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Archives 2015 primary exhibition

Henryk Ross Memory Unearthed: The Lodz Ghetto Photographs of Henryk Ross

January 31 – June 14, 2015
  • Art Gallery of Ontario
Henryk Ross, Lodz ghetto: “Soup for lunch” (Group of men alongside building eating from pails)
Henryk Ross, Lodz ghetto: Woman with her child (Ghetto policemen’s family)
Henryk Ross, Lodz ghetto: Man who saved the Torah from the rubble of the synagogue on Wolborska street (destroyed by Germans 1939)

Memory Unearthed features the photographs of Polish Jewish photographer Henryk Ross (1910-1991), one of the official Lodz ghetto photographers. From 1940 to 1944, Ross took work-permit identification card photos for the ghetto's ever increasing Jewish population consolidated into Lodz ghetto by the Nazi regime. He also took “official” images, promoting the ghetto's work efficiency , and at the same time he documented the grim daily life in the ghetto: suffering and despair, starvation and diseases, the exploitation of the workers, the deportation of thousands to death camps at Chelmno and Auschwitz.

Even with Ross's official status as an employee of the Jewish Council (Judenrat) in the Department of Statistics, the subject matter of his photographic work was restricted and scrutinized, and he took many risks while capturing images of what he called the "total destruction of Polish Jewry."

Hoping to preserve the historical record contained in his negatives, Ross buried them at the time of the ghetto's liquidation in the fall of 1944. Upon liberation by the Red Army in January 1945, he excavated his box of negatives to discover that only half of the 6,000 negatives survived. He would spend the remainder of his life working with the images to tell his story of the Lodz ghetto. Some 200 of these indelible scenes are included in Memory Unearthed, comprising a visual and emotional meditation on a harrowing moment in history.

Organized by the Art Gallery of Ontario

Curated by Maia-Mari Sutnik

Yto Barrada Beaux Gestes

A Space Gallery
Archives 2015 primary exhibition

Henryk Ross Memory Unearthed: The Lodz Ghetto Photographs of Henryk Ross

Art Gallery of Ontario
Archives 2015 primary exhibition

Vanley Burke Watchers, Seekers, Keepers

BAND Gallery
Archives 2015 primary exhibition

Group Exhibition La Mirada en el Otro: Conexiones/Confrontaciones

Edward Day Gallery
Archives 2015 primary exhibition

Maegan Hill-Carroll, Brea Souders, Ève K. Tremblay Makeshift

Gallery 44
Archives 2015 primary exhibition

Siebren de Haan, Lonnie van Brummelen Episode of the Sea

Gallery TPW
Archives 2015 primary exhibition

Scott Conarroe Canada By Rail and By Sea

The Image Centre
Archives 2015 primary exhibition

Mark Ruwedel Scotiabank Photography Award

The Image Centre
Archives 2015 primary exhibition

Group Exhibition Part Picture

Museum of Contemporary Canadian Art
Archives 2015 primary exhibition

Group Exhibition Past Picture: Photography and the Chemistry of Intention

The National Gallery of Canada at the Museum of Contemporary Canadian Art
Archives 2015 primary exhibition

Yto Barrada Beaux Gestes

Prefix ICA
Archives 2015 primary exhibition

Annu Palakunnathu Matthew Generations

Royal Ontario Museum
Archives 2015 primary exhibition

Penelope Umbrico Broken Steps and Haunted Screens
with a project by

University of Toronto Art Centre
Archives 2015 primary exhibition

Water Series

Archives 2015 primary exhibition
OverviewCorePublic ArtOpen CallArtists
  • Overview
  • Core
  • Public Art
  • Open Call
  • Artists
Archives 2015 primary exhibition

Henryk Ross Memory Unearthed: The Lodz Ghetto Photographs of Henryk Ross

January 31 – June 14, 2015
  • Art Gallery of Ontario
Henryk Ross, Lodz ghetto: “Soup for lunch” (Group of men alongside building eating from pails)
Henryk Ross, Lodz ghetto: Woman with her child (Ghetto policemen’s family)
Henryk Ross, Lodz ghetto: Man who saved the Torah from the rubble of the synagogue on Wolborska street (destroyed by Germans 1939)

Memory Unearthed features the photographs of Polish Jewish photographer Henryk Ross (1910-1991), one of the official Lodz ghetto photographers. From 1940 to 1944, Ross took work-permit identification card photos for the ghetto's ever increasing Jewish population consolidated into Lodz ghetto by the Nazi regime. He also took “official” images, promoting the ghetto's work efficiency , and at the same time he documented the grim daily life in the ghetto: suffering and despair, starvation and diseases, the exploitation of the workers, the deportation of thousands to death camps at Chelmno and Auschwitz.

Even with Ross's official status as an employee of the Jewish Council (Judenrat) in the Department of Statistics, the subject matter of his photographic work was restricted and scrutinized, and he took many risks while capturing images of what he called the "total destruction of Polish Jewry."

Hoping to preserve the historical record contained in his negatives, Ross buried them at the time of the ghetto's liquidation in the fall of 1944. Upon liberation by the Red Army in January 1945, he excavated his box of negatives to discover that only half of the 6,000 negatives survived. He would spend the remainder of his life working with the images to tell his story of the Lodz ghetto. Some 200 of these indelible scenes are included in Memory Unearthed, comprising a visual and emotional meditation on a harrowing moment in history.

Organized by the Art Gallery of Ontario

Curated by Maia-Mari Sutnik

Yto Barrada Beaux Gestes

A Space Gallery
Archives 2015 primary exhibition

Henryk Ross Memory Unearthed: The Lodz Ghetto Photographs of Henryk Ross

Art Gallery of Ontario
Archives 2015 primary exhibition

Vanley Burke Watchers, Seekers, Keepers

BAND Gallery
Archives 2015 primary exhibition

Group Exhibition La Mirada en el Otro: Conexiones/Confrontaciones

Edward Day Gallery
Archives 2015 primary exhibition

Maegan Hill-Carroll, Brea Souders, Ève K. Tremblay Makeshift

Gallery 44
Archives 2015 primary exhibition

Siebren de Haan, Lonnie van Brummelen Episode of the Sea

Gallery TPW
Archives 2015 primary exhibition

Scott Conarroe Canada By Rail and By Sea

The Image Centre
Archives 2015 primary exhibition

Mark Ruwedel Scotiabank Photography Award

The Image Centre
Archives 2015 primary exhibition

Group Exhibition Part Picture

Museum of Contemporary Canadian Art
Archives 2015 primary exhibition

Group Exhibition Past Picture: Photography and the Chemistry of Intention

The National Gallery of Canada at the Museum of Contemporary Canadian Art
Archives 2015 primary exhibition

Yto Barrada Beaux Gestes

Prefix ICA
Archives 2015 primary exhibition

Annu Palakunnathu Matthew Generations

Royal Ontario Museum
Archives 2015 primary exhibition

Penelope Umbrico Broken Steps and Haunted Screens
with a project by

University of Toronto Art Centre
Archives 2015 primary exhibition

Water Series

Archives 2015 primary exhibition

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CONTACT is a Toronto based non-profit organization dedicated to exhibiting, analyzing and celebrating photography and lens-based media through an annual festival that takes place every May.

Land Acknowledgement

CONTACT acknowledges that we live and work on the traditional territory of many nations, including the Mississaugas of the Credit, the Anishnabeg, the Chippewa, the Haudenosaunee and the Wendat peoples, and that this land is now home to many diverse First Nations, Inuit, and Métis peoples. CONTACT is committed to promoting Indigenous voices; to generating spaces for ongoing, meaningful, and creative Indigenous-settler dialogue; and to continuous learning about our place on this land.

Anti-Oppression

CONTACT is committed to the ongoing development of meaningful anti-oppressive practice on all levels. This includes our continuing goal of augmenting and maintaining diverse representation, foregrounding varied and under-represented voices and perspectives via our public platform (the Festival and all related programs), as well as continually examining the structures of power and decision-making within the organization itself. We aim to actively learn, grow, and embody the values of inclusivity, equity, and accessibility in all facets of the institution, as an ever-evolving process.