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OverviewCoreOpen CallArtists
  • Overview
  • Core
  • Open Call
  • Artists
Archives 2020 juried call exhibition

Ho Tam The Yellow Pages

May 1 – 30, 2020
  • Paul Petro Contemporary Art
Ho Tam, The Yellow Pages, K (Kung Fu) Found drawings of squatting men, 2020.
Installation view of Ho Tam, The Yellow Pages, 2020.
Installation view of Ho Tam, The Yellow Pages, 2020.
Installation view of Ho Tam, The Yellow Pages, 2020.
Installation view of Ho Tam, The Yellow Pages, 2020.
Ho Tam, The Yellow Pages, P (Patriarchy) Portraits on banknotes, 2020.
Ho Tam, The Yellow Pages, X (Xenophobia) Internment and refugee camps, 2020.
Ho Tam, The Yellow Pages, Z (Zen) A-bomb explosion, 2020.
Installation view of Ho Tam, The Yellow Pages, 2020.
Ho Tam, The Yellow Pages, A (Asian Crimes) Godzilla in Toronto, 2020.

The Yellow Pages (1993) was Ho Tam’s first artist’s book. It explored North American stereotypes and clichés of Chinese and Asian cultures. The work was also adapted into an eight-minute video piece that premiered at Union Station in Toronto in 1994. In 1998, Ottawa’s Gallery 101 helped the artist to print the book’s second run. Arranged in 26 segments from “A” to “Z”, The Yellow Pages looks at the relationship between images and text within the Asian-American/-Canadian context and beyond.

Updated in 2016 to reflect the changing nature of our times, the most recent edition of the project once again pairs text with seemingly random yet poignant pieces of footage, taken from various sources. In a playful and satirical manner, the work roams through the past and present, from the Vietnam War, to pop culture, to explorations of queer history and changing beauty standards. Both simple and complex in its presentation, The Yellow Pages seeks to interact with distinct viewers, never allowing a single perspective to dominate.

  • Ho Tam (b. Hong Kong) is a media/visual artist who has worked in advertising and community psychiatry. He received a BA from McMaster University and an MFA from Bard College (NY). From 1996 to 1997, he was a participant at the Whitney Museum Independent Study Program. Tam has exhibited in public galleries and alternative spaces across Canada. Over 15 of his experimental film/video works are in circulation. Tam is also the publisher of Hotam Press, an independent press of artist books, and currently runs a bookshop and gallery of the same name. Ho Tam lives in Vancouver, BC and has been exhibiting at Paul Petro Contemporary Art since 2002.

Diane Arbus Photographs, 1956 – 1971

Art Gallery of Ontario
Archives 2020 exhibition

Christina Leslie Absence/Presence: Morant Bay

BAND Gallery
Archives 2020 exhibition

Elisabeth Belliveau Alone in the House (Still Life with Clarice Lispector)

Gallery 44
Archives 2020 exhibition

Scotiabank Photography Award: Stephen Waddell

The Image Centre
Archives 2020 exhibition

Natalie Wood Performing Change

John B. Aird Gallery, Charles Street Video
Archives 2020 exhibition

Carol Sawyer The Natalie Brettschneider Archive

Koffler Gallery
Archives 2020 exhibition

Native Art Department International Bureau of Aesthetics

Mercer Union
Archives 2020 exhibition

Vid Ingelevics, Ryan Walker Framework

Port Lands
Archives 2020 exhibition

Lyla Rye Mirage

Prefix ICA
Archives 2020 exhibition

Group Exhibition Performing Lives

Trinity Square Video
Archives 2020

San Salvatore

Archives 2020 online

Evelyn Bencicova Cure

Alison Milne Gallery
Archives 2020 juried call exhibition

In Guns We Trust

Arsenal Contemporary
Archives 2020 juried call exhibition

Joyce Crago PLAYING DEAD

Black Cat Artspace
Archives 2020 juried call exhibition

Wenxin Zhang, Xuan Ye filling the Klein bottle (z) { }}}

Bunker 2 Contemporary Art Container
Archives 2020 juried call exhibition

Michelle Forsyth Our relationship is beautiful due to the distance

Corkin Gallery
Archives 2020 juried call exhibition

Steven Beckly The heart can't wait

Daniel Faria Gallery
Archives 2020 juried call exhibition

Diana H. Bloomfield The Old Garden

The Dylan Ellis Gallery
Archives 2020 juried call exhibition

Spring Hurlbut Dyadic Circles, 2019-20

Georgia Scherman Projects
Archives 2020 juried call exhibition

Photographers Without Borders Group Exhibition Original Perspectives

Gladstone Hotel
Archives 2020 juried call exhibition

Sage Szkabarnicki-Stuart Animal Logic

Henderson Lee Gallery
Archives 2020 juried call exhibition

Group Exhibition Salonsdale: Rebel Lens

Lonsdale Gallery
Archives 2020 juried call exhibition

Sara Graham Generator

MKG127
Archives 2020 juried call exhibition

Lynne Cohen Fortifications

Olga Korper Gallery
Archives 2020 juried call exhibition

Abundance

Patel Gallery
Archives 2020 juried call exhibition

Dr. Jeanne Randolph Prairie Modernist Noir – The Disappearance of the Manitoba Telephone Booth

Paul Petro Contemporary Art
Archives 2020 juried call exhibition

Ho Tam The Yellow Pages

Paul Petro Contemporary Art
Archives 2020 juried call exhibition

Graeme Wahn Lamp in the Hand

Pumice Raft
Archives 2020 juried call exhibition

Megan Moore Specimens

The Robert McLaughlin Gallery
Archives 2020 juried call exhibition

Aleesa Cohene Kathy

shell
Archives 2020 juried call exhibition

Guillaume Simoneau MURDER

Stephen Bulger Gallery
Archives 2020 juried call exhibition

Group Exhibition [De]/[Re]constructing place

Varley Art Gallery of Markham
Archives 2020 juried call exhibition

Jessica Thalmann two truths and a lie

Varley Art Gallery of Markham
Archives 2020 juried call exhibition

Aaron Jones Closed Fist, Open Palm

Zalucky Contemporary
Archives 2020 juried call exhibition
OverviewCoreOpen CallArtists
  • Overview
  • Core
  • Open Call
  • Artists
Archives 2020 juried call exhibition

Ho Tam The Yellow Pages

May 1 – 30, 2020
  • Paul Petro Contemporary Art
Ho Tam, The Yellow Pages, K (Kung Fu) Found drawings of squatting men, 2020.
Installation view of Ho Tam, The Yellow Pages, 2020.
Installation view of Ho Tam, The Yellow Pages, 2020.
Installation view of Ho Tam, The Yellow Pages, 2020.
Installation view of Ho Tam, The Yellow Pages, 2020.
Ho Tam, The Yellow Pages, P (Patriarchy) Portraits on banknotes, 2020.
Ho Tam, The Yellow Pages, X (Xenophobia) Internment and refugee camps, 2020.
Ho Tam, The Yellow Pages, Z (Zen) A-bomb explosion, 2020.
Installation view of Ho Tam, The Yellow Pages, 2020.
Ho Tam, The Yellow Pages, A (Asian Crimes) Godzilla in Toronto, 2020.

The Yellow Pages (1993) was Ho Tam’s first artist’s book. It explored North American stereotypes and clichés of Chinese and Asian cultures. The work was also adapted into an eight-minute video piece that premiered at Union Station in Toronto in 1994. In 1998, Ottawa’s Gallery 101 helped the artist to print the book’s second run. Arranged in 26 segments from “A” to “Z”, The Yellow Pages looks at the relationship between images and text within the Asian-American/-Canadian context and beyond.

Updated in 2016 to reflect the changing nature of our times, the most recent edition of the project once again pairs text with seemingly random yet poignant pieces of footage, taken from various sources. In a playful and satirical manner, the work roams through the past and present, from the Vietnam War, to pop culture, to explorations of queer history and changing beauty standards. Both simple and complex in its presentation, The Yellow Pages seeks to interact with distinct viewers, never allowing a single perspective to dominate.

  • Ho Tam (b. Hong Kong) is a media/visual artist who has worked in advertising and community psychiatry. He received a BA from McMaster University and an MFA from Bard College (NY). From 1996 to 1997, he was a participant at the Whitney Museum Independent Study Program. Tam has exhibited in public galleries and alternative spaces across Canada. Over 15 of his experimental film/video works are in circulation. Tam is also the publisher of Hotam Press, an independent press of artist books, and currently runs a bookshop and gallery of the same name. Ho Tam lives in Vancouver, BC and has been exhibiting at Paul Petro Contemporary Art since 2002.

Diane Arbus Photographs, 1956 – 1971

Art Gallery of Ontario
Archives 2020 exhibition

Christina Leslie Absence/Presence: Morant Bay

BAND Gallery
Archives 2020 exhibition

Elisabeth Belliveau Alone in the House (Still Life with Clarice Lispector)

Gallery 44
Archives 2020 exhibition

Scotiabank Photography Award: Stephen Waddell

The Image Centre
Archives 2020 exhibition

Natalie Wood Performing Change

John B. Aird Gallery, Charles Street Video
Archives 2020 exhibition

Carol Sawyer The Natalie Brettschneider Archive

Koffler Gallery
Archives 2020 exhibition

Native Art Department International Bureau of Aesthetics

Mercer Union
Archives 2020 exhibition

Vid Ingelevics, Ryan Walker Framework

Port Lands
Archives 2020 exhibition

Lyla Rye Mirage

Prefix ICA
Archives 2020 exhibition

Group Exhibition Performing Lives

Trinity Square Video
Archives 2020

San Salvatore

Archives 2020 online

Evelyn Bencicova Cure

Alison Milne Gallery
Archives 2020 juried call exhibition

In Guns We Trust

Arsenal Contemporary
Archives 2020 juried call exhibition

Joyce Crago PLAYING DEAD

Black Cat Artspace
Archives 2020 juried call exhibition

Wenxin Zhang, Xuan Ye filling the Klein bottle (z) { }}}

Bunker 2 Contemporary Art Container
Archives 2020 juried call exhibition

Michelle Forsyth Our relationship is beautiful due to the distance

Corkin Gallery
Archives 2020 juried call exhibition

Steven Beckly The heart can't wait

Daniel Faria Gallery
Archives 2020 juried call exhibition

Diana H. Bloomfield The Old Garden

The Dylan Ellis Gallery
Archives 2020 juried call exhibition

Spring Hurlbut Dyadic Circles, 2019-20

Georgia Scherman Projects
Archives 2020 juried call exhibition

Photographers Without Borders Group Exhibition Original Perspectives

Gladstone Hotel
Archives 2020 juried call exhibition

Sage Szkabarnicki-Stuart Animal Logic

Henderson Lee Gallery
Archives 2020 juried call exhibition

Group Exhibition Salonsdale: Rebel Lens

Lonsdale Gallery
Archives 2020 juried call exhibition

Sara Graham Generator

MKG127
Archives 2020 juried call exhibition

Lynne Cohen Fortifications

Olga Korper Gallery
Archives 2020 juried call exhibition

Abundance

Patel Gallery
Archives 2020 juried call exhibition

Dr. Jeanne Randolph Prairie Modernist Noir – The Disappearance of the Manitoba Telephone Booth

Paul Petro Contemporary Art
Archives 2020 juried call exhibition

Ho Tam The Yellow Pages

Paul Petro Contemporary Art
Archives 2020 juried call exhibition

Graeme Wahn Lamp in the Hand

Pumice Raft
Archives 2020 juried call exhibition

Megan Moore Specimens

The Robert McLaughlin Gallery
Archives 2020 juried call exhibition

Aleesa Cohene Kathy

shell
Archives 2020 juried call exhibition

Guillaume Simoneau MURDER

Stephen Bulger Gallery
Archives 2020 juried call exhibition

Group Exhibition [De]/[Re]constructing place

Varley Art Gallery of Markham
Archives 2020 juried call exhibition

Jessica Thalmann two truths and a lie

Varley Art Gallery of Markham
Archives 2020 juried call exhibition

Aaron Jones Closed Fist, Open Palm

Zalucky Contemporary
Archives 2020 juried call exhibition

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CONTACT is a Toronto based non-profit organization dedicated to exhibiting, analyzing and celebrating photography and lens-based media through an annual festival that takes place every May.

Land Acknowledgement

CONTACT acknowledges that we live and work on the traditional territory of many nations, including the Mississaugas of the Credit, the Anishnabeg, the Chippewa, the Haudenosaunee and the Wendat peoples, and that this land is now home to many diverse First Nations, Inuit, and Métis peoples. CONTACT is committed to promoting Indigenous voices; to generating spaces for ongoing, meaningful, and creative Indigenous-settler dialogue; and to continuous learning about our place on this land.

Anti-Oppression

CONTACT is committed to the ongoing development of meaningful anti-oppressive practice on all levels. This includes our continuing goal of augmenting and maintaining diverse representation, foregrounding varied and under-represented voices and perspectives via our public platform (the Festival and all related programs), as well as continually examining the structures of power and decision-making within the organization itself. We aim to actively learn, grow, and embody the values of inclusivity, equity, and accessibility in all facets of the institution, as an ever-evolving process.