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OverviewCorePublic ArtOpen Call
  • Overview
  • Core
  • Public Art
  • Open Call
Archives 2005 featured exhibition

Disaster Topographics

May 7 – June 4, 2005
  • Gallery TPW
David McMillan, Chernobyl Pairs, Gym and Tree 1996 & 2003

Disaster Topographics examines the photographic
representation of time, history and disaster in the
recent work of contemporary photographers
Edward Burtynsky, David McMillan and Hiromi
Tsuchida. A common element in each
photographer’s work is the use of the ‘before and
after’ photograph in the representation of disaster.
Such photographs are often employed to show a
return to normalcy for a society that is growing
increasingly fearful. For example, shortly after the
destruction of the World Trade Centre on
September 11, 2001, Time Magazine ran a series
of before and after photographs. Individuals
caught in the disaster of 9/11, and photographed
by journalists under a cloud of dust and gloom
were re-photographed from the consolatory
vantage point of the 9/11 survivor. The artists in
Disaster Topographics offer no such resolution
and depict sites in which the disaster is either
unstoppable, growing or where the evidence of
social recovery marks its own disaster of
forgetting.

Curated by Blake Fitzpatrick

GALLERY DU JOUR AGNÉS B. PRESENTS SEYDOU KEÏTA & MALICK SIDIBÉ

Alliance Francaise De Toronto – Galerie Pierre-Leon
Archives 2005 featured exhibition

Sweet Immortality

Art Gallery of Ontario
Archives 2005 featured exhibition

Don Newlands 1960's Canada: A Nostalgic Glimpse

Club Lucky
Archives 2005 featured exhibition

Instruments of Faith: Toronto's First Synagogues

Eric Arthur Gallery
Archives 2005 featured exhibition

I Know You Louise Booth & Missing Mass

Gallery 44
Archives 2005 featured exhibition

Disaster Topographics

Gallery TPW
Archives 2005 featured exhibition

Urban Photographs

Goethe-Institut Gallery
Archives 2005 featured exhibition

AFTERMATH: IMAGES FROM GROUND ZERO

Hewlett-Packard Gallery
Archives 2005 featured exhibition

Phantom Shanghai

Monte Clark Gallery
Archives 2005 featured exhibition

Moving Pictures

Museum of Contemporary Canadian Art
Archives 2005 featured exhibition

Chernobyl

Nicholas Metivier Gallery
Archives 2005 featured exhibition

A.K. Dolven

Olga Korper Gallery
Archives 2005 featured exhibition

Wim Delvoye

Olga Korper Gallery
Archives 2005 featured exhibition

Average Pictures

Photo Passage
Archives 2005 featured exhibition

Self Image

Photo Passage
Archives 2005 featured exhibition

People in Place: Environmental Portraits from the Mira Godard Study Centre

Ryerson Gallery
Archives 2005 featured exhibition

Wedge Presents Jurgen Schadeberg: The Black and White Fifties in South Africa

Shift Gallery
Archives 2005 featured exhibition

Magna Brava

Stephen Bulger Gallery
Archives 2005 featured exhibition

No Man's Land

Stephen Bulger Gallery
Archives 2005 featured exhibition

Interiors

Toronto Free Gallery
Archives 2005 featured exhibition

CORKIN SHOPLAND GALLERY PRESENTS

TOTUM LIFESCIENCE
Archives 2005 featured exhibition
OverviewCorePublic ArtOpen Call
  • Overview
  • Core
  • Public Art
  • Open Call
Archives 2005 featured exhibition

Disaster Topographics

May 7 – June 4, 2005
  • Gallery TPW
David McMillan, Chernobyl Pairs, Gym and Tree 1996 & 2003

Disaster Topographics examines the photographic
representation of time, history and disaster in the
recent work of contemporary photographers
Edward Burtynsky, David McMillan and Hiromi
Tsuchida. A common element in each
photographer’s work is the use of the ‘before and
after’ photograph in the representation of disaster.
Such photographs are often employed to show a
return to normalcy for a society that is growing
increasingly fearful. For example, shortly after the
destruction of the World Trade Centre on
September 11, 2001, Time Magazine ran a series
of before and after photographs. Individuals
caught in the disaster of 9/11, and photographed
by journalists under a cloud of dust and gloom
were re-photographed from the consolatory
vantage point of the 9/11 survivor. The artists in
Disaster Topographics offer no such resolution
and depict sites in which the disaster is either
unstoppable, growing or where the evidence of
social recovery marks its own disaster of
forgetting.

Curated by Blake Fitzpatrick

GALLERY DU JOUR AGNÉS B. PRESENTS SEYDOU KEÏTA & MALICK SIDIBÉ

Alliance Francaise De Toronto – Galerie Pierre-Leon
Archives 2005 featured exhibition

Sweet Immortality

Art Gallery of Ontario
Archives 2005 featured exhibition

Don Newlands 1960's Canada: A Nostalgic Glimpse

Club Lucky
Archives 2005 featured exhibition

Instruments of Faith: Toronto's First Synagogues

Eric Arthur Gallery
Archives 2005 featured exhibition

I Know You Louise Booth & Missing Mass

Gallery 44
Archives 2005 featured exhibition

Disaster Topographics

Gallery TPW
Archives 2005 featured exhibition

Urban Photographs

Goethe-Institut Gallery
Archives 2005 featured exhibition

AFTERMATH: IMAGES FROM GROUND ZERO

Hewlett-Packard Gallery
Archives 2005 featured exhibition

Phantom Shanghai

Monte Clark Gallery
Archives 2005 featured exhibition

Moving Pictures

Museum of Contemporary Canadian Art
Archives 2005 featured exhibition

Chernobyl

Nicholas Metivier Gallery
Archives 2005 featured exhibition

A.K. Dolven

Olga Korper Gallery
Archives 2005 featured exhibition

Wim Delvoye

Olga Korper Gallery
Archives 2005 featured exhibition

Average Pictures

Photo Passage
Archives 2005 featured exhibition

Self Image

Photo Passage
Archives 2005 featured exhibition

People in Place: Environmental Portraits from the Mira Godard Study Centre

Ryerson Gallery
Archives 2005 featured exhibition

Wedge Presents Jurgen Schadeberg: The Black and White Fifties in South Africa

Shift Gallery
Archives 2005 featured exhibition

Magna Brava

Stephen Bulger Gallery
Archives 2005 featured exhibition

No Man's Land

Stephen Bulger Gallery
Archives 2005 featured exhibition

Interiors

Toronto Free Gallery
Archives 2005 featured exhibition

CORKIN SHOPLAND GALLERY PRESENTS

TOTUM LIFESCIENCE
Archives 2005 featured exhibition

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CONTACT is a Toronto based non-profit organization dedicated to exhibiting, analyzing and celebrating photography and lens-based media through an annual festival that takes place every May.

Land Acknowledgement

CONTACT acknowledges that we live and work on the traditional territory of many nations, including the Mississaugas of the Credit, the Anishnabeg, the Chippewa, the Haudenosaunee and the Wendat peoples, and that this land is now home to many diverse First Nations, Inuit, and Métis peoples. CONTACT is committed to promoting Indigenous voices; to generating spaces for ongoing, meaningful, and creative Indigenous-settler dialogue; and to continuous learning about our place on this land.

Anti-Oppression

CONTACT is committed to the ongoing development of meaningful anti-oppressive practice on all levels. This includes our continuing goal of augmenting and maintaining diverse representation, foregrounding varied and under-represented voices and perspectives via our public platform (the Festival and all related programs), as well as continually examining the structures of power and decision-making within the organization itself. We aim to actively learn, grow, and embody the values of inclusivity, equity, and accessibility in all facets of the institution, as an ever-evolving process.