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OverviewCorePublic ArtOpen CallArtists
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  • Core
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Archives 2015 Public Art

Sarah Anne Johnson Best Beach

May 1, 2015 – April 20, 2018
  • Westin Harbour Castle Conference Centre
Sarah Anne Johnson, Best Beach
Sarah Anne Johnson, Best Beach (detail)
Installation view of Sarah Anne Johnson's, Best Beach
Sarah Anne Johnson, Best Beach (detail)
Sarah Anne Johnson, Best Beach (detail)

Sarah Anne Johnson uses photography to explore communal experiences, taking a playful yet considered approach to the pursuit of the utopian. In this commissioned large-scale, site-specific mural, Johnson’s island scene—part imaginary and part real—transforms a grey city block into an enchanted place. Her evocative image, nestled between towering buildings that hover near Lake Ontario, echoes the natural landscape lying just beyond the edge of the city.

Johnson’s interest in the environment carries forward from her past projects. In Arctic Wonderland (2010–11), for instance, images captured during a trip to the Arctic Circle are embellished with paint, ink, and other markings in ways that draw the photographs closer to her emotional experience of these spaces. For Best Beach(2015), Johnson, who is based in Winnipeg, adopts a similar approach—a photographic composite of Toronto Island’s south shore is imbued with colour, both digitally and by hand, to create an image that only exists in this final, large-scale form. Her mural celebrates the landscape while underscoring a reliance on human intervention and spectacle.

Mounted on a block-long building at the foot of Bay Street, Best Beach is positioned at a busy location that lies at the gateway to the Islands, yet is visibly closed off from it. Johnson’s image connects the urban space to its neighbouring natural environment—trees on either side of the frame serve as a proscenium, while shadowy figures are gathered in the foreground. As constructions of Johnson’s highly theatrical imagination, these shadows allude not only to an audience witnessing the dramatic scene, but also to spectators on the street who are being enticed to join them at the beach. Exploring the space between reality and fiction, experience and desire, Johnson captures the promise of a local landscape and transforms it into an idyllic place that seems very far from the city.

Curated by Bonnie Rubenstein

  • Sarah Anne Johnson (b. 1976) lives and works in Winnipeg, Manitoba. She is a photo-based artist who uses a variety of media in realizing her work. Johnson studied Fine Arts at the University of Manitoba and completed her Graduate studies at the Yale School of Art in 2004. Johnson has been the recipient of many awards and grants, has participated in several residencies, and has received a number of commissions. Her work can be found in numerous private and corporate collections across North America.

Edouard LeBouthillier Edouard

Art Metropole
Archives 2015 Public Art

Group Exhibition Productive Displacement

Billboards at Front St W at Spadina Ave, and across Canada
Archives 2015 Public Art

Myoung Ho Lee Tree

Brookfield Place
Archives 2015 Public Art

Matthew Stone Optimism as Cultural Rebellion

The Drake Hotel
Archives 2015 Public Art

Sara Cwynar Flat Death

Lansdowne and College Billboards
Archives 2015 Public Art

Isabelle Wenzel Figures & Models of Surfaces

Metro Hall
Archives 2015 Public Art

Jihyun Jung Demolition Site

MOCCA Courtyard & Alcove
Archives 2015 Public Art

Zineb Sedira The Death of a Journey V

The Power Plant façade
Archives 2015 Public Art

Phil Solomon EMPIRE x 8

Salah J. Bachir New Media Wall
Archives 2015 Public Art

Edouard LeBouthillier Edouard

Union Station Vitrines – VIA Rail Concourse
Archives 2015 Public Art

Larry Towell Union Station

Union Station, West Wing – PROJECT CANCELLED
Archives 2015 Public Art

Owen Fernley, Alejandro Cartagena, Julia Krolik Contacting Toronto: Expanding Cities

Warden subway station
Archives 2015 Public Art

Sarah Anne Johnson Best Beach

Westin Harbour Castle
Archives 2015 Public Art
OverviewCorePublic ArtOpen CallArtists
  • Overview
  • Core
  • Public Art
  • Open Call
  • Artists
Archives 2015 Public Art

Sarah Anne Johnson Best Beach

May 1, 2015 – April 20, 2018
  • Westin Harbour Castle Conference Centre
Sarah Anne Johnson, Best Beach
Sarah Anne Johnson, Best Beach (detail)
Installation view of Sarah Anne Johnson's, Best Beach
Sarah Anne Johnson, Best Beach (detail)
Sarah Anne Johnson, Best Beach (detail)

Sarah Anne Johnson uses photography to explore communal experiences, taking a playful yet considered approach to the pursuit of the utopian. In this commissioned large-scale, site-specific mural, Johnson’s island scene—part imaginary and part real—transforms a grey city block into an enchanted place. Her evocative image, nestled between towering buildings that hover near Lake Ontario, echoes the natural landscape lying just beyond the edge of the city.

Johnson’s interest in the environment carries forward from her past projects. In Arctic Wonderland (2010–11), for instance, images captured during a trip to the Arctic Circle are embellished with paint, ink, and other markings in ways that draw the photographs closer to her emotional experience of these spaces. For Best Beach(2015), Johnson, who is based in Winnipeg, adopts a similar approach—a photographic composite of Toronto Island’s south shore is imbued with colour, both digitally and by hand, to create an image that only exists in this final, large-scale form. Her mural celebrates the landscape while underscoring a reliance on human intervention and spectacle.

Mounted on a block-long building at the foot of Bay Street, Best Beach is positioned at a busy location that lies at the gateway to the Islands, yet is visibly closed off from it. Johnson’s image connects the urban space to its neighbouring natural environment—trees on either side of the frame serve as a proscenium, while shadowy figures are gathered in the foreground. As constructions of Johnson’s highly theatrical imagination, these shadows allude not only to an audience witnessing the dramatic scene, but also to spectators on the street who are being enticed to join them at the beach. Exploring the space between reality and fiction, experience and desire, Johnson captures the promise of a local landscape and transforms it into an idyllic place that seems very far from the city.

Curated by Bonnie Rubenstein

  • Sarah Anne Johnson (b. 1976) lives and works in Winnipeg, Manitoba. She is a photo-based artist who uses a variety of media in realizing her work. Johnson studied Fine Arts at the University of Manitoba and completed her Graduate studies at the Yale School of Art in 2004. Johnson has been the recipient of many awards and grants, has participated in several residencies, and has received a number of commissions. Her work can be found in numerous private and corporate collections across North America.

Edouard LeBouthillier Edouard

Art Metropole
Archives 2015 Public Art

Group Exhibition Productive Displacement

Billboards at Front St W at Spadina Ave, and across Canada
Archives 2015 Public Art

Myoung Ho Lee Tree

Brookfield Place
Archives 2015 Public Art

Matthew Stone Optimism as Cultural Rebellion

The Drake Hotel
Archives 2015 Public Art

Sara Cwynar Flat Death

Lansdowne and College Billboards
Archives 2015 Public Art

Isabelle Wenzel Figures & Models of Surfaces

Metro Hall
Archives 2015 Public Art

Jihyun Jung Demolition Site

MOCCA Courtyard & Alcove
Archives 2015 Public Art

Zineb Sedira The Death of a Journey V

The Power Plant façade
Archives 2015 Public Art

Phil Solomon EMPIRE x 8

Salah J. Bachir New Media Wall
Archives 2015 Public Art

Edouard LeBouthillier Edouard

Union Station Vitrines – VIA Rail Concourse
Archives 2015 Public Art

Larry Towell Union Station

Union Station, West Wing – PROJECT CANCELLED
Archives 2015 Public Art

Owen Fernley, Alejandro Cartagena, Julia Krolik Contacting Toronto: Expanding Cities

Warden subway station
Archives 2015 Public Art

Sarah Anne Johnson Best Beach

Westin Harbour Castle
Archives 2015 Public Art

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CONTACT is a Toronto based non-profit organization dedicated to exhibiting, analyzing and celebrating photography and lens-based media through an annual festival that takes place every May.

Land Acknowledgement

CONTACT acknowledges that we live and work on the traditional territory of many nations, including the Mississaugas of the Credit, the Anishnabeg, the Chippewa, the Haudenosaunee and the Wendat peoples, and that this land is now home to many diverse First Nations, Inuit, and Métis peoples. CONTACT is committed to promoting Indigenous voices; to generating spaces for ongoing, meaningful, and creative Indigenous-settler dialogue; and to continuous learning about our place on this land.

Anti-Oppression

CONTACT is committed to the ongoing development of meaningful anti-oppressive practice on all levels. This includes our continuing goal of augmenting and maintaining diverse representation, foregrounding varied and under-represented voices and perspectives via our public platform (the Festival and all related programs), as well as continually examining the structures of power and decision-making within the organization itself. We aim to actively learn, grow, and embody the values of inclusivity, equity, and accessibility in all facets of the institution, as an ever-evolving process.