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Archives 2016 contact gallery exhibition

Josée Pedneault Nævus

November 19, 2015 – January 23, 2016
  • CONTACT Gallery
Josée Pedneault, Naevus-em-Josee-Pedneault-em-2013-1400×1000
Installation view of Josée Pedneault, Nævus
Installation view of Josée Pedneault, Nævus
Josée Pedneault, Sea

Montreal-based artist Josée Pedneault explores the idea of the existential quest and notions of fate and uncertainty in Nævus. The exhibition title is a Latin word meaning “what we are born with.” In this context, it refers to a mysterious mark in the shape of an island’s coast that appeared on the artist’s back when she was seventeen. Pedneault interpreted this mark as a metaphor for destiny, and embarked on a search to locate this island in the real world.

Pedneault’s installation includes photographs, as well as paintings, sculptures, and various accumulated materials that have served in her research and process of imagining where this island might be located, what it might look like, and what its characteristics might be. Nævus is a work in progress that emphasizes the process of discovery. Pedneault describes the project as “a relentless and unrealistic pursuit, and the road that is built around it, rather than the outcome. The imagined island thus becomes a territory of expectations, a universe where all is possible, where the fictional is laid atop the tangible.”


 

Josée Pedneault’s work has been shown in national and international venues, such as TYPOLOGY (Toronto, 2015), Museo Universitario del Chopo (Mexico City, 2014), and Darling Foundry (Montreal, 2012), among others. She will take part in a residency at the Tokyo Wonder Site in 2016, and has completed residencies in Reykjavik (SIM, 2011), Mexico City (CALQ, 2009), Paris (CALQ, 2008), and Warsaw (Les Pépinières européennes pour jeunes artistes, 2006). She also creates large-scale public art projects; her most recent is a permanent artwork in the new McGill University Health Centre in Montreal (2014). Pedneault holds an MFA in studio arts from Concordia University, where she also teaches in the photography program.

Pedneault is the recipient of the 2015 Portfolio Reviews Exhibition Award. Chosen by an international jury, this award recognizes outstanding work presented at CONTACT’s annual Reviews. CONTACT acknowledges the Ontario Arts Council, Vistek, and Toronto Image Works for supporting this award.

The artist gratefully acknowledges the support of the Canada Arts Council.

Josée Pedneault Nævus

CONTACT Gallery
Archives 2016 contact gallery exhibition

Ana Mendieta Siluetas

CONTACT Gallery
Archives 2016 contact gallery exhibition
OverviewCorePublic ArtOpen CallArtists
  • Overview
  • Core
  • Public Art
  • Open Call
  • Artists
Archives 2016 contact gallery exhibition

Josée Pedneault Nævus

November 19, 2015 – January 23, 2016
  • CONTACT Gallery
Josée Pedneault, Naevus-em-Josee-Pedneault-em-2013-1400×1000
Installation view of Josée Pedneault, Nævus
Installation view of Josée Pedneault, Nævus
Josée Pedneault, Sea

Montreal-based artist Josée Pedneault explores the idea of the existential quest and notions of fate and uncertainty in Nævus. The exhibition title is a Latin word meaning “what we are born with.” In this context, it refers to a mysterious mark in the shape of an island’s coast that appeared on the artist’s back when she was seventeen. Pedneault interpreted this mark as a metaphor for destiny, and embarked on a search to locate this island in the real world.

Pedneault’s installation includes photographs, as well as paintings, sculptures, and various accumulated materials that have served in her research and process of imagining where this island might be located, what it might look like, and what its characteristics might be. Nævus is a work in progress that emphasizes the process of discovery. Pedneault describes the project as “a relentless and unrealistic pursuit, and the road that is built around it, rather than the outcome. The imagined island thus becomes a territory of expectations, a universe where all is possible, where the fictional is laid atop the tangible.”


 

Josée Pedneault’s work has been shown in national and international venues, such as TYPOLOGY (Toronto, 2015), Museo Universitario del Chopo (Mexico City, 2014), and Darling Foundry (Montreal, 2012), among others. She will take part in a residency at the Tokyo Wonder Site in 2016, and has completed residencies in Reykjavik (SIM, 2011), Mexico City (CALQ, 2009), Paris (CALQ, 2008), and Warsaw (Les Pépinières européennes pour jeunes artistes, 2006). She also creates large-scale public art projects; her most recent is a permanent artwork in the new McGill University Health Centre in Montreal (2014). Pedneault holds an MFA in studio arts from Concordia University, where she also teaches in the photography program.

Pedneault is the recipient of the 2015 Portfolio Reviews Exhibition Award. Chosen by an international jury, this award recognizes outstanding work presented at CONTACT’s annual Reviews. CONTACT acknowledges the Ontario Arts Council, Vistek, and Toronto Image Works for supporting this award.

The artist gratefully acknowledges the support of the Canada Arts Council.

Josée Pedneault Nævus

CONTACT Gallery
Archives 2016 contact gallery exhibition

Ana Mendieta Siluetas

CONTACT Gallery
Archives 2016 contact gallery exhibition

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CONTACT is a Toronto based non-profit organization dedicated to exhibiting, analyzing and celebrating photography and lens-based media through an annual festival that takes place every May.

Land Acknowledgement

CONTACT acknowledges that we live and work on the traditional territory of many nations, including the Mississaugas of the Credit, the Anishnabeg, the Chippewa, the Haudenosaunee and the Wendat peoples, and that this land is now home to many diverse First Nations, Inuit, and Métis peoples. CONTACT is committed to promoting Indigenous voices; to generating spaces for ongoing, meaningful, and creative Indigenous-settler dialogue; and to continuous learning about our place on this land.

Anti-Oppression

CONTACT is committed to the ongoing development of meaningful anti-oppressive practice on all levels. This includes our continuing goal of augmenting and maintaining diverse representation, foregrounding varied and under-represented voices and perspectives via our public platform (the Festival and all related programs), as well as continually examining the structures of power and decision-making within the organization itself. We aim to actively learn, grow, and embody the values of inclusivity, equity, and accessibility in all facets of the institution, as an ever-evolving process.