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CONTACT Gallery

  • 2025
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  • 2023
  • 2022
  • 2021
  • 2019
  • 2018
  • 2017
  • 2016
  • 2015
  • 2014
  • 2013
  • 2012
  • 2011
  • 2010
  • 2009
  • 2008
Maxim Dondyuk<br><em>White Series: Meditations on War</em>

Maxim Dondyuk White Series: Meditations on War

Oct 15 – Dec 19, 2025
10x10 Photobooks<br><em>Flashpoint! Protest Photography in Print</em>

10x10 Photobooks Flashpoint! Protest Photography in Print

May 1 – Jun 21, 2025
L. M. Ramsey<br><em>DAMNED</em>

L. M. Ramsey DAMNED

May 1 – Jun 15, 2024
Kayla Ward<br><em>I Am Easy To Find</em>

Kayla Ward I Am Easy To Find

Nov 7 – Dec 9, 2023
Maggie Groat<br><em>DOUBLE PENDULUM</em>

Maggie Groat DOUBLE PENDULUM

May 3 – Jun 17, 2023
Group Exhibition<br><em>Land of None / Land of Us</em>

Group Exhibition Land of None / Land of Us

Oct 1 – 28, 2022
Tyler Mitchell<br><em>Cultural Turns: CONTACT Gallery</em>

Tyler Mitchell Cultural Turns: CONTACT Gallery

Apr 28 – Jun 30, 2022
Laia Abril<br><em>A History of Misogyny Chapter Two: On Rape</em>

Laia Abril A History of Misogyny Chapter Two: On Rape

Sep 24 – Dec 17, 2021
Luis Mora<br><em>Say it with Flowers</em>

Luis Mora Say it with Flowers

Oct 17 – Nov 30, 2019
Carrie Mae Weems<br><em>Blending the Blues</em>

Carrie Mae Weems Blending the Blues

May 1 – Jul 26, 2019
Group Exhibition<br><em>Digital Animalities</em>

Group Exhibition Digital Animalities

Nov 1 – Dec 15, 2018
Anthony Gebrehiwot (with Bárbara Wagner and Benjamin De Burca)<br><em>Communities of Love</em>

Anthony Gebrehiwot (with Bárbara Wagner and Benjamin De Burca) Communities of Love

Sep 20 – Oct 20, 2018
Felicity Hammond<br><em>Arcades</em>

Felicity Hammond Arcades

Apr 28 – Jun 16, 2018
Brendan George Ko<br><em>Moemoeā</em>

Brendan George Ko Moemoeā

Jan 11 – Mar 10, 2018
Group Exhibition<br><em>An unassailable and monumental dignity</em>

Group Exhibition An unassailable and monumental dignity

Sep 21 – Nov 18, 2017
Petra Collins<br><em>Pacifier</em>

Petra Collins Pacifier

Apr 29 – Jun 24, 2017
Nathaniel Brunt<br><em>#shaheed</em>

Nathaniel Brunt #shaheed

Feb 10 – Mar 25, 2017
Ana Mendieta<br><em>Siluetas</em>

Ana Mendieta Siluetas

Sep 8 – Oct 29, 2016
Christian Patterson<br><em>Bottom of the Lake</em>

Christian Patterson Bottom of the Lake

Apr 28 – Jun 30, 2016
<em>The 2015 Paris Photo – Aperture Foundation PhotoBook Awards Shortlist</em>

The 2015 Paris Photo – Aperture Foundation PhotoBook Awards Shortlist

Apr 28 – May 28, 2016
Josée Pedneault<br><em>Nævus</em>

Josée Pedneault Nævus

Nov 19, 2015 – Jan 23, 2016
Cristina de Middel<br><em>This Is What Hatred Did</em>

Cristina de Middel This Is What Hatred Did

Sep 24 – Nov 7, 2015
Lorenzo Vitturi<br><em>Dalston Anatomy</em>

Lorenzo Vitturi Dalston Anatomy

May 2 – Jun 27, 2015
Michel Huneault<br><em>La longue nuit de Mégantic</em>

Michel Huneault La longue nuit de Mégantic

Jan 29 – Mar 13, 2015
Johan Hallberg-Campbell<br><em>Nzirambi</em>

Johan Hallberg-Campbell Nzirambi

Nov 22 – Dec 20, 2014
Rob Hornstra, Arnold van Bruggen<br><em>The Sochi Project: An Atlas of War and Tourism in the Caucasus</em>

Rob Hornstra, Arnold van Bruggen The Sochi Project: An Atlas of War and Tourism in the Caucasus

May 1 – 31, 2014
Ian Willms<br><em>The Road to Nowhere</em>

Ian Willms The Road to Nowhere

Jan 23 – Mar 7, 2014
Erik Kessels<br><em>24hrs in Photography</em>

Erik Kessels 24hrs in Photography

May 1 – Jun 15, 2013
Guillaume Simoneau<br><em>Love and War</em>

Guillaume Simoneau Love and War

Jan 17 – Mar 3, 2013
Luther Price<br><em>Number 9 and Number 9 II</em>

Luther Price Number 9 and Number 9 II

Sep 6 – Oct 6, 2012
<em>Upturned Starry Sky</em>

Upturned Starry Sky

Apr 28 – Jun 15, 2012
Alex Kisilevich<br><em>Alex Kisilevich</em>

Alex Kisilevich Alex Kisilevich

Feb 23 – Mar 24, 2012
Jonathan Taggart<br><em>The Friction of Distance: The Lillooet River Valley</em>

Jonathan Taggart The Friction of Distance: The Lillooet River Valley

Jan 19 – Feb 16, 2012
Jesse Louttit<br><em>No Roads</em>

Jesse Louttit No Roads

Jan 19 – Feb 16, 2012
Group Exhibition<br><em>Medium_Massage 2.0 :: an infinite inventory</em>

Group Exhibition Medium_Massage 2.0 :: an infinite inventory

Nov 5 – Dec 3, 2011
Lucas Blalock, Jessica Eaton<br><em>The Whole is Greater than the Sum of the Parts</em>

Lucas Blalock, Jessica Eaton The Whole is Greater than the Sum of the Parts

May 1 – 31, 2011
Zed Nelson, Jodi Bieber, Lauren Greenfield<br><em>The Skin you Love to Touch</em>

Zed Nelson, Jodi Bieber, Lauren Greenfield The Skin you Love to Touch

May 1 – 31, 2010
Group Exhibition<br><em>MAGNUM PHOTOS: STATES OF CONFLICT</em>

Group Exhibition MAGNUM PHOTOS: STATES OF CONFLICT

May 1 – 31, 2009
<em>Magnum Workshop Exhibition</em>

Magnum Workshop Exhibition

May 10 – Jun 10, 2008
205-80 Spadina Ave, Toronto
Opens 11AM • Fully Accessible
Wed-Fri
11AM–5PM
Call Email Directions
416 539 9595 info@contactphoto.com

CONTACT’s headquarters is a community hub promoting critical photographic enquiry and appreciation. Festival and off-season programming includes curated exhibitions in the Gallery, public artist talks and workshops, and The Photobook Lab, CONTACT’s bookstore and reading room.

Archives 2015 contact gallery exhibition

Michel Huneault La longue nuit de Mégantic

January 29 – March 13, 2015
  • CONTACT Gallery
Installation view of Michel Hunealt, La longue nuit de Mégantic
Michel Huneault, Jacques. First swim of the year in Lac Mégantic
Michel Huneault, Burnt tree inside the red zone, behind the security fence
Michel Huneault, Chaudière River, heavily contaminated by the oil spill

The CONTACT Gallery is pleased to present La longue nuit de Mégantic, an exhibition by Montreal-based photographer Michel Huneault.

La longue nuit de Mégantic is the culmination of the documentary photographer’s year-long project visiting Lac-Mégantic after Canada’s deadliest train disaster in almost 150 years. In the middle of the night on July 6, 2013 a train filled with crude oil derailed in the small Quebec town creating an explosion that destroyed much of the downtown area, instantly killing 47 people.

The disaster has since been in the forefront of current national debates regarding energy transportation, safety and the environment.  However, Huneault’s interest in this story is human and intimate, with a focus on the community and the aftershock. His experience in international development and academic research on disaster and trauma, both personal and collective, has given him an insightful perspective.

The series of large-format and small photographs, predominantly of the town’s landscape, brings to mind the viewpoint of a wanderer, or stunned observer. Upon Huneault’s arrival within hours of the explosion, and subsequent visits throughout the seasons, he was able to capture an eerie calm that seemed to resonate across the community. Often at night he would return to the same streets, houses or sites, retracing the geography of the scarred place, sometimes encountering locals on a similar journey. As a result, the images convey the passing of time and evoke the emotions of loss, absence and searching, as they evolve over one symbolic year.

An accompanying single-channel video piece consists of a series of portraits and short audio interviews with community members who experienced loss and trauma.  Their stories offer an intimate glimpse into their process of mourning, the need for answers and justice, and the desire to find reconciliation.

Before devoting himself full time to photography in 2008, Michel Huneault worked in the international development field, a profession that took him to over twenty countries, including one full year in Kandahar. He holds a MA in Latin American Studies from the University of California, Berkeley, where he was a Rotary World Peace Fellow, researching on the role of collective memory in large scale traumatic recovery. At Berkeley, he was a student and teaching assistant of Magnum photographer Gilles Peress, and afterwards held an apprenticeship position with him in New York. Currently, his practice focuses on development related issues, on personal and collective traumas, and complex geographies.


Huneault is the recipient of the 2014 Portfolio Reviews Exhibition Award. Chosen by an international jury, this award recognizes outstanding work presented at CONTACT’s annual Reviews.

The award is supported by the Ontario Arts Council, Toronto Image Works, and Vistek. Huneault’s project has been generously funded by the Conseil des arts et des lettres du Québec.

La longue nuit de Mégantic will travel to Lac-Mégantic after its run at the CONTACT Gallery.


Press

Exposition: Lac-Mégantic ou la nuit de toutes les douleurs, Agence QMI

La longue nuit de Mégantic en exposition à Toronto… et bientôt ici, L’Echo de Frontenac

Lac Mégantic, un cliché à la fois, Radio Canada TV News Clip – 2 minutes – french

La longue nuit de Mégantic, Radio Canada Radio Clip – show Grands Lacs Café – 8 minutes – french

La longue nuit de Mégantic, Globe and Mail

La longue nuit de Mégantic à la galerie Contact de Toronto, Photosolution

Picturing Loss, BlackFlash

Toronto: La longue nuit de Mégantic by Michel Huneault, The Eye of Photography (English, Edited version)

(French, Full version)

CONTACT Gallery Presents an Exhibition on Lac-Mégantic, Photolife

A Photographic Response to an Oil Train Explosion, PDN


CONTACT gratefully acknowledges the Ontario Trillium Foundation for supporting the creation of the new CONTACT Gallery.

Curated by Tara Smith

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CONTACT is a Toronto based non-profit organization dedicated to exhibiting, analyzing and celebrating photography and lens-based media through an annual festival that takes place every May.

Land Acknowledgement

CONTACT acknowledges that we live and work on the traditional territory of many nations, including the Mississaugas of the Credit, the Anishnabeg, the Chippewa, the Haudenosaunee and the Wendat peoples, and that this land is now home to many diverse First Nations, Inuit, and Métis peoples. CONTACT is committed to promoting Indigenous voices; to generating spaces for ongoing, meaningful, and creative Indigenous-settler dialogue; and to continuous learning about our place on this land.

Anti-Oppression

CONTACT is committed to the ongoing development of meaningful anti-oppressive practice on all levels. This includes our continuing goal of augmenting and maintaining diverse representation, foregrounding varied and under-represented voices and perspectives via our public platform (the Festival and all related programs), as well as continually examining the structures of power and decision-making within the organization itself. We aim to actively learn, grow, and embody the values of inclusivity, equity, and accessibility in all facets of the institution, as an ever-evolving process.