Discarded materials yield new possibilities in three series of photographs by Dunlap. The first series, Chapuceado—from the Guatemalan term for things cobbled together— documents temporary sculptures bound only with gravity. Re-Float captures chance adjacencies and new relationships. In Imposters, images of objects become substitutes for the objects themselves. Through the process of manipulating these materials and photographing their transformation, Dunlap’s images reflect upon potential hidden meanings in the garbage of civilization.