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  • Open Call
Archives 2008 Public Art

SOUVENIR D'ITALIE

May 1 – 31, 2008
  • Consulate General of Italy
Luciano Romano, Souvenir d’ Italie, 2006 (Installation View)

Venice, the Ponte degli Scalzi: an endless stream
of visitors crosses the bridge at all hours of the
night as they make their way through an epic city.
Naples, in front of Maschio Angioino: a large
truck selling porchetta competes for space with a
sightseeing tour bus amidst the chaos of a vibrant
metropolis. Florence, Santa Maria Novella Square:
a timeless statue of Neptune appears genuinely
puzzled as he appears to observe a frenzied woman
being projected onto an enormous film screen.


Raffaela Mariniello’s enchanting photographs
capture the essence of Italian tourist
destinations by revealing how their present and
past histories effortlessly intermingle. These
nocturnal cityscapes, taken using long exposures,
transform urban spaces into images of
extraordinary beauty and pathos. In each work,
memorable architecture, steeped in history,
becomes a backdrop to the bustling street life of
the present day. The artist remarks that, “… to
visit the original venues is like being
photographed surrounded by their reproduction.”


Souvenir d’Italie is a site-specific installation
of images along the fence of the Consulate General
of Italy. Similar to many of the locations
captured in Mariniello’s images, the consulate
building is a heritage site – a Victorian mansion
built in 1872 within an area that was once a hub
of activity for the Italian community. As
passer-bys encounter these photographs of
promenade scenes that juxtapose the old with the
new, they will find themselves occupying the same
position of the photographer – standing in the
foreground of a historic landmark that has been
infused with new life.


Mariniello was born in Naples where she currently
works and lives. The artist’s meticulously crafted
photographs are in the vein of a social realist
tradition. She depicts the everyday socio-economic
realities of urban and industrial spaces, while
imbuing each image with a sense of the sublime.


Presented in partnership with the Italian Cultural
Institute – Consulate General of Italy, Toronto.

Curated by Bonnie Rubenstein

Rhythm of a True Space, 2008

Art Gallery of Ontario Construction Hoarding
Archives 2008 Public Art

SOUVENIR D'ITALIE

Consulate General of Italy
Archives 2008 Public Art

Magnum In Motion

The Drake Hotel
Archives 2008 Public Art

Tree Portraits

The Gardiner Expressway Columns
Archives 2008 Public Art

Disapearance of Darkness

Museum of Contemporary Canadian Art, courtyard
Archives 2008 Public Art

Obelisk

Queen St W
Archives 2008 Public Art

Drive By

University of Toronto Art Centre
Archives 2008 Public Art
OverviewCorePublic ArtOpen Call
  • Overview
  • Core
  • Public Art
  • Open Call
Archives 2008 Public Art

SOUVENIR D'ITALIE

May 1 – 31, 2008
  • Consulate General of Italy
Luciano Romano, Souvenir d’ Italie, 2006 (Installation View)

Venice, the Ponte degli Scalzi: an endless stream
of visitors crosses the bridge at all hours of the
night as they make their way through an epic city.
Naples, in front of Maschio Angioino: a large
truck selling porchetta competes for space with a
sightseeing tour bus amidst the chaos of a vibrant
metropolis. Florence, Santa Maria Novella Square:
a timeless statue of Neptune appears genuinely
puzzled as he appears to observe a frenzied woman
being projected onto an enormous film screen.


Raffaela Mariniello’s enchanting photographs
capture the essence of Italian tourist
destinations by revealing how their present and
past histories effortlessly intermingle. These
nocturnal cityscapes, taken using long exposures,
transform urban spaces into images of
extraordinary beauty and pathos. In each work,
memorable architecture, steeped in history,
becomes a backdrop to the bustling street life of
the present day. The artist remarks that, “… to
visit the original venues is like being
photographed surrounded by their reproduction.”


Souvenir d’Italie is a site-specific installation
of images along the fence of the Consulate General
of Italy. Similar to many of the locations
captured in Mariniello’s images, the consulate
building is a heritage site – a Victorian mansion
built in 1872 within an area that was once a hub
of activity for the Italian community. As
passer-bys encounter these photographs of
promenade scenes that juxtapose the old with the
new, they will find themselves occupying the same
position of the photographer – standing in the
foreground of a historic landmark that has been
infused with new life.


Mariniello was born in Naples where she currently
works and lives. The artist’s meticulously crafted
photographs are in the vein of a social realist
tradition. She depicts the everyday socio-economic
realities of urban and industrial spaces, while
imbuing each image with a sense of the sublime.


Presented in partnership with the Italian Cultural
Institute – Consulate General of Italy, Toronto.

Curated by Bonnie Rubenstein

Rhythm of a True Space, 2008

Art Gallery of Ontario Construction Hoarding
Archives 2008 Public Art

SOUVENIR D'ITALIE

Consulate General of Italy
Archives 2008 Public Art

Magnum In Motion

The Drake Hotel
Archives 2008 Public Art

Tree Portraits

The Gardiner Expressway Columns
Archives 2008 Public Art

Disapearance of Darkness

Museum of Contemporary Canadian Art, courtyard
Archives 2008 Public Art

Obelisk

Queen St W
Archives 2008 Public Art

Drive By

University of Toronto Art Centre
Archives 2008 Public Art

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CONTACT is a Toronto based non-profit organization dedicated to exhibiting, analyzing and celebrating photography and lens-based media through an annual festival that takes place every May.

Land Acknowledgement

CONTACT acknowledges that we live and work on the traditional territory of many nations, including the Mississaugas of the Credit, the Anishnabeg, the Chippewa, the Haudenosaunee and the Wendat peoples, and that this land is now home to many diverse First Nations, Inuit, and Métis peoples. CONTACT is committed to promoting Indigenous voices; to generating spaces for ongoing, meaningful, and creative Indigenous-settler dialogue; and to continuous learning about our place on this land.

Anti-Oppression

CONTACT is committed to the ongoing development of meaningful anti-oppressive practice on all levels. This includes our continuing goal of augmenting and maintaining diverse representation, foregrounding varied and under-represented voices and perspectives via our public platform (the Festival and all related programs), as well as continually examining the structures of power and decision-making within the organization itself. We aim to actively learn, grow, and embody the values of inclusivity, equity, and accessibility in all facets of the institution, as an ever-evolving process.