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Archives 2008 Public Art

Rhythm of a True Space, 2008

May 1 – 31, 2008
  • Art Gallery of Ontario Construction Hoarding
Suzy Lake, Rhythm of a True Space, 2008, installation view, McCaul St
Suzy Lake, Rhythm of a True Space, 2008, installation view, McCaul St
Suzy Lake, Rhythm of a True Space, 2008, installation view, McCaul St

Toronto artist Suzy Lake has been exploring issues relating to the body, gender, and identity since the 1970s. Throughout her prolific career working with video, performance, and photography, she has consistently used herself as a model to transform into characters like Miss Chatelaine, a Spice Girl, or Dirk Bogarde, that examine representations of femininity, desirability and ageing.

In Rhythm of a True Space, 2008, a site-specific installation created for the Art Gallery of Ontario in collaboration with CONTACT, Lake revisits a 1997 photographic concept in response to the museum’s transformation, now in its last months of construction. Lake’s “sweeping figures” evoke Cinderella, a fairytale character whose story has long been embedded in our collective memory. Absorbed in their task, these figures transcend mere servitude. Their larger-than-life scale recalls the caryatids of ancient architecture, while the strength of their determined gestures suggests the preparation of something new. Discontinuous bands of green wall reverberate between the figures to create a dynamic rhythm. Not only does the simple act of sweeping come alive, in this way, it becomes generic and metaphorical, linking private work and public work. Sweeping no longer simply stands in as a routine chore; it augurs a new moment.

Rhythm of a True Space transforms the AGO’s static construction hoarding into a space of activity and creativity, at once personal and public, one that heralds momentum and anticipates the realization of a true space.

Born in Detroit, Michigan, Suzy Lake immigrated to Montreal in 1968 after the Detroit race riots. There, as a socially and politically active artist, she became a founding member of Véhicule Art, a pioneering artist-run gallery. Since 1978, Lake has been teaching in the Studio Art program at the University of Guelph. She has exhibited her work nationally and internationally, most recently in the landmark exhibition WACK! Art and the Feminist Revolution at P.S.1 Contemporary Art Center in New York. She lives and works in Toronto and is represented by Paul Petro Contemporary Art, Toronto.

Curated by Bonnie Rubenstein & Sophie Hackett

Rhythm of a True Space, 2008

Art Gallery of Ontario Construction Hoarding
Archives 2008 Public Art

SOUVENIR D'ITALIE

Consulate General of Italy
Archives 2008 Public Art

Magnum In Motion

The Drake Hotel
Archives 2008 Public Art

Tree Portraits

The Gardiner Expressway Columns
Archives 2008 Public Art

Disapearance of Darkness

Museum of Contemporary Canadian Art, courtyard
Archives 2008 Public Art

Obelisk

Queen St W
Archives 2008 Public Art

Drive By

University of Toronto Art Centre
Archives 2008 Public Art
OverviewCorePublic ArtOpen Call
  • Overview
  • Core
  • Public Art
  • Open Call
Archives 2008 Public Art

Rhythm of a True Space, 2008

May 1 – 31, 2008
  • Art Gallery of Ontario Construction Hoarding
Suzy Lake, Rhythm of a True Space, 2008, installation view, McCaul St
Suzy Lake, Rhythm of a True Space, 2008, installation view, McCaul St
Suzy Lake, Rhythm of a True Space, 2008, installation view, McCaul St

Toronto artist Suzy Lake has been exploring issues relating to the body, gender, and identity since the 1970s. Throughout her prolific career working with video, performance, and photography, she has consistently used herself as a model to transform into characters like Miss Chatelaine, a Spice Girl, or Dirk Bogarde, that examine representations of femininity, desirability and ageing.

In Rhythm of a True Space, 2008, a site-specific installation created for the Art Gallery of Ontario in collaboration with CONTACT, Lake revisits a 1997 photographic concept in response to the museum’s transformation, now in its last months of construction. Lake’s “sweeping figures” evoke Cinderella, a fairytale character whose story has long been embedded in our collective memory. Absorbed in their task, these figures transcend mere servitude. Their larger-than-life scale recalls the caryatids of ancient architecture, while the strength of their determined gestures suggests the preparation of something new. Discontinuous bands of green wall reverberate between the figures to create a dynamic rhythm. Not only does the simple act of sweeping come alive, in this way, it becomes generic and metaphorical, linking private work and public work. Sweeping no longer simply stands in as a routine chore; it augurs a new moment.

Rhythm of a True Space transforms the AGO’s static construction hoarding into a space of activity and creativity, at once personal and public, one that heralds momentum and anticipates the realization of a true space.

Born in Detroit, Michigan, Suzy Lake immigrated to Montreal in 1968 after the Detroit race riots. There, as a socially and politically active artist, she became a founding member of Véhicule Art, a pioneering artist-run gallery. Since 1978, Lake has been teaching in the Studio Art program at the University of Guelph. She has exhibited her work nationally and internationally, most recently in the landmark exhibition WACK! Art and the Feminist Revolution at P.S.1 Contemporary Art Center in New York. She lives and works in Toronto and is represented by Paul Petro Contemporary Art, Toronto.

Curated by Bonnie Rubenstein & Sophie Hackett

Rhythm of a True Space, 2008

Art Gallery of Ontario Construction Hoarding
Archives 2008 Public Art

SOUVENIR D'ITALIE

Consulate General of Italy
Archives 2008 Public Art

Magnum In Motion

The Drake Hotel
Archives 2008 Public Art

Tree Portraits

The Gardiner Expressway Columns
Archives 2008 Public Art

Disapearance of Darkness

Museum of Contemporary Canadian Art, courtyard
Archives 2008 Public Art

Obelisk

Queen St W
Archives 2008 Public Art

Drive By

University of Toronto Art Centre
Archives 2008 Public Art

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CONTACT is a Toronto based non-profit organization dedicated to exhibiting, analyzing and celebrating photography and lens-based media through an annual festival that takes place every May.

Land Acknowledgement

CONTACT acknowledges that we live and work on the traditional territory of many nations, including the Mississaugas of the Credit, the Anishnabeg, the Chippewa, the Haudenosaunee and the Wendat peoples, and that this land is now home to many diverse First Nations, Inuit, and Métis peoples. CONTACT is committed to promoting Indigenous voices; to generating spaces for ongoing, meaningful, and creative Indigenous-settler dialogue; and to continuous learning about our place on this land.

Anti-Oppression

CONTACT is committed to the ongoing development of meaningful anti-oppressive practice on all levels. This includes our continuing goal of augmenting and maintaining diverse representation, foregrounding varied and under-represented voices and perspectives via our public platform (the Festival and all related programs), as well as continually examining the structures of power and decision-making within the organization itself. We aim to actively learn, grow, and embody the values of inclusivity, equity, and accessibility in all facets of the institution, as an ever-evolving process.