CONTACT Festival returns May 1-31, 2026
Festival GalleryEditorialPhotobooksArchivesSupportersAboutDonate

CONTACT Gallery

  • 2025
  • 2024
  • 2023
  • 2022
  • 2021
  • 2019
  • 2018
  • 2017
  • 2016
  • 2015
  • 2014
  • 2013
  • 2012
  • 2011
  • 2010
  • 2009
  • 2008
Maxim Dondyuk<br><em>White Series: Meditations on War</em>

Maxim Dondyuk White Series: Meditations on War

Oct 15 – Dec 19, 2025
10x10 Photobooks<br><em>Flashpoint! Protest Photography in Print</em>

10x10 Photobooks Flashpoint! Protest Photography in Print

May 1 – Jun 21, 2025
L. M. Ramsey<br><em>DAMNED</em>

L. M. Ramsey DAMNED

May 1 – Jun 15, 2024
Kayla Ward<br><em>I Am Easy To Find</em>

Kayla Ward I Am Easy To Find

Nov 7 – Dec 9, 2023
Maggie Groat<br><em>DOUBLE PENDULUM</em>

Maggie Groat DOUBLE PENDULUM

May 3 – Jun 17, 2023
Group Exhibition<br><em>Land of None / Land of Us</em>

Group Exhibition Land of None / Land of Us

Oct 1 – 28, 2022
Tyler Mitchell<br><em>Cultural Turns: CONTACT Gallery</em>

Tyler Mitchell Cultural Turns: CONTACT Gallery

Apr 28 – Jun 30, 2022
Laia Abril<br><em>A History of Misogyny Chapter Two: On Rape</em>

Laia Abril A History of Misogyny Chapter Two: On Rape

Sep 24 – Dec 17, 2021
Luis Mora<br><em>Say it with Flowers</em>

Luis Mora Say it with Flowers

Oct 17 – Nov 30, 2019
Carrie Mae Weems<br><em>Blending the Blues</em>

Carrie Mae Weems Blending the Blues

May 1 – Jul 26, 2019
Group Exhibition<br><em>Digital Animalities</em>

Group Exhibition Digital Animalities

Nov 1 – Dec 15, 2018
Anthony Gebrehiwot (with Bárbara Wagner and Benjamin De Burca)<br><em>Communities of Love</em>

Anthony Gebrehiwot (with Bárbara Wagner and Benjamin De Burca) Communities of Love

Sep 20 – Oct 20, 2018
Felicity Hammond<br><em>Arcades</em>

Felicity Hammond Arcades

Apr 28 – Jun 16, 2018
Brendan George Ko<br><em>Moemoeā</em>

Brendan George Ko Moemoeā

Jan 11 – Mar 10, 2018
Group Exhibition<br><em>An unassailable and monumental dignity</em>

Group Exhibition An unassailable and monumental dignity

Sep 21 – Nov 18, 2017
Petra Collins<br><em>Pacifier</em>

Petra Collins Pacifier

Apr 29 – Jun 24, 2017
Nathaniel Brunt<br><em>#shaheed</em>

Nathaniel Brunt #shaheed

Feb 10 – Mar 25, 2017
Ana Mendieta<br><em>Siluetas</em>

Ana Mendieta Siluetas

Sep 8 – Oct 29, 2016
Christian Patterson<br><em>Bottom of the Lake</em>

Christian Patterson Bottom of the Lake

Apr 28 – Jun 30, 2016
<em>The 2015 Paris Photo – Aperture Foundation PhotoBook Awards Shortlist</em>

The 2015 Paris Photo – Aperture Foundation PhotoBook Awards Shortlist

Apr 28 – May 28, 2016
Josée Pedneault<br><em>Nævus</em>

Josée Pedneault Nævus

Nov 19, 2015 – Jan 23, 2016
Cristina de Middel<br><em>This Is What Hatred Did</em>

Cristina de Middel This Is What Hatred Did

Sep 24 – Nov 7, 2015
Lorenzo Vitturi<br><em>Dalston Anatomy</em>

Lorenzo Vitturi Dalston Anatomy

May 2 – Jun 27, 2015
Michel Huneault<br><em>La longue nuit de Mégantic</em>

Michel Huneault La longue nuit de Mégantic

Jan 29 – Mar 13, 2015
Johan Hallberg-Campbell<br><em>Nzirambi</em>

Johan Hallberg-Campbell Nzirambi

Nov 22 – Dec 20, 2014
Rob Hornstra, Arnold van Bruggen<br><em>The Sochi Project: An Atlas of War and Tourism in the Caucasus</em>

Rob Hornstra, Arnold van Bruggen The Sochi Project: An Atlas of War and Tourism in the Caucasus

May 1 – 31, 2014
Ian Willms<br><em>The Road to Nowhere</em>

Ian Willms The Road to Nowhere

Jan 23 – Mar 7, 2014
Erik Kessels<br><em>24hrs in Photography</em>

Erik Kessels 24hrs in Photography

May 1 – Jun 15, 2013
Guillaume Simoneau<br><em>Love and War</em>

Guillaume Simoneau Love and War

Jan 17 – Mar 3, 2013
Luther Price<br><em>Number 9 and Number 9 II</em>

Luther Price Number 9 and Number 9 II

Sep 6 – Oct 6, 2012
<em>Upturned Starry Sky</em>

Upturned Starry Sky

Apr 28 – Jun 15, 2012
Alex Kisilevich<br><em>Alex Kisilevich</em>

Alex Kisilevich Alex Kisilevich

Feb 23 – Mar 24, 2012
Jonathan Taggart<br><em>The Friction of Distance: The Lillooet River Valley</em>

Jonathan Taggart The Friction of Distance: The Lillooet River Valley

Jan 19 – Feb 16, 2012
Jesse Louttit<br><em>No Roads</em>

Jesse Louttit No Roads

Jan 19 – Feb 16, 2012
Group Exhibition<br><em>Medium_Massage 2.0 :: an infinite inventory</em>

Group Exhibition Medium_Massage 2.0 :: an infinite inventory

Nov 5 – Dec 3, 2011
Lucas Blalock, Jessica Eaton<br><em>The Whole is Greater than the Sum of the Parts</em>

Lucas Blalock, Jessica Eaton The Whole is Greater than the Sum of the Parts

May 1 – 31, 2011
Zed Nelson, Jodi Bieber, Lauren Greenfield<br><em>The Skin you Love to Touch</em>

Zed Nelson, Jodi Bieber, Lauren Greenfield The Skin you Love to Touch

May 1 – 31, 2010
Group Exhibition<br><em>MAGNUM PHOTOS: STATES OF CONFLICT</em>

Group Exhibition MAGNUM PHOTOS: STATES OF CONFLICT

May 1 – 31, 2009
<em>Magnum Workshop Exhibition</em>

Magnum Workshop Exhibition

May 10 – Jun 10, 2008
205-80 Spadina Ave, Toronto
Open until 5PM • Fully Accessible
Wed-Fri
11AM–5PM
Call Email Directions
416 539 9595 info@contactphoto.com

CONTACT’s headquarters is a community hub promoting critical photographic enquiry and appreciation. Festival and off-season programming includes curated exhibitions in the Gallery, public artist talks and workshops, and The Photobook Lab, CONTACT’s bookstore and reading room.

Archives 2011 contact gallery exhibition

Group Exhibition Medium_Massage 2.0 :: an infinite inventory

November 5 – December 3, 2011
  • CONTACT Gallery
David Jhave Johnston, McLu-uhms
Installation view of , Medium_Massage 2.0 :: an infinite inventory
Kate Armstrong, Medium
Installation view of, Medium_Massage 2.0 :: an infinite inventory

“All media are extensions of some human faculty – psychic or physical”
– The Medium is the Massage, Marshall McLuhan, p 26

Medium_Massage 2.0 :: an infinite inventory is a net-based exhibition inspired by Marshall McLuhan and graphic designer Quentin Fiore’s collaborative book The Medium is the Massage. Published in 1967 in an experimental format that fused Fiore’s engaging graphic style and visual language with McLuhan’s text, The Medium is the Massage introduced McLuhan’s theories of media and communications technology to a mass audience. Within the context of Marshall McLuhan’s centennial and 20 years after the development of the first webpage, the media artists in this exhibition reflect McLuhan’s prophetic theories through their immersion in the networked medium and cultural shift that McLuhan predicted in the 60s.

The exhibition includes a new expanded version of The Medium is the Massage matched with compositionally similar images using google algorithms; a sorrybot that gives a unique apology to every citizen on earth; new web software that re-invents the way artists communicate with the media; an archeological examination of 8 bit-graphic images and obsolescent media through daily floppy disc mining; and more!

Curated by Michael Alstad. Presented by Year Zero One (YZO) in collaboration with the CONTACT Gallery for the McLuhan100 Festival.

YZO gratefully acknowledges the support of the Toronto Arts Council and the Ontario Arts Council for their generous support of Medium_Massage 2.0.

www.year01.com/mediummassage
www.mcluhan100.ca

Curated by Michael Alstad

Join our mailing list

Email marketing Cyberimpact

80 Spadina Ave, Ste 205
Toronto, M5V 2J4
Canada

416 539 9595 info @ contactphoto.com Instagram

CONTACT is a Toronto based non-profit organization dedicated to exhibiting, analyzing and celebrating photography and lens-based media through an annual festival that takes place every May.

Land Acknowledgement

CONTACT acknowledges that we live and work on the traditional territory of many nations, including the Mississaugas of the Credit, the Anishnabeg, the Chippewa, the Haudenosaunee and the Wendat peoples, and that this land is now home to many diverse First Nations, Inuit, and Métis peoples. CONTACT is committed to promoting Indigenous voices; to generating spaces for ongoing, meaningful, and creative Indigenous-settler dialogue; and to continuous learning about our place on this land.

Anti-Oppression

CONTACT is committed to the ongoing development of meaningful anti-oppressive practice on all levels. This includes our continuing goal of augmenting and maintaining diverse representation, foregrounding varied and under-represented voices and perspectives via our public platform (the Festival and all related programs), as well as continually examining the structures of power and decision-making within the organization itself. We aim to actively learn, grow, and embody the values of inclusivity, equity, and accessibility in all facets of the institution, as an ever-evolving process.