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OverviewCorePublic ArtOpen CallArtists
  • Overview
  • Core
  • Public Art
  • Open Call
  • Artists
Archives 2014 primary exhibition

Group Exhibition Arctic Exposure: Photographs of Canada's North

May 3 – June 1, 2014
  • McMichael Canadian Art Collection
Installation view, Arctic Exposure: Photographs of Canada’s North
Installation view, Arctic Exposure: Photographs of Canada’s North
Installation view, Arctic Exposure: Photographs of Canada’s North
Installation view, Arctic Exposure: Photographs of Canada’s North
Unknown Photographer, Dr. Livingstone in Winter Clothing
Installation view, Arctic Exposure: Photographs of Canada’s North
Jimmy Manning, Houses in Cape Dorset
Installation view, Arctic Exposure: Photographs of Canada’s North
Installation view, Arctic Exposure: Photographs of Canada’s North

Canadian identity is strongly tied to the North, yet impressions of this vast, remote, and desolate place have largely been formed through the viewing of photography. Nearly two hundred years have passed since photographs of the Arctic were first taken; a history marked by considerable cultural shifts and changes in image making and production technologies. Arctic Exposure: Photographs of Canada’s North brings together images made between 1881 and 2013, revealing an ongoing fascination with the peoples, places, and mythologies of the North. These visual documents reinforce the power of photographs to generate a compelling sense of empathy and reverence for a place that remains far from reach for most people.

Organized with the McMichael Canadian Art Collection

Curated by Sharona Adamowicz-Clements and Bonnie Rubenstein

  • Jimmy Manning (b. Kimmirut (Lake Harbour), NU, 1951) is a self-taught photographer based in Kinngait (Cape Dorset). Manning’s primary medium is photography, but he also makes drawings, prints and carvings. He is grandson to photographer Peter Pitseolak, his earliest inspiration. Manning’s work explores day-to-day life in his community, creatively documenting landscapes and gatherings of family and friends. He strives to capture scenes and emotions that reflect how Inuit culture actively thrives and changes. Manning was formerly a member of the Inuit Art Foundation Board of Directors, and his photographs are included in the collections of the Canadian Museum of History, Gatineau, QC, and the Musée des Beaux-Arts de Montréal, Montréal, QC.

Scott McFarland Snow, Shacks, Streets, Shrubs

Art Gallery of Ontario
Archives 2014 primary exhibition

Rebecca Belmore KWE

Art Museum
Archives 2014 primary exhibition

Gordon Parks Portraits

BAND Gallery
Archives 2014 primary exhibition

Rob Hornstra, Arnold van Bruggen The Sochi Project: An Atlas of War and Tourism in the Caucasus

CONTACT Gallery
Archives 2014 primary exhibition

Scotiabank Photography Award

The Image Centre
Archives 2014 primary exhibition

Faces and Phases

The Image Centre
Archives 2014 primary exhibition

Group Exhibition Arctic Exposure: Photographs of Canada's North

The McMichael
Archives 2014 primary exhibition

Group Exhibition Material Self: Performing the Other Within

Museum of Contemporary Canadian Art
Archives 2014 primary exhibition

Hereros

Museum of Contemporary Canadian Art, courtyard
Archives 2014 Public Art

In Character:
Self-Portrait of the Artist as Another

The National Gallery of Canada at the Museum of Contemporary Canadian Art
Archives 2014 primary exhibition

False Fronts

Prefix ICA
Archives 2014 primary exhibition

The Entire City Project: Royal Ontario Museum

Royal Ontario Museum
Archives 2014 primary exhibition

The Same Problem 5

Salah J. Bachir New Media Wall
Archives 2014 primary exhibition

Through The Body: Lens-Based Works by Contemporary Chinese Women Artists

University of Toronto Art Centre
Archives 2014 primary exhibition
OverviewCorePublic ArtOpen CallArtists
  • Overview
  • Core
  • Public Art
  • Open Call
  • Artists
Archives 2014 primary exhibition

Group Exhibition Arctic Exposure: Photographs of Canada's North

May 3 – June 1, 2014
  • McMichael Canadian Art Collection
Installation view, Arctic Exposure: Photographs of Canada’s North
Installation view, Arctic Exposure: Photographs of Canada’s North
Installation view, Arctic Exposure: Photographs of Canada’s North
Installation view, Arctic Exposure: Photographs of Canada’s North
Unknown Photographer, Dr. Livingstone in Winter Clothing
Installation view, Arctic Exposure: Photographs of Canada’s North
Jimmy Manning, Houses in Cape Dorset
Installation view, Arctic Exposure: Photographs of Canada’s North
Installation view, Arctic Exposure: Photographs of Canada’s North

Canadian identity is strongly tied to the North, yet impressions of this vast, remote, and desolate place have largely been formed through the viewing of photography. Nearly two hundred years have passed since photographs of the Arctic were first taken; a history marked by considerable cultural shifts and changes in image making and production technologies. Arctic Exposure: Photographs of Canada’s North brings together images made between 1881 and 2013, revealing an ongoing fascination with the peoples, places, and mythologies of the North. These visual documents reinforce the power of photographs to generate a compelling sense of empathy and reverence for a place that remains far from reach for most people.

Organized with the McMichael Canadian Art Collection

Curated by Sharona Adamowicz-Clements and Bonnie Rubenstein

  • Jimmy Manning (b. Kimmirut (Lake Harbour), NU, 1951) is a self-taught photographer based in Kinngait (Cape Dorset). Manning’s primary medium is photography, but he also makes drawings, prints and carvings. He is grandson to photographer Peter Pitseolak, his earliest inspiration. Manning’s work explores day-to-day life in his community, creatively documenting landscapes and gatherings of family and friends. He strives to capture scenes and emotions that reflect how Inuit culture actively thrives and changes. Manning was formerly a member of the Inuit Art Foundation Board of Directors, and his photographs are included in the collections of the Canadian Museum of History, Gatineau, QC, and the Musée des Beaux-Arts de Montréal, Montréal, QC.

Scott McFarland Snow, Shacks, Streets, Shrubs

Art Gallery of Ontario
Archives 2014 primary exhibition

Rebecca Belmore KWE

Art Museum
Archives 2014 primary exhibition

Gordon Parks Portraits

BAND Gallery
Archives 2014 primary exhibition

Rob Hornstra, Arnold van Bruggen The Sochi Project: An Atlas of War and Tourism in the Caucasus

CONTACT Gallery
Archives 2014 primary exhibition

Scotiabank Photography Award

The Image Centre
Archives 2014 primary exhibition

Faces and Phases

The Image Centre
Archives 2014 primary exhibition

Group Exhibition Arctic Exposure: Photographs of Canada's North

The McMichael
Archives 2014 primary exhibition

Group Exhibition Material Self: Performing the Other Within

Museum of Contemporary Canadian Art
Archives 2014 primary exhibition

Hereros

Museum of Contemporary Canadian Art, courtyard
Archives 2014 Public Art

In Character:
Self-Portrait of the Artist as Another

The National Gallery of Canada at the Museum of Contemporary Canadian Art
Archives 2014 primary exhibition

False Fronts

Prefix ICA
Archives 2014 primary exhibition

The Entire City Project: Royal Ontario Museum

Royal Ontario Museum
Archives 2014 primary exhibition

The Same Problem 5

Salah J. Bachir New Media Wall
Archives 2014 primary exhibition

Through The Body: Lens-Based Works by Contemporary Chinese Women Artists

University of Toronto Art Centre
Archives 2014 primary exhibition

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CONTACT is a Toronto based non-profit organization dedicated to exhibiting, analyzing and celebrating photography and lens-based media through an annual festival that takes place every May.

Land Acknowledgement

CONTACT acknowledges that we live and work on the traditional territory of many nations, including the Mississaugas of the Credit, the Anishnabeg, the Chippewa, the Haudenosaunee and the Wendat peoples, and that this land is now home to many diverse First Nations, Inuit, and Métis peoples. CONTACT is committed to promoting Indigenous voices; to generating spaces for ongoing, meaningful, and creative Indigenous-settler dialogue; and to continuous learning about our place on this land.

Anti-Oppression

CONTACT is committed to the ongoing development of meaningful anti-oppressive practice on all levels. This includes our continuing goal of augmenting and maintaining diverse representation, foregrounding varied and under-represented voices and perspectives via our public platform (the Festival and all related programs), as well as continually examining the structures of power and decision-making within the organization itself. We aim to actively learn, grow, and embody the values of inclusivity, equity, and accessibility in all facets of the institution, as an ever-evolving process.