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OverviewCorePublic ArtOpen CallArtists
  • Overview
  • Core
  • Public Art
  • Open Call
  • Artists
Archives 2012 Public Art

Jim Goldberg Open See

April 30 – June 3, 2012
  • Billboards at Spadina Ave and Front St W, NE corner
Jim Goldberg, Open See
Jim Goldberg, Open See
Jim Goldberg, Open See
Jim Goldberg, Open See
Jim Goldberg, Eropa, Senegal
Jim Goldberg, Open See

Open See is Jim Goldberg’s ongoing project about displaced peoples from the regions of Eastern Europe, Africa, and India—the refugees, immigrants, and trafficked individuals—who hope to make a better life for themselves in Western Europe. Leaving behind war, disease, and economic devastation, they often struggle to find a place within their adopted countries—while Europe, in turn, struggles to adapt to them. Aware of the tendency of photojournalism to create a spectacle of suffering—and in the process desensitize its audience—Goldberg strives to create the conditions for an active engagement with his images.

Not wanting to speak on behalf of the people he photographs, Goldberg invites his subjects to participate in the making of his work. Presented on street-level advertising units, each of the artist’s Polaroid images features a drawing or message handwritten on it; each person photographed conveys their own story in the manner of their choosing. Goldberg’s subjects are given a public voice, the inscriptions adding layers of meaning to create images that are multifaceted. What results is a form of documentary storytelling that produces a dynamic relationship between subject, artist, and viewer. Supplying geographic grounding and a collective scope, large-format billboards feature dramatic views of a crowd of refugees and a makeshift encampment. Situated within an increasingly dense zone of condominium development at Front and Spadina, the installation challenges the passersby to consider the lives of people who are often overlooked.

Supported by Pattison Outdoor Advertising.

Curated by Bonnie Rubenstein

Max Dean Album

Art Gallery of Ontario & Various CONTACT Events
Archives 2012 Public Art

Jim Goldberg Open See

Billboards at Spadina Ave and Front St W, NE corner
Archives 2012 Public Art

Melanie Manchot The Continuous Still

Distillery Historic District
Archives 2012 Public Art

Sleeping Soldiers

Lansdowne and College Billboards
Archives 2012 Public Art

Scott McFarland Corner of the Courageous

Museum of Contemporary Canadian Art, courtyard
Archives 2012 Public Art

Sabine Bitter / Helmut Weber Super Students #1

The Power Plant façade
Archives 2012 Public Art

Bill Sullivan More Turns (The Subway Turnstile Pictures) and Stop Down (The Elevator Pictures)

Toronto Pearson International Airport, Terminal 1
Archives 2012 Public Art

Group Exhibition Contacting Toronto: We’re in this Together

TTC LCD Screens & Subway Station Posters
Archives 2012 Public Art

Derek Besant Pattison Special Project: Public Spaces/Private Thoughts

TTC Subway Station Posters
Archives 2012 Public Art
OverviewCorePublic ArtOpen CallArtists
  • Overview
  • Core
  • Public Art
  • Open Call
  • Artists
Archives 2012 Public Art

Jim Goldberg Open See

April 30 – June 3, 2012
  • Billboards at Spadina Ave and Front St W, NE corner
Jim Goldberg, Open See
Jim Goldberg, Open See
Jim Goldberg, Open See
Jim Goldberg, Open See
Jim Goldberg, Eropa, Senegal
Jim Goldberg, Open See

Open See is Jim Goldberg’s ongoing project about displaced peoples from the regions of Eastern Europe, Africa, and India—the refugees, immigrants, and trafficked individuals—who hope to make a better life for themselves in Western Europe. Leaving behind war, disease, and economic devastation, they often struggle to find a place within their adopted countries—while Europe, in turn, struggles to adapt to them. Aware of the tendency of photojournalism to create a spectacle of suffering—and in the process desensitize its audience—Goldberg strives to create the conditions for an active engagement with his images.

Not wanting to speak on behalf of the people he photographs, Goldberg invites his subjects to participate in the making of his work. Presented on street-level advertising units, each of the artist’s Polaroid images features a drawing or message handwritten on it; each person photographed conveys their own story in the manner of their choosing. Goldberg’s subjects are given a public voice, the inscriptions adding layers of meaning to create images that are multifaceted. What results is a form of documentary storytelling that produces a dynamic relationship between subject, artist, and viewer. Supplying geographic grounding and a collective scope, large-format billboards feature dramatic views of a crowd of refugees and a makeshift encampment. Situated within an increasingly dense zone of condominium development at Front and Spadina, the installation challenges the passersby to consider the lives of people who are often overlooked.

Supported by Pattison Outdoor Advertising.

Curated by Bonnie Rubenstein

Max Dean Album

Art Gallery of Ontario & Various CONTACT Events
Archives 2012 Public Art

Jim Goldberg Open See

Billboards at Spadina Ave and Front St W, NE corner
Archives 2012 Public Art

Melanie Manchot The Continuous Still

Distillery Historic District
Archives 2012 Public Art

Sleeping Soldiers

Lansdowne and College Billboards
Archives 2012 Public Art

Scott McFarland Corner of the Courageous

Museum of Contemporary Canadian Art, courtyard
Archives 2012 Public Art

Sabine Bitter / Helmut Weber Super Students #1

The Power Plant façade
Archives 2012 Public Art

Bill Sullivan More Turns (The Subway Turnstile Pictures) and Stop Down (The Elevator Pictures)

Toronto Pearson International Airport, Terminal 1
Archives 2012 Public Art

Group Exhibition Contacting Toronto: We’re in this Together

TTC LCD Screens & Subway Station Posters
Archives 2012 Public Art

Derek Besant Pattison Special Project: Public Spaces/Private Thoughts

TTC Subway Station Posters
Archives 2012 Public Art

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80 Spadina Ave, Ste 205
Toronto, M5V 2J4
Canada

416 539 9595 info @ contactphoto.com Instagram

CONTACT is a Toronto based non-profit organization dedicated to exhibiting, analyzing and celebrating photography and lens-based media through an annual festival that takes place every May.

Land Acknowledgement

CONTACT acknowledges that we live and work on the traditional territory of many nations, including the Mississaugas of the Credit, the Anishnabeg, the Chippewa, the Haudenosaunee and the Wendat peoples, and that this land is now home to many diverse First Nations, Inuit, and Métis peoples. CONTACT is committed to promoting Indigenous voices; to generating spaces for ongoing, meaningful, and creative Indigenous-settler dialogue; and to continuous learning about our place on this land.

Anti-Oppression

CONTACT is committed to the ongoing development of meaningful anti-oppressive practice on all levels. This includes our continuing goal of augmenting and maintaining diverse representation, foregrounding varied and under-represented voices and perspectives via our public platform (the Festival and all related programs), as well as continually examining the structures of power and decision-making within the organization itself. We aim to actively learn, grow, and embody the values of inclusivity, equity, and accessibility in all facets of the institution, as an ever-evolving process.