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OverviewCorePublic ArtOpen Call
  • Overview
  • Core
  • Public Art
  • Open Call
Archives 2007 Public Art

Between Life and Death, 2006

May 1 – 31, 2007
  • MOCCA Parking Lot
Carlos and Jason Sanchez

Carlos and Jason Sanchez are well known for creating noir-tinged images evoking distress, uncertainty and, occasionally, even horror. In Between Life and Death, they’ve created the scene of a bus accident in which a passenger’s near-death experience is projected within a crashed passenger transport bus as a hologram. The holographic technology used in this installation allows viewers to achieve a unique intimacy with a near-death experience. The haunting installation experience is further intensified by a looped soundtrack created by artist Tim Hecker. Based on several true accounts, this project seeks
to create an honest depiction of a sacred moment in which life and death are a breath apart. The result is a work that truly needs to be seen – and heard – to be believed.

Artists talk on-site May 5. This installation is accompanied by an exhibition of the Sanchezes’ photographs at Christopher Cutts Gallery.

ShangHigh

Brassaii
Archives 2007 Public Art

Untitled Legacy, 2007

The Drake Hotel
Archives 2007 Public Art

Between Life and Death, 2006

MOCCA Parking Lot
Archives 2007 Public Art

Outdoor Sculptures, 1998–2004

St Patrick Subway Station
Archives 2007 Public Art

Selected Works, 1990–2006

St Patrick Subway Station
Archives 2007 Public Art

Warflowers, 2007

Transit Shelters on Queen St W
Archives 2007 Public Art
OverviewCorePublic ArtOpen Call
  • Overview
  • Core
  • Public Art
  • Open Call
Archives 2007 Public Art

Between Life and Death, 2006

May 1 – 31, 2007
  • MOCCA Parking Lot
Carlos and Jason Sanchez

Carlos and Jason Sanchez are well known for creating noir-tinged images evoking distress, uncertainty and, occasionally, even horror. In Between Life and Death, they’ve created the scene of a bus accident in which a passenger’s near-death experience is projected within a crashed passenger transport bus as a hologram. The holographic technology used in this installation allows viewers to achieve a unique intimacy with a near-death experience. The haunting installation experience is further intensified by a looped soundtrack created by artist Tim Hecker. Based on several true accounts, this project seeks
to create an honest depiction of a sacred moment in which life and death are a breath apart. The result is a work that truly needs to be seen – and heard – to be believed.

Artists talk on-site May 5. This installation is accompanied by an exhibition of the Sanchezes’ photographs at Christopher Cutts Gallery.

ShangHigh

Brassaii
Archives 2007 Public Art

Untitled Legacy, 2007

The Drake Hotel
Archives 2007 Public Art

Between Life and Death, 2006

MOCCA Parking Lot
Archives 2007 Public Art

Outdoor Sculptures, 1998–2004

St Patrick Subway Station
Archives 2007 Public Art

Selected Works, 1990–2006

St Patrick Subway Station
Archives 2007 Public Art

Warflowers, 2007

Transit Shelters on Queen St W
Archives 2007 Public Art

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CONTACT is a Toronto based non-profit organization dedicated to exhibiting, analyzing and celebrating photography and lens-based media through an annual festival that takes place every May.

Land Acknowledgement

CONTACT acknowledges that we live and work on the traditional territory of many nations, including the Mississaugas of the Credit, the Anishnabeg, the Chippewa, the Haudenosaunee and the Wendat peoples, and that this land is now home to many diverse First Nations, Inuit, and Métis peoples. CONTACT is committed to promoting Indigenous voices; to generating spaces for ongoing, meaningful, and creative Indigenous-settler dialogue; and to continuous learning about our place on this land.

Anti-Oppression

CONTACT is committed to the ongoing development of meaningful anti-oppressive practice on all levels. This includes our continuing goal of augmenting and maintaining diverse representation, foregrounding varied and under-represented voices and perspectives via our public platform (the Festival and all related programs), as well as continually examining the structures of power and decision-making within the organization itself. We aim to actively learn, grow, and embody the values of inclusivity, equity, and accessibility in all facets of the institution, as an ever-evolving process.