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OverviewCorePublic ArtOpen CallArtists
  • Overview
  • Core
  • Public Art
  • Open Call
  • Artists
Archives 2015 primary exhibition

Yto Barrada Beaux Gestes

May 22 – July 11, 2015
  • A Space Gallery
Yto Barrada, Landslip, Cromlech de m’Zora, from The Strait Project
Yto Barrada, Hoarding, Briech, from The Strait Project
Yto Barrada, Hole in the Fence, Tangier, from The Strait Project

The work of Yto Barrada addresses the complex geopolitical relationship between Morocco and Europe, emphasizing its often adverse social, psychological, and economic effects on Morocco’s citizenry while foregrounding the people’s resourcefulness and ingenuity. Combining documentary strategies with a metaphoric approach to imagery, she has created a compelling body of work that inquires into the daily traces of the significant changes currently taking place in North Africa. In particular, she engages with the circumstances of her hometown of Tangier, situated on the Strait of Gibraltar and transformed into a dead end since the 1991 Schengen agreement in Europe. These circumstances elicit actions from the city’s inhabitants that may be seen as beautiful and noble, if often futile.

Beaux Gestes is a dual-venue exhibition that features many of the artist’s most recent photographs and video installations. 

Co-presented with A Space Gallery and Prefix Institute of Contemporary Art

Curated by Scott McLeod and Vicky Moufawad-Paul

Yto Barrada Beaux Gestes

A Space Gallery
Archives 2015 primary exhibition

Henryk Ross Memory Unearthed: The Lodz Ghetto Photographs of Henryk Ross

Art Gallery of Ontario
Archives 2015 primary exhibition

Vanley Burke Watchers, Seekers, Keepers

BAND Gallery
Archives 2015 primary exhibition

Group Exhibition La Mirada en el Otro: Conexiones/Confrontaciones

Edward Day Gallery
Archives 2015 primary exhibition

Maegan Hill-Carroll, Brea Souders, Ève K. Tremblay Makeshift

Gallery 44
Archives 2015 primary exhibition

Siebren de Haan, Lonnie van Brummelen Episode of the Sea

Gallery TPW
Archives 2015 primary exhibition

Scott Conarroe Canada By Rail and By Sea

The Image Centre
Archives 2015 primary exhibition

Mark Ruwedel Scotiabank Photography Award

The Image Centre
Archives 2015 primary exhibition

Group Exhibition Part Picture

Museum of Contemporary Canadian Art
Archives 2015 primary exhibition

Group Exhibition Past Picture: Photography and the Chemistry of Intention

The National Gallery of Canada at the Museum of Contemporary Canadian Art
Archives 2015 primary exhibition

Yto Barrada Beaux Gestes

Prefix ICA
Archives 2015 primary exhibition

Annu Palakunnathu Matthew Generations

Royal Ontario Museum
Archives 2015 primary exhibition

Penelope Umbrico Broken Steps and Haunted Screens
with a project by

University of Toronto Art Centre
Archives 2015 primary exhibition

Water Series

Archives 2015 primary exhibition
OverviewCorePublic ArtOpen CallArtists
  • Overview
  • Core
  • Public Art
  • Open Call
  • Artists
Archives 2015 primary exhibition

Yto Barrada Beaux Gestes

May 22 – July 11, 2015
  • A Space Gallery
Yto Barrada, Landslip, Cromlech de m’Zora, from The Strait Project
Yto Barrada, Hoarding, Briech, from The Strait Project
Yto Barrada, Hole in the Fence, Tangier, from The Strait Project

The work of Yto Barrada addresses the complex geopolitical relationship between Morocco and Europe, emphasizing its often adverse social, psychological, and economic effects on Morocco’s citizenry while foregrounding the people’s resourcefulness and ingenuity. Combining documentary strategies with a metaphoric approach to imagery, she has created a compelling body of work that inquires into the daily traces of the significant changes currently taking place in North Africa. In particular, she engages with the circumstances of her hometown of Tangier, situated on the Strait of Gibraltar and transformed into a dead end since the 1991 Schengen agreement in Europe. These circumstances elicit actions from the city’s inhabitants that may be seen as beautiful and noble, if often futile.

Beaux Gestes is a dual-venue exhibition that features many of the artist’s most recent photographs and video installations. 

Co-presented with A Space Gallery and Prefix Institute of Contemporary Art

Curated by Scott McLeod and Vicky Moufawad-Paul

Yto Barrada Beaux Gestes

A Space Gallery
Archives 2015 primary exhibition

Henryk Ross Memory Unearthed: The Lodz Ghetto Photographs of Henryk Ross

Art Gallery of Ontario
Archives 2015 primary exhibition

Vanley Burke Watchers, Seekers, Keepers

BAND Gallery
Archives 2015 primary exhibition

Group Exhibition La Mirada en el Otro: Conexiones/Confrontaciones

Edward Day Gallery
Archives 2015 primary exhibition

Maegan Hill-Carroll, Brea Souders, Ève K. Tremblay Makeshift

Gallery 44
Archives 2015 primary exhibition

Siebren de Haan, Lonnie van Brummelen Episode of the Sea

Gallery TPW
Archives 2015 primary exhibition

Scott Conarroe Canada By Rail and By Sea

The Image Centre
Archives 2015 primary exhibition

Mark Ruwedel Scotiabank Photography Award

The Image Centre
Archives 2015 primary exhibition

Group Exhibition Part Picture

Museum of Contemporary Canadian Art
Archives 2015 primary exhibition

Group Exhibition Past Picture: Photography and the Chemistry of Intention

The National Gallery of Canada at the Museum of Contemporary Canadian Art
Archives 2015 primary exhibition

Yto Barrada Beaux Gestes

Prefix ICA
Archives 2015 primary exhibition

Annu Palakunnathu Matthew Generations

Royal Ontario Museum
Archives 2015 primary exhibition

Penelope Umbrico Broken Steps and Haunted Screens
with a project by

University of Toronto Art Centre
Archives 2015 primary exhibition

Water Series

Archives 2015 primary exhibition

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CONTACT is a Toronto based non-profit organization dedicated to exhibiting, analyzing and celebrating photography and lens-based media through an annual festival that takes place every May.

Land Acknowledgement

CONTACT acknowledges that we live and work on the traditional territory of many nations, including the Mississaugas of the Credit, the Anishnabeg, the Chippewa, the Haudenosaunee and the Wendat peoples, and that this land is now home to many diverse First Nations, Inuit, and Métis peoples. CONTACT is committed to promoting Indigenous voices; to generating spaces for ongoing, meaningful, and creative Indigenous-settler dialogue; and to continuous learning about our place on this land.

Anti-Oppression

CONTACT is committed to the ongoing development of meaningful anti-oppressive practice on all levels. This includes our continuing goal of augmenting and maintaining diverse representation, foregrounding varied and under-represented voices and perspectives via our public platform (the Festival and all related programs), as well as continually examining the structures of power and decision-making within the organization itself. We aim to actively learn, grow, and embody the values of inclusivity, equity, and accessibility in all facets of the institution, as an ever-evolving process.