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OverviewCorePublic ArtOpen Call
  • Overview
  • Core
  • Public Art
  • Open Call
Archives 2008 featured exhibition

Silent Warriors

May 1 – 31, 2008
  • Odon Wagner Contemporary
Eric Klemm, Micki, Comanche, Nov. 11, 2006

In Silent Warriors, Eric Klemm recalls the
photographic tradition of American photographer
Edward Curtis, whose pictorialist aesthetic
created a romanticized ethnography of North
American Indians and constructed a cultural memory
rooted in sentiment. For this series, Klemm
traveled through Canada and the United States,
compiling 300 portraits over the course of one year.

Klemm deconstructs the grand narrative associated
with Curtis’ images of the North American Indian
and his portraits reveal a contemporary,
straightforward and vital depiction of reality.
While Curtis embraced pose and embellishment,
Klemm decidedly avoids this, and relies on the
spontaneity of his encounters with his subjects
and the relationship fostered from that moment.
Whether capturing a subject dressed for a ceremony
or in everday clothes, Klemm photographs against a
pure white backdrop and uses only natural light,
removing any opportunity for assumption. There is
no pretense and Klemm’s images silently
communicate pathos, pride and defiance. These
uncompromising portraits offer a relevant and
realistic visual record of the human spirit.

This award winning series will be published by
Stiedl in the fall of 2008 and a limited edition
version of the book will be available during the
exhibition. A selection of Klemm’s Shavings series
will also be on view.

Curated by Odon Wagner

Between Memory and History: From the Epic to the Everyday

Museum of Contemporary Canadian Art
Archives 2008 primary exhibition

Sommes-nous? Tendance Floue

Alliance Française Gallery
Archives 2008 featured exhibition

Family Album

Angell Gallery
Archives 2008 featured exhibition

Confabulation / Shanghai Dragon

Birch Libralato
Archives 2008 featured exhibition

Gun Control

Brayham Contemporary Art
Archives 2008 featured exhibition

Photo Narratives: Remembering the 20th Century

Brookfield Place
Archives 2008 featured exhibition

Magnum Workshop Exhibition

CONTACT Gallery
Archives 2008 featured exhibition

EMPTY LOTS / ANIKORA-SEIFUKU

Corkin Gallery
Archives 2008 featured exhibition

Normal Work

Gallery 44
Archives 2008 featured exhibition

100 Stories About My Grandmother

Gallery TPW
Archives 2008 featured exhibition

A New City / Here

Gladstone Hotel – 3rd & 4th Fl
Archives 2008 featured exhibition

I am Elvis

Gladstone Hotel – Art Bar
Archives 2008 featured exhibition

PORTFOLIO REVIEWS EXHIBITION

HP Print Centre
Archives 2008 featured exhibition

Drawn from Memory

Monte Clark Gallery
Archives 2008 featured exhibition

The Entire City Project

Nicholas Metivier Gallery
Archives 2008 featured exhibition

Silent Warriors

Odon Wagner Contemporary
Archives 2008 featured exhibition

Aufhebung

Olga Korper Gallery
Archives 2008 featured exhibition

Parking on Personal Webcams

Peak Gallery
Archives 2008 featured exhibition

The Uchronie Fragments

Pikto
Archives 2008 featured exhibition

The Gaza Strip: When Brothers Fight

Ryerson Gallery
Archives 2008 featured exhibition

Dream City of America

Scotiabank- Main Banking Hall – Scotia Plaza
Archives 2008 featured exhibition

Don't Mess with the Pediment

Stephen Bulger Gallery
Archives 2008 featured exhibition

Contamination

Susan Hobbs Gallery
Archives 2008 featured exhibition

Srebrenica: The Absence

Toronto Image Works Gallery
Archives 2008 featured exhibition

Accumulated Histories / Disturbance

York Quay Centre
Archives 2008 featured exhibition
OverviewCorePublic ArtOpen Call
  • Overview
  • Core
  • Public Art
  • Open Call
Archives 2008 featured exhibition

Silent Warriors

May 1 – 31, 2008
  • Odon Wagner Contemporary
Eric Klemm, Micki, Comanche, Nov. 11, 2006

In Silent Warriors, Eric Klemm recalls the
photographic tradition of American photographer
Edward Curtis, whose pictorialist aesthetic
created a romanticized ethnography of North
American Indians and constructed a cultural memory
rooted in sentiment. For this series, Klemm
traveled through Canada and the United States,
compiling 300 portraits over the course of one year.

Klemm deconstructs the grand narrative associated
with Curtis’ images of the North American Indian
and his portraits reveal a contemporary,
straightforward and vital depiction of reality.
While Curtis embraced pose and embellishment,
Klemm decidedly avoids this, and relies on the
spontaneity of his encounters with his subjects
and the relationship fostered from that moment.
Whether capturing a subject dressed for a ceremony
or in everday clothes, Klemm photographs against a
pure white backdrop and uses only natural light,
removing any opportunity for assumption. There is
no pretense and Klemm’s images silently
communicate pathos, pride and defiance. These
uncompromising portraits offer a relevant and
realistic visual record of the human spirit.

This award winning series will be published by
Stiedl in the fall of 2008 and a limited edition
version of the book will be available during the
exhibition. A selection of Klemm’s Shavings series
will also be on view.

Curated by Odon Wagner

Between Memory and History: From the Epic to the Everyday

Museum of Contemporary Canadian Art
Archives 2008 primary exhibition

Sommes-nous? Tendance Floue

Alliance Française Gallery
Archives 2008 featured exhibition

Family Album

Angell Gallery
Archives 2008 featured exhibition

Confabulation / Shanghai Dragon

Birch Libralato
Archives 2008 featured exhibition

Gun Control

Brayham Contemporary Art
Archives 2008 featured exhibition

Photo Narratives: Remembering the 20th Century

Brookfield Place
Archives 2008 featured exhibition

Magnum Workshop Exhibition

CONTACT Gallery
Archives 2008 featured exhibition

EMPTY LOTS / ANIKORA-SEIFUKU

Corkin Gallery
Archives 2008 featured exhibition

Normal Work

Gallery 44
Archives 2008 featured exhibition

100 Stories About My Grandmother

Gallery TPW
Archives 2008 featured exhibition

A New City / Here

Gladstone Hotel – 3rd & 4th Fl
Archives 2008 featured exhibition

I am Elvis

Gladstone Hotel – Art Bar
Archives 2008 featured exhibition

PORTFOLIO REVIEWS EXHIBITION

HP Print Centre
Archives 2008 featured exhibition

Drawn from Memory

Monte Clark Gallery
Archives 2008 featured exhibition

The Entire City Project

Nicholas Metivier Gallery
Archives 2008 featured exhibition

Silent Warriors

Odon Wagner Contemporary
Archives 2008 featured exhibition

Aufhebung

Olga Korper Gallery
Archives 2008 featured exhibition

Parking on Personal Webcams

Peak Gallery
Archives 2008 featured exhibition

The Uchronie Fragments

Pikto
Archives 2008 featured exhibition

The Gaza Strip: When Brothers Fight

Ryerson Gallery
Archives 2008 featured exhibition

Dream City of America

Scotiabank- Main Banking Hall – Scotia Plaza
Archives 2008 featured exhibition

Don't Mess with the Pediment

Stephen Bulger Gallery
Archives 2008 featured exhibition

Contamination

Susan Hobbs Gallery
Archives 2008 featured exhibition

Srebrenica: The Absence

Toronto Image Works Gallery
Archives 2008 featured exhibition

Accumulated Histories / Disturbance

York Quay Centre
Archives 2008 featured exhibition

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CONTACT is a Toronto based non-profit organization dedicated to exhibiting, analyzing and celebrating photography and lens-based media through an annual festival that takes place every May.

Land Acknowledgement

CONTACT acknowledges that we live and work on the traditional territory of many nations, including the Mississaugas of the Credit, the Anishnabeg, the Chippewa, the Haudenosaunee and the Wendat peoples, and that this land is now home to many diverse First Nations, Inuit, and Métis peoples. CONTACT is committed to promoting Indigenous voices; to generating spaces for ongoing, meaningful, and creative Indigenous-settler dialogue; and to continuous learning about our place on this land.

Anti-Oppression

CONTACT is committed to the ongoing development of meaningful anti-oppressive practice on all levels. This includes our continuing goal of augmenting and maintaining diverse representation, foregrounding varied and under-represented voices and perspectives via our public platform (the Festival and all related programs), as well as continually examining the structures of power and decision-making within the organization itself. We aim to actively learn, grow, and embody the values of inclusivity, equity, and accessibility in all facets of the institution, as an ever-evolving process.