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OverviewCorePublic ArtOpen CallArtists
  • Overview
  • Core
  • Public Art
  • Open Call
  • Artists
Archives 2010 primary exhibition

David Rokeby, Lewis Kaye Through the Vanishing Point

April 29 – May 29, 2010
  • McLuhan Program in Culture and Technology (The Coach House), University of Toronto
Exterior view of Through the Vanishing Point
Courtesy of the University of Toronto Archives, B1998-0033 Robert Lansdale Photography Limited.
Interior view of Through the Vanishing Point

To reflect on the enduring influence of Marshall McLuhan and the relevance of his theories to this year’s CONTACT festival, Canadian artists Lewis Kaye and David Rokeby were commissioned to create site-specific works at the McLuhan Program in Culture and Technology. As the framework of the installation they drew from Marshall McLuhan’s book Through the Vanishing Point: Space in Poetry and Painting (coauthored by Harley Parker), 1968, which explores the way electronic media fragments the homogenous experience of space.

From 1963 until his death in 1980, McLuhan conducted his groundbreaking research on the nature of communication, media and technology at this site, which is commonly known as the Coach House. Presenting two separate but complementary works, the artists visually and aurally reconstruct McLuhan’s presence here. Rokeby’s installation maps archival photographs and video into the space of the seminar room. Kaye’s on-site and podcast sound compositions use archival recordings to animate the history and aurality of the building. Working with McLuhan’s ideas about acoustic and visual space, the artists recreate the atmosphere of his Monday night seminars.

Lewis Kaye has a longstanding fascination with interplay of sound, space, and technology. His solo work often explores the aurality of everyday spaces, and he has contributed soundscape compositions to video, installations and performance projects. He recently completed a Ph.D. in Communication and Culture at York University in Toronto, where he currently resides.

David Rokeby lives in Toronto and works with interactive and time-based media. Several of his works have addressed issues of digital surveillance, while others have engaged in critical examination of the differences between human and artificial intelligence. Rokeby has exhibited and lectured extensively in the Americas, Europe and Asia. Recent projects include a massive kinetic sculpture for the Ontario Science Centre, and a 400 foot long sculpture in Brookfield Place, Toronto for Luminato 2009.

Through The Vanishing Point Podcasts

The podcast component of Lewis Kaye’s work can be downloaded from this page. These three podcast files are designed for both the Coach House installation and stand-alone listening. Please press the play button below each track name to listen immediately or if you would like to save the podcast to your computer right click on the DOWNLOAD link and save the mp3 files to your preferred local folder. You can listen to these files on any sound system, but because they use binaural recordings they are best experienced with headphones, ideally with your portable MP3 player under the six-channel sound installation at the Coach House itself.

Thompson_Parker_McLuhan

Download [11.1 MB]

McLuhan and Parker At The Vanishing Point

Download [11.9MB]

Monday Night Seminar Space

Download [9.6MB]

Curated by Bonnie Rubenstein

David Rokeby, Lewis Kaye Through the Vanishing Point

McLuhan Program in Culture and Technology (The Coach House), University of Toronto
Archives 2010 primary exhibition

Group Exhibition The Mechanical Bride

Museum of Contemporary Canadian Art
Archives 2010 primary exhibition

Group Exhibition The Brothel Without Walls

University of Toronto Art Centre
Archives 2010 primary exhibition

Meera Margaret Singh Nightingale

3rd Floor
Archives 2010 featured exhibition

Group Exhibition Ukrainian Journey

Alliance Francaise De Toronto – Galerie Pierre-Leon
Archives 2010 featured exhibition

Survey 2002 – 2007 / Homeless • Home / Familia Lavandria • Family Laundry

Angell Gallery
Archives 2010 featured exhibition

Group Exhibition Hermann & Audrey

Baitshop
Archives 2010 featured exhibition

Glen Baxter Right To Play – Azerbaijan, 2009

Boss Store
Archives 2010 featured exhibition

Finbarr O'Reilly Congo on the Wire

Canadian Broadcasting Centre – Barbara Frum Atrium
Archives 2010 featured exhibition

Adam Harrison La Notte on a Laptop

Clark & Faria
Archives 2010 featured exhibition

Zed Nelson, Jodi Bieber, Lauren Greenfield The Skin you Love to Touch

CONTACT Gallery
Archives 2010 featured exhibition

Thaddeus Holownia Silver Ghost

Corkin Gallery
Archives 2010 featured exhibition

Jennifer Greenburg, Mary Farmilant, Patty Carroll REWind

The Department Inc.
Archives 2010 featured exhibition

Group Exhibition You May Feel Something

The Drake Hotel
Archives 2010 featured exhibition

Group Exhibition Always Moving Forward: Contemporary African Photography from The Wedge Collection

Gallery 44
Archives 2010 featured exhibition

Eric Baudelaire Unfinished Business

Gallery TPW
Archives 2010 featured exhibition

Zach Slootsky Disposable Hold

Gladstone Hotel — 4th Floor
Archives 2010 featured exhibition

Barbara Probst Exposures

Jessica Bradley Gallery
Archives 2010 featured exhibition

James Robert Durant Tropical Punch

Lausberg Contemporary
Archives 2010 featured exhibition

Carlos Sanchez, Jason Sanchez CARLOS & JASON SANCHEZ

Nicholas Metivier Gallery
Archives 2010 featured exhibition

Group Exhibition Subjective

O’Born Contemporary
Archives 2010 featured exhibition

LOS SOÑADORS

Olga Korper Gallery
Archives 2010 featured exhibition

Susana Reisman Selective Affinities

Peak Gallery
Archives 2010 featured exhibition

USER, Portraits of Crack Addicts

Pikto
Archives 2010 featured exhibition

Penelope Umbrico Broken Sets / eBAY

p|m Gallery
Archives 2010 featured exhibition

Guillaume Cailleau Creative Commons

Royal Ontario Museum – Spirit House
Archives 2010 featured exhibition

Group Exhibition In Her Presence: Selected Photographs by Women from the Mira Godard Research Centre, Ryerson University

Ryerson Gallery
Archives 2010 featured exhibition

Ruth Kaplan Some Kind of Divine

Ryerson Gallery
Archives 2010 featured exhibition

Group Exhibition Subjective

Spoke Club
Archives 2010 featured exhibition

The Pervasive View: Vintage Prints from the National Geographic Image Collection

Stephen Bulger Gallery
Archives 2010 featured exhibition

Miki Gingras, Patrick Dionne Humanidad - Working Childern

Toronto Image Works Gallery
Archives 2010 featured exhibition

Sara Angelucci Lacrimosa

Wynick/Tuck Gallery
Archives 2010 featured exhibition

Marina Black The VERSTS (Версты)

XEXE Gallery
Archives 2010 featured exhibition
OverviewCorePublic ArtOpen CallArtists
  • Overview
  • Core
  • Public Art
  • Open Call
  • Artists
Archives 2010 primary exhibition

David Rokeby, Lewis Kaye Through the Vanishing Point

April 29 – May 29, 2010
  • McLuhan Program in Culture and Technology (The Coach House), University of Toronto
Exterior view of Through the Vanishing Point
Courtesy of the University of Toronto Archives, B1998-0033 Robert Lansdale Photography Limited.
Interior view of Through the Vanishing Point

To reflect on the enduring influence of Marshall McLuhan and the relevance of his theories to this year’s CONTACT festival, Canadian artists Lewis Kaye and David Rokeby were commissioned to create site-specific works at the McLuhan Program in Culture and Technology. As the framework of the installation they drew from Marshall McLuhan’s book Through the Vanishing Point: Space in Poetry and Painting (coauthored by Harley Parker), 1968, which explores the way electronic media fragments the homogenous experience of space.

From 1963 until his death in 1980, McLuhan conducted his groundbreaking research on the nature of communication, media and technology at this site, which is commonly known as the Coach House. Presenting two separate but complementary works, the artists visually and aurally reconstruct McLuhan’s presence here. Rokeby’s installation maps archival photographs and video into the space of the seminar room. Kaye’s on-site and podcast sound compositions use archival recordings to animate the history and aurality of the building. Working with McLuhan’s ideas about acoustic and visual space, the artists recreate the atmosphere of his Monday night seminars.

Lewis Kaye has a longstanding fascination with interplay of sound, space, and technology. His solo work often explores the aurality of everyday spaces, and he has contributed soundscape compositions to video, installations and performance projects. He recently completed a Ph.D. in Communication and Culture at York University in Toronto, where he currently resides.

David Rokeby lives in Toronto and works with interactive and time-based media. Several of his works have addressed issues of digital surveillance, while others have engaged in critical examination of the differences between human and artificial intelligence. Rokeby has exhibited and lectured extensively in the Americas, Europe and Asia. Recent projects include a massive kinetic sculpture for the Ontario Science Centre, and a 400 foot long sculpture in Brookfield Place, Toronto for Luminato 2009.

Through The Vanishing Point Podcasts

The podcast component of Lewis Kaye’s work can be downloaded from this page. These three podcast files are designed for both the Coach House installation and stand-alone listening. Please press the play button below each track name to listen immediately or if you would like to save the podcast to your computer right click on the DOWNLOAD link and save the mp3 files to your preferred local folder. You can listen to these files on any sound system, but because they use binaural recordings they are best experienced with headphones, ideally with your portable MP3 player under the six-channel sound installation at the Coach House itself.

Thompson_Parker_McLuhan

Download [11.1 MB]

McLuhan and Parker At The Vanishing Point

Download [11.9MB]

Monday Night Seminar Space

Download [9.6MB]

Curated by Bonnie Rubenstein

David Rokeby, Lewis Kaye Through the Vanishing Point

McLuhan Program in Culture and Technology (The Coach House), University of Toronto
Archives 2010 primary exhibition

Group Exhibition The Mechanical Bride

Museum of Contemporary Canadian Art
Archives 2010 primary exhibition

Group Exhibition The Brothel Without Walls

University of Toronto Art Centre
Archives 2010 primary exhibition

Meera Margaret Singh Nightingale

3rd Floor
Archives 2010 featured exhibition

Group Exhibition Ukrainian Journey

Alliance Francaise De Toronto – Galerie Pierre-Leon
Archives 2010 featured exhibition

Survey 2002 – 2007 / Homeless • Home / Familia Lavandria • Family Laundry

Angell Gallery
Archives 2010 featured exhibition

Group Exhibition Hermann & Audrey

Baitshop
Archives 2010 featured exhibition

Glen Baxter Right To Play – Azerbaijan, 2009

Boss Store
Archives 2010 featured exhibition

Finbarr O'Reilly Congo on the Wire

Canadian Broadcasting Centre – Barbara Frum Atrium
Archives 2010 featured exhibition

Adam Harrison La Notte on a Laptop

Clark & Faria
Archives 2010 featured exhibition

Zed Nelson, Jodi Bieber, Lauren Greenfield The Skin you Love to Touch

CONTACT Gallery
Archives 2010 featured exhibition

Thaddeus Holownia Silver Ghost

Corkin Gallery
Archives 2010 featured exhibition

Jennifer Greenburg, Mary Farmilant, Patty Carroll REWind

The Department Inc.
Archives 2010 featured exhibition

Group Exhibition You May Feel Something

The Drake Hotel
Archives 2010 featured exhibition

Group Exhibition Always Moving Forward: Contemporary African Photography from The Wedge Collection

Gallery 44
Archives 2010 featured exhibition

Eric Baudelaire Unfinished Business

Gallery TPW
Archives 2010 featured exhibition

Zach Slootsky Disposable Hold

Gladstone Hotel — 4th Floor
Archives 2010 featured exhibition

Barbara Probst Exposures

Jessica Bradley Gallery
Archives 2010 featured exhibition

James Robert Durant Tropical Punch

Lausberg Contemporary
Archives 2010 featured exhibition

Carlos Sanchez, Jason Sanchez CARLOS & JASON SANCHEZ

Nicholas Metivier Gallery
Archives 2010 featured exhibition

Group Exhibition Subjective

O’Born Contemporary
Archives 2010 featured exhibition

LOS SOÑADORS

Olga Korper Gallery
Archives 2010 featured exhibition

Susana Reisman Selective Affinities

Peak Gallery
Archives 2010 featured exhibition

USER, Portraits of Crack Addicts

Pikto
Archives 2010 featured exhibition

Penelope Umbrico Broken Sets / eBAY

p|m Gallery
Archives 2010 featured exhibition

Guillaume Cailleau Creative Commons

Royal Ontario Museum – Spirit House
Archives 2010 featured exhibition

Group Exhibition In Her Presence: Selected Photographs by Women from the Mira Godard Research Centre, Ryerson University

Ryerson Gallery
Archives 2010 featured exhibition

Ruth Kaplan Some Kind of Divine

Ryerson Gallery
Archives 2010 featured exhibition

Group Exhibition Subjective

Spoke Club
Archives 2010 featured exhibition

The Pervasive View: Vintage Prints from the National Geographic Image Collection

Stephen Bulger Gallery
Archives 2010 featured exhibition

Miki Gingras, Patrick Dionne Humanidad - Working Childern

Toronto Image Works Gallery
Archives 2010 featured exhibition

Sara Angelucci Lacrimosa

Wynick/Tuck Gallery
Archives 2010 featured exhibition

Marina Black The VERSTS (Версты)

XEXE Gallery
Archives 2010 featured exhibition

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CONTACT is a Toronto based non-profit organization dedicated to exhibiting, analyzing and celebrating photography and lens-based media through an annual festival that takes place every May.

Land Acknowledgement

CONTACT acknowledges that we live and work on the traditional territory of many nations, including the Mississaugas of the Credit, the Anishnabeg, the Chippewa, the Haudenosaunee and the Wendat peoples, and that this land is now home to many diverse First Nations, Inuit, and Métis peoples. CONTACT is committed to promoting Indigenous voices; to generating spaces for ongoing, meaningful, and creative Indigenous-settler dialogue; and to continuous learning about our place on this land.

Anti-Oppression

CONTACT is committed to the ongoing development of meaningful anti-oppressive practice on all levels. This includes our continuing goal of augmenting and maintaining diverse representation, foregrounding varied and under-represented voices and perspectives via our public platform (the Festival and all related programs), as well as continually examining the structures of power and decision-making within the organization itself. We aim to actively learn, grow, and embody the values of inclusivity, equity, and accessibility in all facets of the institution, as an ever-evolving process.