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  • Overview
  • Core
  • Public Art
  • Open Call
  • Artists
Archives 2013 Public Art

Jason Evans A long, long time AGO

May 1 – 31, 2013
  • Art Gallery of Ontario
Jason Evans, A long, long time AGO / Media Productions / Lee, Gary, Pat, Danny, Zoé, Greg, Barb,

Aiming to make visible the broad range of people working at the Art Gallery of Ontario (AGO), Jason Evans collaborated with 12 groups of employees to create the series A long, long time AGO.

Evans worked with each group to create their portrait, in an environment unrelated to their actual job: the kitchen staff in Jackman Hall, for instance. Each person posed doing a favourite leisure activity, and Evans then built compositions—essentially human sculptures—from these elements. The humour that emerges in each portrait stems not from individual appearances but rather from how completely unnatural, even unreadable, the gestures are, as well as from the relationships between bodies, poses, and space. The portraits depict each person involved in something individually meaningful, however abstract, but at the same time they are part of lively and complex collectivities.

Evans ultimately photographed staff in Conservation, Curatorial, Design, Development, Education, Facilities, Finance, Kitchen, Media Productions, Protection Services, Visitor Services, and Prints & Drawings Study Centre volunteers. Several of these portraits will appear on the AGO’s façade, presenting dioramas of life within the institution.

The well-worn opener to many a fairy tale, Evans’ title is a cue that a story is about to begin. In his mind, galleries like the AGO are full of stories about art, artists, and evolving cultural expression. These stories only come alive through those who work at the gallery, at every level. The installation of Evans’ portraits on the AGO’s façade—an artist’s vision of the institution—infuses this reality with a playful new dynamism for all to see. The full commission of 12 works will be shown inside the gallery.

-Sophie Hackett, Assistant Curator, Photography 

Presented in partnership with the Art Gallery of Ontario.
Aimia is the Signature Partner of the AGO’s Photography Collection Program.

Jason Evans A long, long time AGO

Art Gallery of Ontario
Archives 2013 Public Art

Adam Broomberg, Oliver Chanarin To Photograph the Details of a Dark Horse in Low Light

Billboards along Dundas St W and Across Canada
Archives 2013 Public Art

Michael Schirner Pictures in Our Minds

Billboards at Front St W at Spadina Ave, and across Canada
Archives 2013 Public Art

James Nizam Pyramid

Brookfield Place
Archives 2013 Public Art

Martin Parr Food

Metro Hall
Archives 2013 Public Art

Ilit Azoulay Tree, For, Too, One

Museum of Contemporary Canadian Art, courtyard
Archives 2013 Public Art

Michael Cook, Andrew Emond Contacting Toronto: Under the Ground

St. Patrick Subway Station Posters and LCD Screens in 63 stations
Archives 2013 Public Art

Chris Marker Images From La Jetée

TIFF Bell Lightbox
Archives 2013 Public Art

Martin Parr Food

Toronto Pearson International Airport, Terminal 1
Archives 2013 Public Art
OverviewCorePublic ArtOpen CallArtists
  • Overview
  • Core
  • Public Art
  • Open Call
  • Artists
Archives 2013 Public Art

Jason Evans A long, long time AGO

May 1 – 31, 2013
  • Art Gallery of Ontario
Jason Evans, A long, long time AGO / Media Productions / Lee, Gary, Pat, Danny, Zoé, Greg, Barb,

Aiming to make visible the broad range of people working at the Art Gallery of Ontario (AGO), Jason Evans collaborated with 12 groups of employees to create the series A long, long time AGO.

Evans worked with each group to create their portrait, in an environment unrelated to their actual job: the kitchen staff in Jackman Hall, for instance. Each person posed doing a favourite leisure activity, and Evans then built compositions—essentially human sculptures—from these elements. The humour that emerges in each portrait stems not from individual appearances but rather from how completely unnatural, even unreadable, the gestures are, as well as from the relationships between bodies, poses, and space. The portraits depict each person involved in something individually meaningful, however abstract, but at the same time they are part of lively and complex collectivities.

Evans ultimately photographed staff in Conservation, Curatorial, Design, Development, Education, Facilities, Finance, Kitchen, Media Productions, Protection Services, Visitor Services, and Prints & Drawings Study Centre volunteers. Several of these portraits will appear on the AGO’s façade, presenting dioramas of life within the institution.

The well-worn opener to many a fairy tale, Evans’ title is a cue that a story is about to begin. In his mind, galleries like the AGO are full of stories about art, artists, and evolving cultural expression. These stories only come alive through those who work at the gallery, at every level. The installation of Evans’ portraits on the AGO’s façade—an artist’s vision of the institution—infuses this reality with a playful new dynamism for all to see. The full commission of 12 works will be shown inside the gallery.

-Sophie Hackett, Assistant Curator, Photography 

Presented in partnership with the Art Gallery of Ontario.
Aimia is the Signature Partner of the AGO’s Photography Collection Program.

Jason Evans A long, long time AGO

Art Gallery of Ontario
Archives 2013 Public Art

Adam Broomberg, Oliver Chanarin To Photograph the Details of a Dark Horse in Low Light

Billboards along Dundas St W and Across Canada
Archives 2013 Public Art

Michael Schirner Pictures in Our Minds

Billboards at Front St W at Spadina Ave, and across Canada
Archives 2013 Public Art

James Nizam Pyramid

Brookfield Place
Archives 2013 Public Art

Martin Parr Food

Metro Hall
Archives 2013 Public Art

Ilit Azoulay Tree, For, Too, One

Museum of Contemporary Canadian Art, courtyard
Archives 2013 Public Art

Michael Cook, Andrew Emond Contacting Toronto: Under the Ground

St. Patrick Subway Station Posters and LCD Screens in 63 stations
Archives 2013 Public Art

Chris Marker Images From La Jetée

TIFF Bell Lightbox
Archives 2013 Public Art

Martin Parr Food

Toronto Pearson International Airport, Terminal 1
Archives 2013 Public Art

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CONTACT is a Toronto based non-profit organization dedicated to exhibiting, analyzing and celebrating photography and lens-based media through an annual festival that takes place every May.

Land Acknowledgement

CONTACT acknowledges that we live and work on the traditional territory of many nations, including the Mississaugas of the Credit, the Anishnabeg, the Chippewa, the Haudenosaunee and the Wendat peoples, and that this land is now home to many diverse First Nations, Inuit, and Métis peoples. CONTACT is committed to promoting Indigenous voices; to generating spaces for ongoing, meaningful, and creative Indigenous-settler dialogue; and to continuous learning about our place on this land.

Anti-Oppression

CONTACT is committed to the ongoing development of meaningful anti-oppressive practice on all levels. This includes our continuing goal of augmenting and maintaining diverse representation, foregrounding varied and under-represented voices and perspectives via our public platform (the Festival and all related programs), as well as continually examining the structures of power and decision-making within the organization itself. We aim to actively learn, grow, and embody the values of inclusivity, equity, and accessibility in all facets of the institution, as an ever-evolving process.