolik Contacting Toronto: Expanding Cities

Warden subway station
Archives 2015 Public Art

Sarah Anne Johnson Best Beach

Westin Harbour Castle
Archives 2015 Public Art
OverviewCorePublic ArtOpen CallArtists
  • Overview
  • Core
  • Public Art
  • Open Call
  • Artists
Archives 2015 Public Art

Edouard LeBouthillier Edouard

May 1 – 31, 2015
  • Union Station Vitrines – VIA Rail Concourse
Installation view of, Edouard
Image courtesy of Archive of Modern Conflict Toronto
Image courtesy of Archive of Modern Conflict Toronto
Installation view of, Edouard
Installation view of, Edouard
Image courtesy of Archive of Modern Conflict Toronto

In the early 2000s, the Archive of Modern Conflict Toronto acquired the photographs of amateur Canadian photographer Edouard LeBouthillier after his Polaroids were found discarded curbside in The Annex, a residential Toronto neighbourhood. Employing the medium of instant photography, LeBouthillier documented his life in Toronto throughout the 1970s and 1980s. From photo booth self-portraits and urban landscapes, to vignettes of his eclectic apartment, he meticulously annotated all of his images with exact times, dates, names, and locations. LeBouthillier also repeatedly photographed public attractions that were recently constructed at the time, such as the Eaton Centre, the CN Tower, and Nathan Phillips Square. These photographs document not only his personal travels, but also the transition of downtown Toronto from a grimy and underutilized urban centre into a modern metropolis.

LeBouthillier’s story unfolds in this two-part exhibition. A selection of his Polaroids documenting some of the city’s most recognizable landmarks are presented as large-scale images on the vitrine windows within Union Station’s VIA Rail concourse, a major access hub to the city. Positioned within this historic site, they act as a reminder of the city’s changing landscape as it currently goes through yet another major transformation. The second part of this exhibition appears at Art Metropole, which features a selection of LeBouthillier’s original Polaroids depicting his domestic life. These images allow the viewer to delve further into the private life of this charismatic figure, shown posing for the camera, hand embroidering his clothing, or relaxing with family, almost always dressed in plaid. As a whole, Edouard reveals a private photographic collection chronicling the life of an individual and the city.

Presented in partnership with the Archive of Modern Conflict Toronto and Osmington (Union Station) Inc.

An opening for Edouard will be held on May 9, 2-5pm at Art Metropole (1490 Dundas Street West). 

Curated by Sabrina Maltese & Andrea Raymond

Edouard LeBouthillier Edouard

Art Metropole
Archives 2015 Public Art

Group Exhibition Productive Displacement

Billboards at Front St W at Spadina Ave, and across Canada
Archives 2015 Public Art

Myoung Ho Lee Tree

Brookfield Place
Archives 2015 Public Art

Matthew Stone Optimism as Cultural Rebellion

The Drake Hotel
Archives 2015 Public Art

Sara Cwynar Flat Death

Lansdowne and College Billboards
Archives 2015 Public Art

Isabelle Wenzel Figures & Models of Surfaces

Metro Hall
Archives 2015 Public Art

Jihyun Jung Demolition Site

MOCCA Courtyard & Alcove
Archives 2015 Public Art

Zineb Sedira The Death of a Journey V

The Power Plant façade
Archives 2015 Public Art

Phil Solomon EMPIRE x 8

Salah J. Bachir New Media Wall
Archives 2015 Public Art

Edouard LeBouthillier Edouard

Union Station Vitrines – VIA Rail Concourse
Archives 2015 Public Art

Larry Towell Union Station

Union Station, West Wing – PROJECT CANCELLED
Archives 2015 Public Art

Owen Fernley, Alejandro Cartagena, Julia Krolik Contacting Toronto: Expanding Cities

Warden subway station
Archives 2015 Public Art

Sarah Anne Johnson Best Beach

Westin Harbour Castle
Archives 2015 Public Art

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CONTACT is a Toronto based non-profit organization dedicated to exhibiting, analyzing and celebrating photography and lens-based media through an annual festival that takes place every May.

Land Acknowledgement

CONTACT acknowledges that we live and work on the traditional territory of many nations, including the Mississaugas of the Credit, the Anishnabeg, the Chippewa, the Haudenosaunee and the Wendat peoples, and that this land is now home to many diverse First Nations, Inuit, and Métis peoples. CONTACT is committed to promoting Indigenous voices; to generating spaces for ongoing, meaningful, and creative Indigenous-settler dialogue; and to continuous learning about our place on this land.

Anti-Oppression

CONTACT is committed to the ongoing development of meaningful anti-oppressive practice on all levels. This includes our continuing goal of augmenting and maintaining diverse representation, foregrounding varied and under-represented voices and perspectives via our public platform (the Festival and all related programs), as well as continually examining the structures of power and decision-making within the organization itself. We aim to actively learn, grow, and embody the values of inclusivity, equity, and accessibility in all facets of the institution, as an ever-evolving process.