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Archives 2013 Public Art

Michael Cook, Andrew Emond Contacting Toronto: Under the Ground

May 1 – 31, 2013
  • St. Patrick Subway Station Posters and LCD Screens in 63 stations
Michael Cook, Earlscourt and Junction sewer
Andrew Emond, Ruisseau Denis storm drain, Montreal

Contacting Toronto: Under this Ground focuses on the unseen spaces that exist below the streets of Toronto: our buried waterways and sewers. Until the last decade, these spaces were utterly invisible to most. Here, the works of two artists, Michael Cook and Andrew Emond, make the scope of Toronto’s sewers visible to the public for the first time.

Cook’s photographs, shown on subway station posters, represent a metaphorical and physical shining of light on this unseen layer of the city: First, the artist had to discover a way of entering each sewer; then, light had to be brought in so that the impressive physical spaces could be photographed. Cook’s work dispels the abstraction of the sewer network, which encloses old waterways and follows their courses, shaping the possibilities of the built form above.

Emond has focused on underground infrastructures beneath the cities of Montreal and Toronto, turning here to three of Toronto’s sewers. Shown on TTC LCD screens, his stop-motion animations lead the viewer through the tunnels, highlighting their geometric features and the buried creeks and rivers that flow through them.

The Toronto subway system is the most common place where people come in contact with the city’s underground. It offers a perfect location for this project, allowing viewers to reflect on a layer of the city to which we are all connected, yet rarely have the opportunity to see. 

-Sharon Switzer, Exhibition Curator

May 1 – 8 
LCD screens at Bloor
(N & S platforms), St Andrews 
(S platform), Dundas (S platform) are dedicated to Emond's animation.

Co-produced by Pattison Onestop and Art for Commuters with support from the Ontario Arts Council

Jason Evans A long, long time AGO

Art Gallery of Ontario
Archives 2013 Public Art

Adam Broomberg, Oliver Chanarin To Photograph the Details of a Dark Horse in Low Light

Billboards along Dundas St W and Across Canada
Archives 2013 Public Art

Michael Schirner Pictures in Our Minds

Billboards at Front St W at Spadina Ave, and across Canada
Archives 2013 Public Art

James Nizam Pyramid

Brookfield Place
Archives 2013 Public Art

Martin Parr Food

Metro Hall
Archives 2013 Public Art

Ilit Azoulay Tree, For, Too, One

Museum of Contemporary Canadian Art, courtyard
Archives 2013 Public Art

Michael Cook, Andrew Emond Contacting Toronto: Under the Ground

St. Patrick Subway Station Posters and LCD Screens in 63 stations
Archives 2013 Public Art

Chris Marker Images From La Jetée

TIFF Bell Lightbox
Archives 2013 Public Art

Martin Parr Food

Toronto Pearson International Airport, Terminal 1
Archives 2013 Public Art
OverviewCorePublic ArtOpen CallArtists
  • Overview
  • Core
  • Public Art
  • Open Call
  • Artists
Archives 2013 Public Art

Michael Cook, Andrew Emond Contacting Toronto: Under the Ground

May 1 – 31, 2013
  • St. Patrick Subway Station Posters and LCD Screens in 63 stations
Michael Cook, Earlscourt and Junction sewer
Andrew Emond, Ruisseau Denis storm drain, Montreal

Contacting Toronto: Under this Ground focuses on the unseen spaces that exist below the streets of Toronto: our buried waterways and sewers. Until the last decade, these spaces were utterly invisible to most. Here, the works of two artists, Michael Cook and Andrew Emond, make the scope of Toronto’s sewers visible to the public for the first time.

Cook’s photographs, shown on subway station posters, represent a metaphorical and physical shining of light on this unseen layer of the city: First, the artist had to discover a way of entering each sewer; then, light had to be brought in so that the impressive physical spaces could be photographed. Cook’s work dispels the abstraction of the sewer network, which encloses old waterways and follows their courses, shaping the possibilities of the built form above.

Emond has focused on underground infrastructures beneath the cities of Montreal and Toronto, turning here to three of Toronto’s sewers. Shown on TTC LCD screens, his stop-motion animations lead the viewer through the tunnels, highlighting their geometric features and the buried creeks and rivers that flow through them.

The Toronto subway system is the most common place where people come in contact with the city’s underground. It offers a perfect location for this project, allowing viewers to reflect on a layer of the city to which we are all connected, yet rarely have the opportunity to see. 

-Sharon Switzer, Exhibition Curator

May 1 – 8 
LCD screens at Bloor
(N & S platforms), St Andrews 
(S platform), Dundas (S platform) are dedicated to Emond's animation.

Co-produced by Pattison Onestop and Art for Commuters with support from the Ontario Arts Council

Jason Evans A long, long time AGO

Art Gallery of Ontario
Archives 2013 Public Art

Adam Broomberg, Oliver Chanarin To Photograph the Details of a Dark Horse in Low Light

Billboards along Dundas St W and Across Canada
Archives 2013 Public Art

Michael Schirner Pictures in Our Minds

Billboards at Front St W at Spadina Ave, and across Canada
Archives 2013 Public Art

James Nizam Pyramid

Brookfield Place
Archives 2013 Public Art

Martin Parr Food

Metro Hall
Archives 2013 Public Art

Ilit Azoulay Tree, For, Too, One

Museum of Contemporary Canadian Art, courtyard
Archives 2013 Public Art

Michael Cook, Andrew Emond Contacting Toronto: Under the Ground

St. Patrick Subway Station Posters and LCD Screens in 63 stations
Archives 2013 Public Art

Chris Marker Images From La Jetée

TIFF Bell Lightbox
Archives 2013 Public Art

Martin Parr Food

Toronto Pearson International Airport, Terminal 1
Archives 2013 Public Art

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CONTACT is a Toronto based non-profit organization dedicated to exhibiting, analyzing and celebrating photography and lens-based media through an annual festival that takes place every May.

Land Acknowledgement

CONTACT acknowledges that we live and work on the traditional territory of many nations, including the Mississaugas of the Credit, the Anishnabeg, the Chippewa, the Haudenosaunee and the Wendat peoples, and that this land is now home to many diverse First Nations, Inuit, and Métis peoples. CONTACT is committed to promoting Indigenous voices; to generating spaces for ongoing, meaningful, and creative Indigenous-settler dialogue; and to continuous learning about our place on this land.

Anti-Oppression

CONTACT is committed to the ongoing development of meaningful anti-oppressive practice on all levels. This includes our continuing goal of augmenting and maintaining diverse representation, foregrounding varied and under-represented voices and perspectives via our public platform (the Festival and all related programs), as well as continually examining the structures of power and decision-making within the organization itself. We aim to actively learn, grow, and embody the values of inclusivity, equity, and accessibility in all facets of the institution, as an ever-evolving process.